Alison Krauss / Union Station - So Long So Wrong MP3 Download

So Long So Wrong buy CD music Alison Krauss & Union Station: Alison Krauss; Ron Block (vocals); Barry Bales (bass instrument, background vocals); Dan Tyminski, Jerry Douglas . In a world where popular country music has lost much of its roots, Alison Krauss stands out among the pack because she remains true to the bluegrass traditions of Bill Monroe, Earl Scruggs, Lester Flatt, and others. However, more than just a revivalist, Krauss also has an unerring ear for elegant pop music. LONELY RUNS BOTH WAYS features, essentially, two types of music--burning-hot bluegrass compositions and delicate, heartrending country ballads. On the latter, Krauss's gossamer voice sears with deep emotion and lyrical clarity. For example, the last song on the album, "A Living Prayer," is a gospel lullaby featuring Krauss belting out long, legato notes over austere acoustic guitar accompaniment. In contrast, the instrumental piece "Unionhouse Branch" explores traditional Americana. Each Union Station member is featured on this track, and the level of technical skill displayed by these musicians (particularly by dobro player Jerry Douglas) is truly astounding. In many ways, this band represents a pinnacle in modern bluegrass. As for Krauss, her fiddle playing is understated on this release, but her beautifully penetrating voice more than makes up for it. Personnel: Alison Krauss (vocals, fiddle, viola); Dan Tyminski (vocals, baritone, guitar, mandolin); Barry Bales (tenor, bass voice); Ron Block (guitar, slide guitar, banjo); Jerry Douglas (lap steel guitar, dobro). Audio Mixer: Gary Paczosa. Recording information: 17 Grand Recording, Nashville, TN; Blackbrid Studio; Minutia Recording Studio. Photographer: ...

So Long So Wrong CD music NOW THAT I'VE FOUND YOU is a collection of new and previously released tracks culled from Alison Krauss's first five albums as well as other artists' albums on which she performed. Recorded in Nashville, Tennessee and San Francisco, California. Includes liner notes by Jim Macnie. "Baby, Now That I've Found You" won a 1996 Grammy Award for Best Female Country Vocal Performance. This is a Hybrid Super Audio CD playable on both regular and Super Audio CD players. Sam Bush, Brent Truitt (mandolin); Stuart Duncan (fiddle, harp); Pete Wasner (piano); Barry Bales (acoustic & electric bass); Roy Huskey, Jr., Viktor Krauss (acoustic bass); Glen Worf, John Pennell, Todd Phillips, Mark Schatz (bass); Kenny Malone (drums, congas); Tom Miller (steel drums, percussion); Larry Atamanuik, Harry Stinson, Martin Parker (drums). Recorded between 1987 & 1994. Includes liner notes by Jim Macnie. Since her Rounder debut in 1987, Alison Krauss has been praised by critics and country music fans alike. Revitalizing traditional styles of country music including bluegrass, the singer and fiddler is the focus of much public attention. Her unique, yet firmly-rooted approach to country music has won her several Grammys. Her 1995 release, NOW THAT I'VE FOUND YOU, showcases her ability to shine in a variet Personnel includes: Alison Krauss (vocals, fiddle, viola); Suzanne Cox (vocals); Ron Block (acoustic & electric guitars, banjo, background vocals); Dan Tyminski (acoustic guitar, background vocals); Jerry Douglas (guitar, dobro); Jeff White (guitar, background vocals); Russ Barenberg (guitar); Rob Ickes (dobro); Adam Steffey (mandolin, mandola); Sam Bush, Brent Truitt (mandolin); Tony Furtado, Craig Smith (banjo); Stuart Duncan (fiddle, harp); Pete Wasner (piano); Barry Bales (acoustic & electric bass); Roy Huskey, Jr., Viktor Krauss (acoustic bass); Glen Worf, John Pennell, Todd Phillips, Mark Schatz (bass); Kenny Malone (drums, congas); Harry Stinson, Martin Parker (drums). Producers: Alison Krauss, Union Station, Bil VornDick, Jerry Douglas, Bil VornDick. Engineers: Gary Paczosa, Rich Adler, Bil VornDick. Personnel: Alison Krauss (vocals, fiddle, viola); Suzanne Cox (vocals); Ron Block (acoustic & electric guitars, banjo, background vocals); Dan Tyminski (acoustic guitar, background vocals); Jerry Douglas (guitar, dobro); Jeff White (guitar, background vocals); Russ Barenberg (guitar); Tony Furtado, Craig Smith (banjo); Rob Ickes (dobro); Adam Steffey (mandolin, mandola); Producers include: Alison Krauss, Union Station, Ken Irwin, Jerry Douglas, Bil VornDick. Personnel: Alison Krauss (vocals, tenor, fiddle, viola); Suzanne Cox (vocals, tenor, baritone); Sidney Cox (vocals, tenor); Dan Tyminski (vocals, baritone, acoustic guitar); Jeff White (tenor, baritone, guitar); Ron Block (tenor, guitar, acoustic guitar, electric guitar, banjo); Mike Harman (tenor); Evelyn Cox (baritone); Jerry Douglas (guitar, dobro); Russ Barenberg, Scott Nygaard, Tim Stafford, Mike Marshall (guitar); Rob Ickes (dobro); Tony Furtado (banjo); Stuart Duncan (harp, fiddle, cymbals); Adam Steffey (mandola, mandolin); Sam Bush, Brent Truitt (mandolin); Pete Wasner (piano); Roy M. "Junior" Husky, Viktor Krauss, Barry Bales (acoustic bass); Kenny Malone (drums, congas); Harry Stinson, Larry Atamanuik, Martin Parker (drums); Mark Schatz (cymbals); Tom Miller (steel drum, percussion); Joe Craven (percussion). Audio Mixers: Richard Adler ; Bil VornDick. Liner Note Author: Jim Macnie. Recording information: Battery Studios, Nashville, TN; Cham; Homplace Studio, Suite 2000; Nightingale Studio, Nashville, TN; Sound Shop B; Treasure Isle Recorders. Photographer: Alan Messer. Arranger: Alison Krauss. Collection

