| | Clash Give 'Em Enough Rope CD Clash Discography of CDs
 (2 Customer Reviews)
Digitally remastered by Ray Staff & Bob Whitney (Whitfield Street Studios).
Sensing the emollient rattle of punk was an artistic dead end, the Clash took an abrupt volte-face and invited American Sandy Pearlman to produce their second album. Respected for his work with Blue Oyster Cult and the Dictators, Pearlman introduced a sheen that disturbed purists but introduced the Clash to a wider audience. The clear sound brought a new emphasis to the quartet's internal interplay and allowed the material to stand up in its own right. GIVE EM ENOUGH ROPE contains several of the band's most popular songs, which range from the defiant "Tommy Gun" to the sensitive "Stay Free," a contrast confirming the Clash's wider musical ambitions.
Personnel: Mick Jones , Joe Strummer (vocals, guitar).
Audio Mixer: Corky Stasiak.
Audio Remasterers: Ray Staff; Bob Whitney.
Arranger: The Clash.
The Clash: Joe Strummer, Mick Jones (vocals, guitar); Paul Simonon (vocals, bass); Topper Headon (drums).
Engineers include: Dennis Ferranti, Gregg Caruso, Chris Mingo.
Q (5/02 SE, p.135) - Included in Q's "100 Best Punk Albums".
Q (12/99, pp.152-3) - 5 stars out of 5 - "...no more punk than Blondie...[it] shined of quality....their drumming problems were over with the arrival of jazz-trained [Topper] Headon..."
NME (Magazine) (10/2/93, p.29) - Ranked #87 in NME's list of the 'Greatest Albums Of All Time.' Give 'Em Enough Rope Music Clash Give 'Em Enough Rope Songs Give 'Em Enough Rope Music Give 'Em Enough Rope Music Review Buy Give 'Em Enough Rope CD Purchase Give 'Em Enough Rope CD To buy, Click on price to add to cart | Clash CD (1979) Remastered
Give 'Em Enough Rope album
 $7.59  
Also available in a 3-pack with LONDON CALLING and COMBAT ROCK.
Digitally remastered by Ray ...
| | Clash London Calling CD (1979) Remastered
Give 'Em Enough Rope CD music
$6.25   
Additional personnel includes: Baker Glare (whistling); The Irish Horns (brass); Micky Gallagher (organ).
Digitally remastered by Ray Staff & Bob Whitney (Whitfield Street Studios, London, England).
If punk rejected pop history, LONDON CALLING reclaimed it, albeit with a knowing perspective. The scope of this double set is breathtaking, encompassing reggae, rockabilly, and the group's own furious mettle. Such a combination might seem over-ambitious, but the Clash accomplish it with swaggering panache. Guy ...
| | Clash Sandinista! CDs (1980) Remastered
Give 'Em Enough Rope music CDs
$15.95
Digitally remastered by Ray Staff & Bob Whitney (Whitfield Street Studios).
SANDINISTA! ...
| | Super Black Market Clash CD (1994) Remastered
Give 'Em Enough Rope songs
$7.59
SUPER BLACK MARKET contains 21 tracks ...
| | Clash Combat Rock CD (1982) Remastered
Give 'Em Enough Rope album
$6.75
| | Cannibal & The Headhunters Golden Classics CDs (1996)
Give 'Em Enough Rope CD music
$10.59
| | Chuck Berry One Dozen Berry's Jukebox Hits CD (1999) (Import) United Kingdom
Give 'Em Enough Rope music CDs
$18.79
This U.K. two-fer collects two of Chuck Berry's best albums, 1958's ONE DOZEN BERRYS and 1961's JUKE BOX HITS, featuring "Sweet Little Sixteen" and "Little Star."
Just in case MCA's latest Chuck Berry anthology isn't sufficiently diverting, this CD from England's Beat Goes on Records, containing remastered versions of his second and fifth LPs, is a good place to start looking further into his Chess Records history. Apart from their intrinsic musical merits, between them, these albums -- his first two LP releases in England -- provided the British bands of the early '60s a big chunk of their repertory, the Rolling Stones alone pulling no less than three of their early songs from Juke Box Hits. The charted hits -- "Sweet Little Sixteen," "Reelin' & Rockin'," "Rock & Roll Music" -- speak for themselves, but there's a lot more music to enjoy here that usually doesn't make it onto any compilations: "Oh Baby Doll," a brash, stomping account of teenage life and romance that has somehow been overlooked for 40-some ...
| | Love Life Rose He Lied By CD (2001)
Give 'Em Enough Rope songs
$11.39
| | If Hope Dies Ground Is Rushing Up To Meet Us CD (2004)
Give 'Em Enough Rope album
$9.25
| | Striking 12: The New Groovelily Musical CD (2005)
Give 'Em Enough Rope CD music
$13.45
Composer/Lyricists: Brendan Milburn; Valerie Vigoda; Rachel Sheinkin.
Striking 12: Valerie Vigoda (vocals, electric ...
| | Los Angeles De Charly La Mejor Coleccion CDs (2007)
Give 'Em Enough Rope music CDs
$8.99
| | Electric Light Orchestra Discovery CD (2007) (Import) Japan; Mini LP Sleeve
Give 'Em Enough Rope songs
$30.19
| | Deep Purple Live At Montreux 2006 CD (2007) (Import) Japan; Mini LP Sleeve
Give 'Em Enough Rope album
$45.99
Purple's first live album without keyboardist/founder Jon Lord finds the band returning to Montreux for the festival's 40th anniversary in 2006. It's a spirited affair and even though this single-disc CD is edited down by about a third from the DVD of the same show, available separately, it's still a rousing document from these hard working hard rockers. Purple was touring behind its new album at the time, 2006's Rapture of the Deep, and three of its songs are featured here, all lumped together in the middle of the set. The tunes ("The Wrong Man," "Kiss Tomorrow Goodbye" and the title track) have a prog/jazz feel to them, perhaps influenced by guitarist Steve Morse who comes from that background with his work for Kansas and the Dixie Dregs. While none of them are likely to be future classics, it does push Purple's boundaries in a logical direction without losing the guitar/organ interplay so integral to the sound. Singer Ian Gillan can't quite navigate some of the high notes on the new additions or the hits that dominate the disc's playing time like he used to. But otherwise Purple sounds tight and committed despite having played much of this music on nearly every show for three decades. The bluesy "When a Blind Man Cries," somewhat of a rarity originally recorded in the Machine Head days, makes an appearance just before the closing batch of evergreens that wrap up the concert. Don Airey gets a solo spot, similar to Rick Wakeman's in Yes shows, to feature his skills on various keyboards. In five minutes he shifts from prog to boogie woogie to classical and jazz with uncanny grace, although how many times you'll want to hear it is questionable. Steve Morse's analogous showcase on guitar ...
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