| | Miracle Of 86 CD Miracle Of 86 Discography of CDs
Recorded at Head Gear Studios, Brooklyn, New York in 1999.
Engineers: Vasilios Manoudakis, Dan Long.
Personnel: Kevin Devine (vocals, guitar); Mike Robertson (guitar); Joe Martin (drums).
Recording information: Headgear Studios, Williamsburg, NY (1999).
Photographer: Mike Dubin.
Miracle Of 86: Kevin Devine (vocals, guitar); Christian McAllen, Chris McAllen (bass); Joseph Martin (drums, percussion).
Producers: Vasilios Manoudakis, Dan Long, The Miracle Of 86.
Miracle Of 86 Songs | 1. | Less Important Place, A |
| 2. | Letterhead |
| 3. | We Repeat |
| 4. | Suprise Me |
| 5. | Truth Poem in 4/4 |
| 6. | Two-Color Pattern |
| 7. | Just Say When |
| 8. | Tuesday Song |
| 9. | Red 19 |
| 10. | I Hope That I'm Wrong |
|
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Purchase Miracle Of 86 CD To buy, Click on price to add to cart | Tom Petty Live Anthology CDs (2009)
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It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but ...
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half ...
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I AM. SASHA FIERCE represents another change of pace for Beyoncé. Unlike the relatively ...
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- I started learning piano at about 7 years old- My Mom was a piano teacher. She had a hard time teaching me so she took me to a private teacher. Wasn't long before the teacher realized that I wasn't reading the music, as I'd ask her to play it and watch a listen. Then I’d play it. -Somehow moved to the drums. A friend asked me to take drum lessons with him to be in the drum and bugle corps. I never did join the drum and bugle corps but continued to play through middle school years while taking lessons at school and was in the school band and orchestra. My dad bought me my first set of drums from Alto Music in Monsey, NY. I know my dad didn’t have the cash to lay out for a new set of drums, but I was happy to get an almost full set of Ludwig’s- That's what Ringo had man..... I remember playing those first gigs at the Pearl River Middle School like they were yesterday. We called ourselves, “The Naked Grape”. The cool thing was, the soon to be back up group for John Lennon, The Elephants’ Memory would play there too, so I got a lot of tips from them. I really don't know how my parents put up with us playing in the basement. My first band consisted of my brother Jim on guitar, Jim Wannamaker on bass and Rich Vlosky on guitar too. We used to have a girl from down south, Cheyenne Swan as a singer at times. She was a good singer, but mostly she was one of few girls with boobs. Jim Wannamaker and his brother were good with electronics and built some great speaker boxes. So for a bunch of kids, we could really deal out the volume. They also built strobe lights and we even had a tape delay that they had made. -I hit high school and did the high school rock band thing. Not through the school, but on our own. The problem was that I couldn’t carry the drums around like I could a guitar. You know, sit on “the hill” play and sing with the hippie chicks. Then I wanted a car, so I sold the drums and bought a VW square back. (That’s a whole other story). At that point I started playing guitar and bass. I had no more drums. Wound up playing bass in a band with Rich Vlosky on guitar again and Joe Taffuri on drums. We had fun for a while but I was too much of a perfectionist and quit the band when they wanted to “play out”, before we were ready. My summers were spent at a fresh air camp. I wasn’t a “city kid” but one of my friend’s dads had been a counselor and thought that would be good for us to get “citified”. It was a melting pot of backgrounds and music. I learned a lot from friends and played a lot. It gave me my first experience playing in front of larger groups of people too. It also gave me an interest in Latin Music. Salsa music had hit an all time high in the 70’s.High school started winding down as the class of 1974 was about to hit the road. My dad was pressuring me to pick a college to attend in the fall. I wanted to go for music, but couldn’t stand the thought of another 4 years. I decided to go to Sullivan County Community College for Hotel Technology to learn how to cook. I thought I’d be a hermit and live off the land or something ...
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