| | Chemical Brothers Exit Planet Dust CD Chemical Brothers Discography of CDs
(6 Customer Reviews)
Principally recorded at Orinoco Studios and Da Da Studios, London, England between August and November 1994.
The Chemical Brothers were formerly known as the Dust Brothers. The name change seems particularly appropriate, as many observers viewing the disc's cover would be hard-pressed to perceive this as anything remotely electronic-based. Rave faves and flamboyant studio techies in their native England, the Brothers may be the '90s inheritors of Adrian Sherwood and his On-U Sound legacy.
EXIT PLANET DUST is a record concerned more with the urban jungle than space-time continuums, although there's no shortage of tripped-out effects, stereo panning, reverb, and a healthy amount of studio gimcrackery. Mobile fidelity is the nucleus here, so anyone expecting ambience need look elsewhere. With this record, one of the first to break so-called "electronica" mainstream and on Main Street, USA, The Brothers have assimilated so many dancefloor ideologies that their stance within the "big beat" genre should ultimately get them through the next musical revolution--and beyond. To many, this is the possible future of pop: Spock & roll, anyone?
The electronica duo's acclaimed 1995 debut album. Contains 11 tracks, including the singles 'Leave Home' & 'Loops Of Fury'. An Astralwerks release.
Engineers: Steve "Dub" Jones, Dan Zamani, Tim Holmes.
Composers: Ed Simons; Tom Rowlands.
Personnel: Tim Burgess, Beth Orton (vocals).
Recording information: Da Da Studio, London, England (08/1994-11/1994); Orinoco Studios, London, England (08/1994-11/1994).
Editor: Cheeky Paul.
The Chemical Brothers: Tom Rowlands, Ed Simons.
Additional personnel: Tim Burgess, Beth Orton (vocals); Seggs (bass).
Q (2/96, p.63) - Included in Q's 50 Best Albums of 1995. Q (9/95, p.115) - 3 Stars (out of 5) - "...a seamless, electro-gliding whole, the Brothers show...their ability to weave hip hop breakbeats and techno thumping, before everything subsides for the lush, chilled-out `One Too Many Mornings'..." Alternative Press (10/95, p.88) - "...The overused epithet `slammin'' really does apply to the music of Brothers Tom Rowlands and Ed Simons. Subtle it ain't, but EXIT PLANET DUST will trigger more hedonism per square foot than any other dance album this year..." Melody Maker (12/23-30/95, pp.66-67) - Ranked #36 on Melody Maker's list of 1995's `Albums Of The Year' - "...percussive mayhem....breakbeat-driven, anthemic debut opus..." Village Voice (2/20/96) - Ranked #24 in Village Voice's 1995 Pazz & Jop Critics' Poll. Village Voice (2/20/96) - "...Starts out whomping irrepressibly, ends up schlocking imperturbably, and either way provides the noise, beats, and basslines us earthlings like in our electrically enhanched popular music..." - Rating: A- NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #20 on NME's `Top 50 Albums Of The Year' for 1995 - "...full-on snarling rock beasts of electronica, laying waste with skyscraper-sized breakbeats and much burbling acid house..." Exit Planet Dust Music | List Price | $14.98 (You save $3.83) | | Category | Rock Albums, Pop CDs, Dance, Electronica, Alternative, Rock/Pop, Trip Hop | | Label | Astralwerks (Record Label) | | Orig Year | 1995 | | All Time Sales Rank | 3384  | | CD Universe Part number | 1153608 | | Catalog number | 6157 | | Discs | 1 | | Release Date | Aug 15, 1995 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Ed Simons; Tom Rowlands; Cheeky Paul (Compilation) | | Personnel | Tom Rowlands Seggs - bass
Also: Beth Orton, Tim Burgess, London, Ed Simons. Additional Personnel: K-OS, Dan Zamani, Steve "Dub" Jones, Tim Holmes. Principally recorded at Orinoco Studios and Da Da Studios |
Chemical Brothers Exit Planet Dust Songs Exit Planet Dust Music Review Average Rating: (4.2 out of 5 stars)    List All Reviews So-So The Chemical Brothers didn't really hit their stride untill Dig Your Own Hole.This album is not their best Submitted by leasley (Texas,USA)  Was This Review Helpful? Yes No
this one was the best sorry quys, this is the best release, they ever did! Submitted by oldskull ("czech republic") Was This Review Helpful? Yes No
A good start Not their best, but it was a pretty good start to the Brothers block rockin' career. Listen to Song to the Siren, Three Little Birdies Down Beats and Leave Home. Submitted by Sammy D (JHB, SA) Was This Review Helpful? Yes No
absolute classic record anyone who says that the chems got into their stride for dig your own hole and this is not their best work is wrong. this is the greatest dance record of all time - bar none. i hope the other loser reviews don't put you off. this is better than leftism, dubnobasewithmyheadman, jilted and all the other classics put together. Submitted by nev (meath) Was This Review Helpful? Yes No
nice cd not as good as the rest, but there is something interesting about their method of making music, though this method failed at some point most recently, you can see how they came to grow from this first record. Submitted by drencrome (nyc, ny) Was This Review Helpful? Yes No
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Purchase Exit Planet Dust CD To buy, Click on price to add to cart | Prodigy Fat Of The Land CD (1997)
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Among the most anticipated releases of 1997, The Prodigy's third full-length album is a bulldozing rock-techno hybrid. But while the guitar/samples/hyper-beats mosaic that made "Firestarter" an MTV breakout are found in every nook and cranny of this album, the overall building blocks are far more diverse, making it a tangible melting pot of pre-millennium pop styles.
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Chemical Brothers Ed Simons and Tom Rowlands waste no time on their nuclear-weapon of a second album proving they are masters of the techno groove. DIG YOUR OWN HOLE opens with a sampled shout-out by old-school gangsta Schoolly D, a syncopated bass line, and a drum loop that gives credence to the song's title, "Block Rockin' Beats." This smorgasbord of sounds--a hallucinatory interweaving of hip-hop, techno, trance and the Chemicals' trademark synthesized guitar loop--builds up and cold-rocks the first five minutes of the record like a tsunami crashing ashore. Unlike most productions in the electronic/dance-music universe, the music on DIG YOUR OWN HOLE also has the weight of great rock and roll. That makes DIG YOUR OWN HOLE the personification ...
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