So Long So Wrong songs FORGET ABOUT IT was nominated for the 2000 Grammy Award for Best Country Album and for Best Engineered Album, Non Classical. "Forget About It" was nominated for the 2000 Grammy Award for Best Female Country Vocal Performance. This is a Hybrid Super Audio CD playable on both regular and Super Audio CD players. Alison Krauss is a genuine rarity: a bluegrass singer and fiddle player who achieved popularity without altering or commercializing her sound. On FORGET ABOUT IT, she again fuses bluegrass, country, and pop influences, covering unlikely tunes and making them sound fresh and new. Though there are very few true bluegrass tunes in this set, the bluegrass sound is here in full force. The close harmonies, Krauss' high, lonesome soprano, and the traditional-sounding dobro and fiddle are all at the heart of the sound here. The songs are mostly slow, subdued expressions of romantic melancholy and heartbreak. The musicianship is, as usual, both immaculate and inspired. Dolly Parton and Lyle Lovett show up to give harmony to the lovely closing track, "Dreaming My Dreams With You." FORGET ABOUT IT also contain some of Krauss' most memorable singing. A beautiful piece of work. Recorded at Emerald Sound and Seventeen Grand Studios, Nashville, Tennessee. Recorded at Emerald Sound Studios and Seventeen Grand Recording, Nashville, Tennessee. Personnel: Alison Krauss (vocals, fiddle, strings); Pat Bergeson (acoustic & electric guitars); Dan Tyminski (acoustic guitar, background vocals); Ron Block (acoustic guitar); Jerry Douglas (lap steel guitar, dobro); Sam Bush (mandolin, background vocals); Joey Miskulin (accordion); Matt Rollings (piano); Barry Bales (acoustic & electric basses, background vocals); Viktor Krauss (acoustic bass); Jim Keltner, Kenny Malone (drums); Dolly Parton, Lyle Lovett, Evelyn Cox, Sidney Cox, Suzanne Cox (background vocals). Personnel: Alison Krauss (vocals, fiddle, strings); Pat Bergeson (acoustic guitar, electric guitar); Dan Tyminski, Ron Block (acoustic guitar); Jerry Douglas (lap steel guitar, dobro); Sam Bush (mandolin); Joey Miskulin (accordion); Matt Rollings (piano); Barry Bales (acoustic bass, electric bass); Viktor Krauss (acoustic bass); Jim Keltner, Kenny Malone (drums). Audio Mixer: Gary Paczosa. Recording information: Emerald sound Studio, Nashville, TN (1999); Seventeen Grand Recording, Nash (1999). Photographer: Matthew Barnes. Personnel: Alison Krauss (vocals, fiddle, strings); Pat Bergeson (acoustic & electric guitars); Ron Block, Dan Tyminski (acoustic guitar, background vocals); Jerry Douglas (dobro, lap steel guitar); Sam Bush (mandolin, slide mandolin, background vocals); Joey Miskulin (accordion); Matt Rollings (piano); Barry Bales (acoustic & electric basses, background vocals); Viktor Krauss (acoustic bass); Jim Keltner, Kenny Malone (drums); Dolly Parton, Lyle Lovett, Evelyn Cox, Sidney Cox, Suzanne Cox (background vocals).

