| | Komeda What Makes It Go? CD Komeda Discography of CDs
(3 Customer Reviews)
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In a sense, Sweden's Komeda is a product of its environment. Scandinavia spends half the year spent in darkness and the other half bathed in light. The darkness brings with it introspection and solitude; the sunlight inspires dancing and parades. Night and day are intertwined in Komeda's music like the fingers of two clasped hands. The darker elements are hidden below the sprightly sheen of the band's snappy arrangements and the clarity of the production. The lyrics step easily between hijinks and social commentary. Singer Lena Karlsson delivers such lines such as "insanity is our hospitality" and "be a rebel and be sexy" with a sort of casual stridency. This is wonderfully modern music, inviting in the manner of a gracious host.
2nd U.S.Release
Unknown Contributor Roles: Jonas Holmberg; Marcus Holmberg; Mattias Norlander; Lena Karlsson.
Personnel: Eskil Lovstrom (trombone); Pelle Henricsson (bongos); Erik Andersson, Jan Aäder (percussion).
Recording information: Tonteknik Recordings, Umeå, Sweden (1997).
Komeda What Makes It Go? Songs What Makes It Go? Music Review Average Rating: (5 out of 5 stars)   Futuristic sum up of the 20th century Komeda manage to combine beautifully various genres that make the music "easy" to access after a first listening experience. At the same time their own unique style emerges equally characteristic as the paintings of Van Gogh or the voice of Bob Dylan. Innovative musical arrangements reaching forwards into the void and a Morrisonesque lead vocal by Lena Karlsson, no wonder Beck and Devo are Komeda fans. Highly recommended. //FMLP Submitted by a reviewer (Commonwealth of nations of planet Earth)  Was This Review Helpful? Yes No
Svenke Pop at its best Nothing else seems to sound like Swedish pop. It has its own quirky rythm... the way they play the guitar, or bass or the melodies they sing. Komeda is a perfect example of this and What Makes it Go is a great record to discover the Swedish pop sound. With beats reminiscent of breaks and drum-n-bass, the foursome create beautifully layered pop textures over a driving rythmn section, lush vocals and wonderful hooks complimented by High Llama-like synths. Think of Ray Wonder with a female singer.
YOU'LL ALSO LIKE: Ray Wonder, Stereolab, Ivy, Jon Brion, Jason Falkner, High Llamas, the Muffs, Dismemberment Plan. Submitted by asstrozine (Coral Springs, FL, USA)  Was This Review Helpful? Yes No
THE Komeda Album to buy first Great all around album. 5 Great songs. The others are still good - ok. No bad songs.
Great value for the money, not like other albums where you like 3 songs. The whole album is worth lsitening to. Submitted by Brandon (NY, NY, USA) Was This Review Helpful? Yes No
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Purchase What Makes It Go? CD To buy, Click on price to add to cart | Dirty Three In The Fishtank CD (2004) Extended Play
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$9.65 In late 1999, the Dutch label KonKurrent invited Minneapolis band Low into an in-house studio to record one of the label's near-legendary In the Fishtank sessions; bands have two days to record between 20-30 minutes of all new material of their choosing. Also touring at the time were Low's pals, the Australian instrumental dynamos the ...
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$16.45 Short Interview with James Higgins.INTERVIEWER: Well, tell us about this new CD Driftwood.JAMES: Driftwood is a warm CD. It's like a friendly ghost.INTERVIEWER: Care to elaborate on that?JAMES: It's not a loud chain clanking album. No, this is a haunted house with a nice fire and a sleepy old dog. Not one with broken windows, flashing lightening, and some nut in the attic.Driftwood has points of view and opinions but doesn't ram them down your throat. I think it can be enjoyed for the music or the lyrics. Or both.INTERVIEWER: Tell us about the music.JAMES: Most of the bass on this CD was done with my washtub bass. People tend to think on jug band music when they hear me say that, but it's not like that at all. You'd be surprised how versatile a wash tub bass can be. Lyrically, the CD talks about various themes. Play for Free, is about musicians never getting paid but getting "a great opportunity to showcase your music."Thylacine: There is a famous piece of footage from the 1930s of a captive thylacine. It was taken just before they went extinct. I've always found this short silent film, fascinating and extremely sad to watch. I think the Government of Australia issued a reward in the 1960s for anyone who could prove the continued existence of the thylacine. There have been many rumours and shaky movies but never anything official. But don't quote me on that exactly. Recently I heard that approximately 36% of mammals were on the Red List of endangered species. You could practically count the amount of bullets it would take to destroy one third of the mammalian species' left on Earth. It's come down to that.Guernica: I've always been amazed at the price of art. The thought that the cost of one painting could feed a third world country is mind blowing. Picasso, apparently could sign a table cloth after a restaurant meal and say keep the change.Luckily this CD is not all doom and gloom. Songs like Chocolate Girl, Annecy, and, Traveling Bag are much happier and less lofty.The actual music is unquestionably acoustic. It's very organic: sort of bluesy, sort of folksy. Yet I would say that there isn't a blues song or a folk song on this CD. Perhaps it's time to redefine the folk song image.INTERVIEWER: Care to have a crack at it?JAMES: (…..2 minute silence.) No. (…Another pause). Well I guess folk music redefines itself with every generation. It tells the stories of the common man. In order to survive, it adapts but rarely strays from its earthy roots. Folk music has outlived all other genres of music. So I guess folk music can only ever be redefined on a temporary basis. It is the eternal bank for all music. Musicians come to take out loans and borrow tunes and lyrics to invest in new musical plantations which in the end all returns to the bank with renewed interest.INTERVIEWER: I'll take your ...
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