| | Jonathan Richman Jonathan Goes Country CD Jonathan Richman Discography of CDs
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It says much about the simple strength of his songs that they easily stroll into country terrain, never sounding anything short of completely natural. The five covers, which Richman, of course, characteristically makes his own, are also a delight. Of particular note are Goffin-King's "I Can't Stay Mad At You" (popularized by Skeeter Davis, and done here as an instrumental), and the closing selection, "Satisfied Mind."
JONATHAN GOES COUNTRY is a great idea carried out to perfection from start to finish by Richman's infectious energy. The geeky troubadour is joined by the pride of Springfield, Missouri, The Skeletons. Skeleton members Lou Whitney and D. Clinton Thompson also produced the album, right in their hometown. The set opens with one of seven new Richman numbers, "Since She Started To Ride," a song which, if Nashville weren't such a closed shop, would have made a delightful entry on the country charts.
Personnel: Jonathan Richman (vocals, guitar); Jody Ross (vocals); D. Clinton Thompson (acoustic guitar, electric guitar, percussion); Tom Brumley (steel guitar); Nick Sibley (harmonica); Ned Claflin (accordion); Joe Terry , David Byrd (piano); Lou Whitney (bass instrument); Ron Gremp, Bobby Lloyd Hicks (drums).
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"How Your Love Makes Me Feel" was nominated for a 1998 Grammy Award for Best Country Performance By A Duo Or Group With Vocal.
One of country music's most popular groups, with two platinum albums and another gold, Diamond Rio is ripe for a greatest hits package, and fans should be more than pleased with the contents. Diamond Rio plays a basic, acoustic-based brand of country, with few embellishments and a lot of heart. They're especially ...
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Personnel: Juan Carlos Godoy (vocals).
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Coming a full 10 years after Daniel Lanois' last solo album, SHINE in many ways picks up exactly where FOR THE BEAUTY OF WYNONA left off. Actually, it sounds like that album's low-key atmospherics married to the superstar cameos of Lanois' debut, ACADIE. Emmylou Harris contributes vocals to the almost-spiritual opener, "I Love You," while Bono co-writes and sings the admittedly ...
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Western music may live forever, but in the early '60s it had already suffered a decline. The singing cowboys had all but disappeared from the silver screen, and the days when western attire and repertoire were expected of country artists would soon be over. The album format ...
| | Why The Hell Not? The Songs Of Kinky Friedman CD (2006)
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Singer, songwriter, actor, novelist, and perhaps the future governor of Texas -- given Kinky Friedman's impressive résumé, you wouldn't think it would be especially hard to assemble a tribute album to the Legendary Texas Jewboy, but 2006's Why the Hell Not...: The Songs of Kinky Friedman suggests it was harder than expected to get his better-known fans to step up to the mic. Four of the ten tracks on Why the Hell Not... were borrowed from an earlier Friedman tribute, 1999's Pearls in the Snow: The Songs of Kinky Friedman, and it's worth noting the best-known names appearing here were lifted from that earlier collection (Willie Nelson, Lyle Lovett, Dwight Yoakam, and Delbert McClinton, all of whom deliver strong and affecting performances). Of the new material, Charlie Robison digs deep into the sad heart of "The Wild Man of Borneo," Jason Boland walks a fine line between wink-and-nudge wit and human tragedy on "The Gospel According to John," and Bruce Robison and Kelly Willis deliver their usual lovely harmonies on "Lady Yesterday." However, Kevin Fowler and Todd Snider try a little too hard for laughs on (respectively) "Get Your Biscuits in the Oven" and "They Ain't Makin' Jews Like Jesus Anymore," and for an album that pays homage to a gifted songwriter whose career spans four decades, ten songs in less than 40 minutes seems to barely scratch the surface. The best moments on Why the Hell Not... demonstrate that Friedman is a first-rate tunesmith whose sense of humor doesn't detract from his ability to tell a powerful story when he's inspired, but there just aren't enough of them here, and with four of the best songs taken from another disc, one wonders if it would have been better and easier to simply reissue Pearls in the Snow. ~ Mark Deming
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