| | John Coltrane Live At Birdland CD John Coltrane Discography of CDs
(1 Customer Review)
Tracks 1-3 recorded live at Birdland, New York, New York on October 8, 1963. Tracks 4-6 recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 6 and November 18, 1963. Originally released on Impulse (50). Includes liner notes by Leroi Jones and Michael Cuscuna.
Digitally remastered usuing 20-bit technology by Erick Labson (MCA Music Media Studios).
By 1963, when LIVE AT BIRDLAND was recorded, the John Coltrane Quartet had evolved into the finest working band in all of jazz, achieving an extraordinary balance of freedom and form, visceral intensity and romantic sensitivity. Each member was an innovator in his own right. From McCoy Tyner's powerful orchestrations, to bassist Jimmy Garrison's indomitable pulse and Elvin Jones' telepathic polyrhythms, this was a thrilling group at a peak of wonder and discovery.
Jones' dancing 6/8 pulse and elemental barrage of tom and cymbal colors make the quartet sound like a big band on their exciting version of "Afro-Blue." Tyner's rocking two-handed rhythms and original chordal voicings bring the tune's melodic strains to a fine boil, when Trane re-enters with a screaming, rhythmically challenging solo. The saxophonist approaches "I Want To Talk About You" as a virtuoso ballad vehicle, and the contrast between dense rhythmic/harmonic ideas and simple melodic eloquence bring this performance to an earthy emotional peak. The dancing polyrhythms which announce "The Promise" suggest how far the quartet had reshaped the basic 4/4 rhythm of jazz. Tyner's left hand keeps the pulse churning, as he uncoils swift, graceful single-note leads and crunching block chords, transforming a pathetic nightclub piano into a choir of angels. Trane's soprano re-appears at an emotional crest, supporting him and Elvin with big, brassy chords that echo their conversation.
A pair of studio tracks round out the set. Tyner's droning chorus of tears and the beckoning thunder of Garrison and Jones give the dirge "Alabama" its elemental dignity. "Alabama" is a haunting recollection of four innocents who died in a church bombing, and the tender compassion and final cry for justice in Coltrane's evocative melody is easy to recognize. The set concludes with "Your Lady," an elegant idiomatic quartet treatment of a 3/4 pulse, as Trane discovers a softer, more feminine inflection for his soprano.
Arguably John Coltrane's finest all-around album, this recording has brilliant versions of "Afro Blue" and "I Want to Talk About You"; the second half of the latter features Coltrane on unaccompanied tenor tearing into the piece but never losing sight of the fact that it is a beautiful ballad. The remainder of this album ("Alabama," "The Promise," and "Your Lady") is almost at the same high level. [Impulse!'s 1996 reissue included a bonus track, "Vilia."] ~ Scott Yanow
Reissue producer: Michael Cuscuna.
Liner Note Author: Michael Cuscuna.
Recording information: 10/08/1963-11/18/1963.
Personnel: John Coltrane (soprano & tenor saxophones); McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
Producer: Bob Thiele.
John Coltrane Live At Birdland Songs Live At Birdland Music Review Purchase Live At Birdland CD To buy, Click on price to add to cart | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
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$6.29 (MP3 Available for Download) With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing ...
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Live At Birdland album
$9.65 (MP3 Available for Download) Recorded live at the Newport Jazz Festival, Newport, Rhode Island on July 7, 1963 and The Village Vanguard, New York, New York on November 2, 1961. Includes liner notes by John Coltrane, Roy Haynes and Francis Davis.
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$9.39 (MP3 Available for Download) The innovations of pianist/composer Thelonious Monk are often lumped together with those of Charlie Parker and Dizzy Gillespie, as if his work was some kind of aesthetic footnote to their bebop revolution. In fact, this great composer established a parallel stream of modern jazz that is a universe unto itself. The music on these first Blue Note sessions is so brimming with joy and cosmic architecture, it's difficult to believe people once viewed Thelonious Sphere Monk's work as hopelesssly oblique.
Born in Rocky Mount, NC on October 10, 1917, Monk was brought up in the San Juan Hill section of Manhattan. He began playing piano at eleven, and soon went on the road with a touring revivalist. Some writers have speculated that his acerbic voicings and angular melodic lines were influenced in part by traditional blues and church music (not to mention the rickety old upright pianos he encountered along the way). However, by the time his work was first documented with electric guitarist Charlie Christian, Monk was clearly emerging from the stride tradition of pianists such as James P. Johnson.
By the time tenor saxophone patriarch Coleman Hawkins featured him on a 1944 recording date, Monk's mature style was emerging. In part, that style was a reaction to the emerging harmonic complexities and melodic intricacies of bebop, many of which Monk mid-wifed as a collaborator and teacher to the likes of Gillespie, Bud Powell and Miles Davis. Monk pared down his considerable technique and developed a singular style of improvisation and composition, derived from the example of Count Basie and Duke Ellington.
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