| | Strauss: Elektra CD Borkh, I / Resnik, R CDS
Strauss: Elektra Music | List Price | $33.95 (You save $5.66) | | Label | VAI Audio | | Orig Year | 11/30/1999 | | CD Universe Part number | 1139803 | | Discs | 2 | | Release Date | Nov 01, 1999 | | Recording Time | 2 2 | | Additional Info | Boxed Set |
Strauss: Elektra Review
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Strauss: Elektra Songs 1. Elektra, opera, Op. 58 (TrV 223): Wo bleibt Elektra? (6:22)  Windows Media  Real Audio | | Composer | Richard Strauss (1864 - 1949) | | Conductor | Knud Anderson | | Performer | Benjamin Rayson (Voice)
Alan Crofoot (Voice)
Audrey Schuh (Voice)
Inge Borkh (Voice)
Regina Resnik (Voice) | | Genre | Opera | | Date Written | 1906-1908 | | Recording Date | 12/1966 | | Notes | Composition written: 1906-08.
Composition revised: Greece. | | 2. Elektra, opera, Op. 58 (TrV 223): Allein! weh, ganz allein (8:24) Windows Media Real Audio | | Common Name | Macbeth Opera | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Anton Guadagno | | Performer | Lydia Neumann (Voice)
Inge Borkh (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1847 | | Period | Romantic | | Notes | 11/02/1967/11/04/1997
Composition written: 1847.
Composition revised: Scotland. | | 3. Elektra, opera, Op. 58 (TrV 223): Elektra! Ah, das Gesicht! (4:14) Windows Media Real Audio | | Common Name | Macbeth Opera | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Anton Guadagno | | Performer | Lydia Neumann (Voice)
Inge Borkh (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1847 | | Period | Romantic | | Notes | 11/02/1967/11/04/1997
Composition written: 1847.
Composition revised: Scotland. | | 4. Elektra, opera, Op. 58 (TrV 223): Ich kann nicht sitzen (8:42) Windows Media Real Audio | | Common Name | Macbeth Opera | | Composer | Giuseppe Verdi (1813 - 1901) | | Conductor | Anton Guadagno | | Performer | Lydia Neumann (Voice)
Inge Borkh (Voice) | | Genre | Opera / Romantic Period | | Date Written | 1847 | | Period | Romantic | | Notes | 11/02/1967/11/04/1997
Composition written: 1847.
Composition revised: Scotland. |
Purchase Strauss: Elektra To buy, Click on price to add to cart | Priests CD (2008)
Strauss: Elektra
 $11.29   
The Priests are a trio of light classical tenors from Northern Ireland, all of whom are indeed ordained. Their debut album, on which they're accompanied by pianist Danny O'Neill and the Irish Film Orchestra, consists of faithful arrangements of traditional hymns and liturgical songs, many in Latin. Highlights include "Abide With Me," "Ave Maria," and "Benedictus."
Arrangers: Mike Hedges; Pablo Colino; Sally Herbert; The Priests.
Personnel: Accademia Filarmonica Romana Choir, Choir of the Philharmonic Academy of Rome (vocals); Brendan Monaghan (whistle, Uilleann pipe); Danni O'Neill (piano); Youki Yamamoto, Olli Cunningham, Adam Langston (programming); The Irish Film Orchestra.
Audio Mixers: Gabriele Conti; Haydn Bendall; Austin Ince; Tom Bailey.
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Strauss: Elektra
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Clips, interviews, commentary, and rare concert footage present a history of America's most celebrated music, jazz, tracing its roots back to the 1830's. Features songs from Thelonious Monk, Charles Mingus, Benny Goodman, Count Basie, Miles Davis, and more.
