| | Smokin Joe Kubek Got My Mind Back CD Smokin Joe Kubek Discography of CDs
There is no need for guest musicians when Smokin' Joe Kubek is around, for the explosive guitarist completely fills up the ensembles with distortions worthy of acid rock. Kubek is a fairly well-rounded player who occasionally leaves space and during at least two songs ("All the Love There Is" and "She's It") on this CD creates some surprising tones on his instrument (sounding like a keyboard on the former and playing 1970s-style wah-wah notes during the latter). With B'nois King contributing smooth but emotional vocals and bassist Paul Jenkins and drummer Mark Hays supporting Kubek, this is a tight group that probably puts on a killer live show. ~ Scott Yanow
Personnel includes: Smokin' Joe Kubek (guitar); Bnois King (vocals).
Award Winner
Smokin Joe Kubek Got My Mind Back Songs | 1. | Got My Mind Back |
| 2. | Got You by the Tail |
| 3. | Can't See For Lookin' |
| 4. | All the Love There Is |
| 5. | She's It |
| 6. | Let Me Take Your Picture |
| 7. | I'm Here For You |
| 8. | Don't Touch Her |
| 9. | Cryin' by Myself |
| 10. | Double or Nothing |
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Got My Mind Back Review
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We folklorists are always casing the countryside in search of that proverbial diamond in the rough. Alan Lomax famously discovered Leadbelly in a Louisiana prison. The Seeger family’s housekeeper turned out to be none other than Elizabeth Cotton. Chuck Perdue met John Jackson by chance in a Fairfax, Virginia gas station. And I found mine working behind the deli counter of a Food City outside of Pound, Virginia.I’ll never forget his first words – words that would break me out of the monotony and relentless grind that is inescapable burden of the state folklorist: “How you want that sliced?”That unmistakable twang stopped me in my tracks and shook my very soul. I know that voice, I kept thinking, I know that voice. Then the answer came like a lightening bolt thrown down by the very hand of Zeus himself. Jonny! Great God almighty, it was none other than Jonny Clutch—the legendary “can’t miss kid” who vanished into utter folk oblivion sometime in the late seventies. Of course, those of you who are scholars of twentieth century traditional music styles will recognize Jonny’s distinctive voice from a 1958 Alan Lomax field recording that recently surfaced at the Library of Congress. (Jonny, I should mention, was not actually the intended subject of the recording, but you can clearly hear him talking in the background on no less than four tracks, before Lomax had him forcefully removed from the room.) Those of you who opted not to expend precious years of your youth earning a graduate degree in folklore will more likely remember Jonny as a journeyman vocalist and harmonica player on the bluegrass/country/polka/easy-listening underground circuit. Jonny first cut his chops in countless short stints with bluegrass bands throughout the fifties and sixties, including such pioneering stalwarts as Paw-Paw and the Pea Pods, Traditional Tradition, Jonny C. and the Bluegrassiest Boys, and The New New You Gotta Move Ramblers. Always an opportunist, Jonny founded the cult favorite Jonny and the Apollos in an attempt to capitalize on the nation’s fervor about the moon landing, and later changed the band’s name to AAA Jonny and the Apollos, to attain a more prominent listing in the Yellow Pages.Opportunity knocked in 1974 when the legendary Bill Monroe and the Bluegrass Boys performed at the Elk’s Lodge in Bell Buckle, Tennessee, where Jonny was visiting his in-laws from his third marriage. A highly virulent strand of influenza had nearly taken out the entire band, and Monroe was desperately in need of live bodies for the evening’s performance. Jonny joined the make-shift band on “Muleskinner Blues,” after which Monroe had him briskly escorted off the stage. Never ...
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