| | Testify Ballroomkiller/The Blitzkrieg Mixes CD Testify Discography of CDs
Full title - Ballroom Killer/The Blitzkrieg Mixes. 1994 EP for industrial act featuring Rascal Nikov & Myk Jung, members of the Fair Sex. Seven tracks.
Testify: Rascal Nikov, Myk Jung, Moses W., Eddie Logan, George McKinley, Mathias Black.
Ballroomkiller/The Blitzkrieg Mixes Music Testify Ballroomkiller/The Blitzkrieg Mixes Songs | 1. | Ballroom Blitz |
| 2. | Killer (Thrasholdi) |
| 3. | Spil - (Wing Tip Mix) |
| 4. | Ride - (Fuck Me + Stay Mix) |
| 5. | A.N.G.E.R. Straight U.S. - (Straight Us mix) |
| 6. | Get Busted - (Horny Bub Edit mix, Horny Bub edit) |
| 7. | Ballroom Blitz - (The Machinery Mix) |
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Ballroomkiller/The Blitzkrieg Mixes Review
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Purchase Ballroomkiller/The Blitzkrieg Mixes CD To buy, Click on price to add to cart | Transatlantic The Whirlwind CDs (2009)
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Though former Runaways guitarist Lita Ford has been absent from the recording industry since 1997, she hasn't exactly been ...
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Before there was Kool Keith, Old Dirty Bastard or 2 Live Crew - before there was hip hop, for that matter - there was Blowfly, performing X-rated songs with a funky groove. Born 60 years ago in Cochran, Georgia, Miami's Clarence Reid has recorded more than 40 albums during his illustrious career. He got his nickname as a child when his grandmother, after hearing him sing dirty versions of then popular songs - like "Suck My Dick" for "Do The Twist" - proclaimed, "You is nastier than a blowfly." In reality, there's a split personality involved in this man's music: there's Blowfly, the outrageously garbed creator of trash classics such as "Shittin' on the Dock of the Bay" and "Porno Freak," and then there's Clarence Reid, who has recorded more than a dozen "clean" albums over the years and penned songs for the likes of K.C. and the Sunshine Band, Gwen McRae, Betty Wright, and Sam and Dave. Many people cite Blowfly as being the first rapper with his 1965 "Rap Dirty" record, which was recorded for disco giants T.K. Records after the smash success of Sugar Hill Gang's "Rapper's Delight." Blowfly himself credits the "soul talking" Southern radio DJs of the '50s and '60s as the pioneers of rap, but he is without dispute the first rapper to have a song banned, after an Alabama record store was busted for peddling "Porno Freak." Blowfly was also sued by the President of ASCAP for his "What a Difference a Lay Makes." (The music publishing honcho also happened to be the composer of the popular "What a Difference a Day Makes.") Blowfly's sounds are a staple of modern-day hip hop. His music has been sampled by many rappers, including The Jurassic 5, (whose hit "Quality Control" is backed by the outro from Weird World Of Blowfly) Ice Cube, Atmosphere and Puff Daddy.In 1991, Blowfly hooked up with Fishbone and Red Hot Chili Peppers bassist/wild man Flea to ...
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From Blues Revue, June/July 2009:Fetch It! is another intriguing, self-released collection of prewar-style blues from Steve Cheseborough. Cheseborough’s harmonica overdubs are effective, but at the heart of his sound are his percussive, rhythmic guitar and highly individual singing. The combination brings new light to Blind Lemon Jefferson’s “One Dime” and Tampa Red’s “Love With a Feeling,” and, incredibly, makes sensible the inclusion of Dean Martin’s “Little Ole Wine Drinker Me.” Positioned against a slide-guitar take on “Shortnin’ Bread” and songs from Bo Carter, Ma Rainey, and Slim Harpo, Geechie Wiley’s “Last Kind Words” retains every iota of its compelling strangeness.From the fun and and authoritative country-blues website weeniecampbell.com comes this review:Portland-based musician and author Steve Cheseborough has put together a strong set of country blues for his latest CD, Fetch It!, which was released in January. The author of the guidebook Blues Traveling: the Holy Sites of Delta Blues, Cheseborough is a part-time blues historian, but never comes across sounding like one on this CD. He takes a laid back approach to the music that is very appealing - it's always a pleasure for the listener when the performer sounds so relaxed and sure of their material. Just sit back and enjoy.The record opens with "Hear Me Talking to You", an arrangement of a Ma Rainey song with a beautiful melody that provides the title for the CD in its lyric, "you got to fetch it with you when you come." The pace sets the tone for much of the rest of the disc. Cheseborough adapts the song - originally played by a jug band - for solo guitar in Vestapol tuning to great success. His arranging talents are in evidence throughout the record, but particularly on Little Brother Montgomery's "Vicksburg Blues", a slow blues that transfers surprising effectively from piano to guitar, and the wonderful Georgia Tom Dorsey song "Been Mistreated", which sounds a little like it's gone through a Bo Carter machine.Cheseborough is in fact an expert on Carter, and so it's only fitting that he tackles several of his tunes for the CD, including the classic "Arrangement for Me Blues", and the guitar workout "Who's Been Here" - slightly toned down here from the original acrobatic version, but still rendered with style and Bo-itude. But the most enjoyable take on ...
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