Standard Screen; Soundtrack English; English Subtitles
| | Charlotte Church Dream A Dream CD (2000)
Strauss: Elektra
$7.59 
The little girl with the big voice is back for a selection of popular Christmas songs and carols, ranging from the medieval "Coventry Carol" to the brand new title track, whose chorus will be recognized by classical music fans as the "Pavan" of Gabriel Faure. In between are pop standards like "Winter Wonderland" and Mel Torme's "Christmas Song" as well as some less familiar fare such as the delicate calypso "Mary's Boy Child" and the Welsh "Draw Tua Bethlehem". Much of the program features big, lush orechestral arrangements with Church's voice at full throttle, but several tracks deliver less most effectively, such as the lovely, simple choral accompaniment to Michael Praetorius' "Lo How a Rose E'er Blooming" or the opening verse of "God Rest Ye Merry Gentlemen," sung solo with no instruments at all.
Charlotte Church In The Holy Land
Recorded at Blackheath Concert Halls and Air Studios, London, England.
Personnel includes: Charlotte Church (vocals); Sian Edwards (conductor); London Symphony Orchestra.
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Strauss: Elektra
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This is a Super Audio CD playable only on Super Audio CD players.
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Track Listing of songs: Prelude / the Sound of Music; Overture / Preludium; Morning Hymn / Alleluia; Maria; I Have Confidence; Sixteen Going On Seventeen; My Favorite Things; Do-Re-Mi; Sound of Music; Lonely Goatherd; Edelweiss; Laendler; So Long, Farewell; Entr'acte; Climb Ev'ry Mountain; My Favorite Things; Something Good; Processional and Maria; Sixteen Going On Seventeen; Do-Re-Mi; Edelweiss; So Long, Farewell; Climb Ev'ry Mountain; Finale; Robert Wise Interview; Richard Rodgers Interview; Charmian Carr Interview;
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$14.75 | | Sarah Brightman La Luna CD (2000)
Strauss: Elektra
$11.39
The word "angelic" almost seems an understatement when applied to the golden voice of Sarah Brightman. She makes Enya sound like Tom Waits, and LA LUNA is full of tunes that allow Brightman to freely weave her vocal magic.
She moves convincingly through a number of styles here, the atmospheric soundscapes of the introductory "La Lune" giving way to the electronica-tinged "Winter in July," which in turn leads into a delicately updated arrangement of the British folk tune "Scarborough Fair," made popular in the '60s by Simon & Garfunkel. Thick washes of strings mate with electronic percussion on Brightman's version of the Procol Harum classic "A Whiter Shade of Pale." On "How Fair This Place," she shows off the impressive operatic chops that helped her to earn her diva stripes. Ultimately, whether she's sweetly subverting folk tunes, ably adapting classical material, or reigning like a pop princess over very contemporary arrangements, Brightman wields a voice that never fails to enchant.
Recorded at Angel Studios, London, England; Smecky Studios, Prague, Czech Republic; Centro Arteria, Milan, Italy; Nemo Studios, Hamburg, Germany; Timps Studio, Maidenhead.
Adapters: Frank Peterson; Michael Soltau; Sarah Brightman.
Personnel: Sarah Brightman (vocals, keyboards, background vocals); English National Choir (vocals); Günther Haas (guitar); Carsten Heusmann, Frank Peterson, Peter Murray , Michael Soltau, Jan Eric Kohrs (keyboards); Martin Frosty Beedle (drums); Gillian McDonagh (percussion); Princessa (background vocals).
Audio Mixers: Frank Peterson; John Timperly; Michael Soltau.
Recording information: Angel Studios, Islington, London, England (1999-2000); Centro Arteria, Milian (1999-2000); Nemo Studios, Hamburg, Germany (1999-2000); Smecky Studios, Prague, Czech Republic (1999-2000); Timps Studio, Maidenhead, England (1999-2000).
Photographer: Simon Fowler.
Personnel: Sarah Brightman (vocals, keyboards); Paul Bateman (conductor); Gunther Haas (guitar); Peter Murray, Frank Peterson, Jan-Eric Kohrs, Carsten Heusmann (keyboards); Trevor Barry (bass); Martin "Frosty" Beedle (drums); Gillian McDonagh (percussion); Princessa, Eve, English National Choir (background vocals).
Engineers include: Michael Soltad, John Timperley, Colin Boland.
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