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Bach: Sacred Music In Latin, Vol. 1 CD Cover Art

Bach: Sacred Music In Latin, Vol. 1 CD - Import


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Category Classical, Classical Composers, Chamber Music/Recitals, Orchestral/Symphonic, Baroque Period, Mass, Kyrie, Sanctus, Credo
Bach: Sacred Music In Latin, Vol. 1 Music


Detailed Bach: Sacred Music In Latin, Vol. 1 Music Information



List Price $15.97 (You save $1.18)
Label Haenssler
Orig Year 10/19/1999
All Time Sales Rank   22104  
CD Universe Part number 1136381
Discs 1
Release Date Oct 29, 2002
Recording Time 59 minutes
Additional Info Import
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Bach: Sacred Music In Latin, Vol. 1 Music


Elements featured on Bach: Sacred Music In Latin, Vol. 1 CD



Composers on Bach: Sacred Music In Latin, Vol. 1 CD : Johann Sebastian Bach

Conductors on Bach: Sacred Music In Latin, Vol. 1 CD : Helmuth Rilling

Performers on Bach: Sacred Music In Latin, Vol. 1 CD : Christine Schafer, Donna Brown, James Taylor [Tenor Vocal], Thomas Quasthoff, Wolfgang Schone

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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton. Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part One and Two" features a full horn and string section painting the atmosphere at a cantina dance from its wild beginnings until its sultry ending. Daniel Lanois, who scored Thornton's Sling Blade (well, it actually sounds as if he threw a bunch of leftover studio bits on a tape for the movie), makes a return appearance here with an actual song. The track "Porque" features the stirring vocals of Raul Malo of the Mavericks, who contributed the lyrics to the selection. It's a sad, romantic ballad. Lost love drips from the cowboy's hat, regret drapes itself in tears in his shaded eyes, and he stands out in the rain singing to no one. Also, homage is paid to Stuart's greatest influence and benefactor, the daddy of bluegrass ...
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Songs of Forbidden Love and Forgotten Dances(Randy Pile with Susan Barrett-oboe and English horn) Love and Music... they are the two wings of the soul.   -Memoires, Hector Berlioz, 1865. Love has been a central theme in music throughout history; melody expressed with love or melody as an expression of love. Colored by varying harmonic backdrops, it has been both a topic and a feeling, clearly presented, or veiled in a world of metaphors and multiple meanings, through the sensible or the sensual. Given life through rhythm, which remains fundamental, it often finds expression in dance. While the dances change, rhythm remains essential, and Spain proves rich in her heritage of both. Music has the power to express beyond mere words, to bypass the intellect and speak directly to the heart. Able to conquer fear, soothe anger and inspire love, it lives in the realm of the fantastic. It is not mere fantasy, but a reality of potential. Feelings of love and confidence abound in music, but those of fear and anger also live within the boundaries. While on one listening, a piece may inspire the fullness of nostalgic happiness, the next hearing may equally prove the emptiness of forlorn hope. Music is a participation art which elevates the spirit. The musician brings to the performance his feelings, dreams, desires and concerns, as does the most detached listener. The music on this recording strikes chords, both fun and profound, that will resonate with varying degrees of intensity in the heart of the listener. Much of it is derived from vocal forms based on dance rhythms. Texts have been provided for the ...
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