| | Mississippi John Hurt Worried Blues CD Mississippi John Hurt Discography of CDs
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This second of two sessions devoted to Mississippi John Hurt's first recordings followed the same pattern as its predecessor. Hurt did mostly blues, with an occasional spiritual number like "Oh Mary Don't You Weep." He sang in a fragile yet powerful manner, backing his vocals on acoustic guitar in an equally simple, gentle manner with lines and riffs that often surpassed passages with far more intricate voicings. These two CDs restored into public circulation very valuable recordings. ~ Ron Wynn
Award Winner Mississippi John Hurt Worried Blues Songs | 1. | Lazy Blues  | $0.99 | |
| 2. | Farther Along | $0.99 | |
| 3. | Sliding Delta | |
| 4. | Nobody Cares For Me | $0.99 | |
| 5. | Cow Hooking Blues No. 2 | |
| 6. | Talkin' Casey | |
| 7. | Weeping and Wailing | |
| 8. | Worried Blues | |
| 9. | Oh Mary Don't You Weep | |
| 10. | I Been Cryin' Since You Been Gone | |
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Worried Blues Review
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Purchase Worried Blues CD To buy, Click on price to add to cart | Solomon Burke That's Heavy Baby 1971-1973 CD (2005) (Import) Australia
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Raven presents the very best of Solomon Burke's recordings for MGM in the 1970s, many on CD for the first time. A pioneering soul singer, Burke's powerful voice and fervent emotionality were much-admired through the 1960s. At MGM, with arranger Gene Page, Solomon deftly crafted a commercial and contemporary sound - both urban pop ballads and rhythmic hymns to black empowerment, all framed around his impassioned voice. Using fractured, multi-layered background vocals (a la Marvin Gaye), and deep vocals not unlike Barry White, Burke created, over three albums, some of his most powerful, distinctive and important work. This 22-track compilation ...
| | Raga For Peter Walker CD (2006) Digipak
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Many of the legends of acoustic guitar in the 20th century have already passed on -- John Fahey, Robbie Basho, Ali Farka Toure. Due partially to his spare recording career, Peter Walker's own reputation has not always been as well known as those of said giants, but his own influence has been considerable. A Raga for Peter Walker -- a tribute album that, in a nice touch, not only consists of work composed by its contributors rather than simply offering up covers but also features some original work by its subject in question -- helps to demonstrate this while he is still here to receive acknowledgement of it. Walker's four originals, all new tracks, bookend the collection, each brief but demonstrating ...
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On A Few Miles from Memphis, recorded by pianist Harold Mabern in 1968, he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer Walter Perkins for a bluesy, rhythm-filled set featuring familiar fare like "A Treat for Bea" and fun originals like "Walkin' Back." There's also the odd inclusion of "There's a Kind of Hush," a pop song that comes out sounding like an old standard here. ~ Ronnie D. Lankford Jr.
When record labels like Prestige release two albums on one CD, it's a great bargain for music fans. A Few Miles from Memphis combines the album of the same name and Rakin' and Scrapin', both recorded by pianist Harold Mabern in 1968. On the first set he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer Walter Perkins for a bluesy, ...
| | Richard Barone Between Heaven And Cello CD (1997) (Import)
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BETWEEN HEAVEN & CELLO was recorded as part of a series of "Guitar & Cello" concerts.
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| | Ike & Tina Turner Nutbush City Limits/Feel Good CD (2006) Bonus Tracks
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Raven's 2006 two-fer Nutbush City Limits/Feel Good combines two of Ike & Tina Turner's last albums together and adds five bonus tracks, three of which were taken from other Ike & Tina albums from the early '70s, one taken from a Tina solo record, and one disco mix of "Nutbush City Limits." The album that arrives first on this two-fer was actually the last of these two to be released: Nutbush City Limits appeared in 1973, a year after Feel Good, but its title track is one of Ike & Tina's best-known songs so it's an appropriate choice to kick off this disc. Besides, the two records are so similar in tone and approach, it'd be easy to assume that Feel Good arrived before Nutbush, but that isn't to say they're interchangeable. Both records are hard day-glo funk, overloaded with fuzz guitars, wah wahs, clavinets and horn sections, but of the two, Nutbush City ...
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Yes, this is one time when the title truly does explain it all. This Bear Family ...
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From The Toledo Blade:“ A lovely mix of mostly familiar pop and Celtic tunes gets sparkling performances by two Toledo-area musicians, Denise Grupp-Verbon on Celtic harp and Michael Grupp-Verbon on 6 and 12-string acoustic guitars, on their 12-song debut album. ...
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