So Long So Wrong album for sale Additional personnel includes: Larry Atamanuik (drums, percussion). NEW FAVORITE won the 2002 Grammy Award for Best Bluegrass Album. "The Lucky One" won the 2002 Grammy Award for Best Country Performance by A Duo Or Group With Vocal and for Best Country Song. NEW FAVORITE finds Alison Krauss & Union Station continuing to solidify the bridge between the worlds of pop and bluegrass that they helped forge in the '90s. Krauss's crystalline vocals continue to induce goosebumps and bring to mind a young Dolly Parton on the delicate ballads "I'm Gone," "Crazy Faith," and "Momma Cried" along with more traditional-sounding fare like the high lonesome "Take Me For Longing." With its musical democracy still intact, Union Station also delights with new member Jerry Douglas' fleet-fingered instrumental workout "Choctaw Hayride" and a dark-hued interpretation of the traditional "The Boy Who Wouldn't Hoe Corn" delivered by Dan Tyminski's supple tenor. (Tyminski's vocals may strike a recognizable note as his voice replaced George Clooney's on "I Am A Man Of Constant Sorrow," a musical centerpiece on the O BROTHER, WHERE ART THOU? soundtrack). Once again Krauss takes a non-traditional bluegrass approach towards picking material. Among the artists interpreted are legendary country-folk banjo player Dock Boggs ("Bright Sunny South"), '70s singer-songwriter Dan Fogelberg ("Stars"), fellow New Traditionalists Gillian Welch and David Rawlings (the title track), and Rounder labelmate Robert Lee Castleman ("Let Me Touch You For Awhile," "The Lucky One"). Recorded at Seventeen Grand Recording, Nashville, Tennessee. Alison Kraus & Union Station: Alison Krauss (vocals, fiddle, viola); Ron Block (vocals, guitar, banjo); Dan Tyminski (vocals, guitar, mandolin); Barry Bales (vocals, bass); Jerry Douglas (dobro).

So Long So Wrong CD music Even those who don't instinctively like bluegrass will have a hard time ignoring the measure of Alison Krauss's talent. With an angelic, elastic voice that seems perfectly suited to the music, and her spectacular fiddle playing, Krauss has had a hand in revitalizing the genre and enjoyed popularity with bluegrass and mainstream audiences alike. I'VE GOT THAT OLD FEELING, Krauss's third outing for Rounder Records, released in 1990, was also her first Grammy-winner. Lilting dobro, banjo, mandolin, and sweet harmonies flank Krauss throughout these 12 tracks that range from ballad-like sway ("It's Over") to mid-tempo bounce ("One Good Reason") to chugging foot-tappers ("Dark Skies"). The album is also notable for its merging of traditional bluegrass roots with pop accessibility, pointing the way for Krauss's future releases and eventual commercial breakthrough. The band's down-home technical skills are unassailable, as "Will You Be Leaving" proves (with the banjo, mandolin, and fiddle lines on this song giving Flatt & Scruggs a serious run for their money). Above all, it is Krauss's subtlety and emotion that gives these tracks heart, making this disc the first in a string of the artist's defining releases. Recording information: Denny's Den, Nashville, TN; Sound Shop A. Editors: Carlos Grier; Bil VornDick. Photographer: Jim McGuire . Personnel: Alison Krauss (vocals, fiddle, background vocals); Jeff White (guitar, background vocals); Jerry Douglas (dobro); Alison Brown (banjo); Sam Bush, Stuart Duncan (mandolin); Pete Wasner (piano); Martin Parker (drums); Suzanne Cox (background vocals). Liner Note Author: Holly Gleason.

So Long So Wrong buy CD music Alison Krauss & Union Station: Alison Krauss (vocals, fiddle); Tim Stafford (vocals, guitar); Ron Block (vocals, banjo); Adam Steffey (vocals, mandolin); Barry Bales (vocals, bass). Rivaling its Grammy-winning predecessor I'VE GOT THAT OLD FEELING, 1992's EVERY TIME YOU SAY GOODBYE features Alison Krauss's band Union Station in a transitional, but no less proficient, lineup. The group's tight, sympathetic backing provides the perfect counterpoint to Krauss's sweet, aching vocals and fiddle leads, offering harmonies and the occasional vocal lead (guitarist Tim Stafford on "It Won't Work This Time," mandolin player Adam Steffey on "Cloudy Days," banjoist Ron Block on "Shield of Faith"). There is an understated grace and ease here that distinguishes the album from Krauss's previous releases. This is most apparent on the gentle, melancholic ballads "Heartstrings" and "Who Can Blame You," but even on the up-tempo numbers, the ensemble's chemistry is such that the blazing instrumental lines seem effortless (see "I Don't Know Why"), and the overall sound is utterly relaxed, yet focused and intense. Recorded at Homeplace Studio, Suite 2000, Sound Shop B, Treasure Island Recorders and Champagne Studio, Nashville, Tennessee.