| | Germs Germicide: Live At The Whisky, June '77 CD Germs Discography of CDs
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The Germs defining punk live on stage at the Whiskey in 1977.
As the cover states, this set from Los Angeles punks the Germs was recorded live at the famed Whiskey a Go-Go in 1977. As lo-fi as the sound quality is here, it perfectly captures the band in all of their nihilistic sub-Stooges glory. GERMICIDE is an excercise in precision ineptitude as the Germs spit, lurch, and stumble their way through 10 songs in just over 30 minutes. When not warbling his surpisingly thoughtful (if you can make them out) lyrics of desperation and isolation, iconic lead singer Darby Crash baits the audience with monosyllabic expletives, while his band continually falls apart and puts the pieces back together. Produced and recorded by music biz Svengali Kim Fowley, the disc is an essential document of the early L.A. punk experience and one of its truest exemplars. (Trainspotters will also want to note that the band is introduced by original drummer Belinda Carlisle.)
Liner Note Authors: Kim Fowley; Craig Lee; Don Bolles.
Recording information: Whisky, Hollywood, CA (06/1977).
Editor: Ed Smith.
Photographer: Ralph Peer II.
Unknown Contributor Roles: Lorna Doom; Bobby Pyn; Donna Rhia; Pat Smear; Rodney Bingenheimer; The Germs; Belinda Carlisle.
Personnel: Bobby Pyn (vocals); Pat Smear (guitar); Donna Rhia (drums).
Audio Remixers: Nano Weber; Greg Shaw.
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Sonny Bono is among rock & roll's most depreciated and ironic figures. He was a multi-talented artist, producer, songwriter, and performer as well as unapologetically conservative in both his personal and political bents. The sole solo long-player of Bono's two-decade musical career, 1967's Inner Views has a title that fittingly describes its contents, which reflect the artist's sensibilities. Perhaps unintentionally, the album reinforces why Bono let his then professional partner and wife, Cher, take the vocals. The five-track collection was issued during the fall following 1967's "Summer of Love," and the pseudo-psychedelia of the 12-plus minute opening drone, "I Just Sit There," reveals that Bono was caught up in the mass-media hype that generally surrounded and subsequently misrepresented the youth-driven counterculture. His observations are spot-on, although undeniably contrived. Examples abound, such as the simplistic "Inside, outside, upside down/Everything is turning 'round/Backwards, forwards, which is right?/Black is day and white is night" and "Ring around the rosey/Your daddy's getting nosey/Mother's cooking sturgeon/Your sister's still a virgin." While no specific credits are given, conspicuously present are Hal Blaine (drums) and additional Los Angeles-based session heavies. In fact, it is probable that many of the ...
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Sugar Hill Harlem, NYC, by way of Stuttgart Germany: Monsieur Leroc keeps his Piano in nearly the exact same place in which Duke Ellington wrote his classic "Take the A Train". The only difference being one apartment floor in the old St. Nicholas Ave. building which they both have called home. This is where the neo-soul movement of today puts on its dancing shoes. In his third release, Monsieur Leroc pleads guilty with the working class title "I'm not young, but I need the money", but the sympathy stops there. Some where between DJ Shadow, and Jamie Lidell, Leroc doodlebugs into precise form with the albums opener "Cooley McCoolsen". You quickly get the idea that Leroc just wants you to get some, or get something. "I'm not young, but I need the money" is deconstructed and reassembled by Leroc in his home studio in Harlem and also features many guest vocalists and musicians that add all new elements to what has now become a signature Monsieur Leroc sound. Guests include Josh Fischel from "Bargain Music", Los Angeles MC's: ...
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