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The Varukers were anything but fading as they came to record One Struggle One Fight. No matter that five long years had elapsed since their fiery debut, nor that the band was locked into the same impending hardcore hell that had devoured so many of their early-'80s contemporaries. Still, the Varukers remained as determined and, on a good night, delirious as ever. Featuring 13 songs, including a couple of blazing live numbers ("Will They Never Learn" and "Enter of a New Phase"), One Struggle One Fight is a very good night indeed, machine-gunning slogans, rhythms, and breakneck guitar attack into the ether, and debuting the band's own label, Liberate, with passionate flair. But audience expectations were changing, the music scene in general was shifting, and the punk bands that had survived into the mid-'80s were essentially flying blind, uncertain what their fans now wanted and unsure whether they could deliver it. Two or three years earlier, One Struggle One Fight would have been proclaimed classic Varukers. In 1985, it scarcely registered. The band broke up just a year or so later. ~ Dave Thompson
The Varukers were anything but fading as they came to record One Struggle One Fight. No matter that five long years had elapsed since their fiery debut, nor that the band was locked into the same impending hardcore hell that had devoured so many of their early-'80s contemporaries. Still, the Varukers remained as determined and, on a good night, delirious as ever. Featuring 13 songs, including a couple of blazing live numbers ("Will They Never Learn" and "Enter of a New Phase"), One Struggle One Fight is a very good night indeed, machine-gunning slogans, rhythms, and breakneck guitar attack into the ether, and debuting the band's own label, Liberate, with passionate flair. But audience expectations were changing, the music scene in general was shifting, and the punk bands that had survived into the mid-'80s were essentially flying blind, uncertain what their fans now wanted and unsure whether they could deliver it. Two or three years earlier, One Struggle One Fight would have been proclaimed classic Varukers. In 1985, it scarcely registered. The band broke up just a year or so later. [The album was reissued in 2000.] ~ Dave Thompson
Personnel: Rat (vocals); Paul Miles (guitar).
Recording information: Rich Bitch Studios, Birmingham, England (09/1985).
One Struggle One Fight Music Varukers One Struggle One Fight Songs | 1. | Protect Not Dissect | |
| 2. | Lesson We Must Never Forget, A | |
| 3. | Animal's an Animal | |
| 4. | One Struggle One Fight | |
| 5. | Stop the Killing | $0.99 | |
| 6. | How Can Your Conscience Allow This to Go On? | |
| 7. | Fear of Mankind, The | |
| 8. | We Hint at Things Nuclear | $0.99 | |
| 9. | In South Africa | $0.99 | |
| 10. | Persistence Resistance | |
| 11. | Killed by Man's Own Hand | |
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One Struggle One Fight Music One Struggle One Fight Review
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Purchase One Struggle One Fight CD To buy, Click on price to add to cart | Alice Cooper Love It To Death CD (1971) Gold
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Transcend Reflect Open Yield' A potential visionary rather than just another self-reflective tunesmith.'Although failing to enlighten his parents with an hour-long a'capella recording at age ten!Troy Michael Petty has found, musically embedded in his soul, a reason to sing. Now a stalwart on the Chicago local music scene, Troy has manifested a musical palettesymbolic of his astrological sign: Gemini, showcasing his overall sound through both an 'electric' and 'acoustic' ...
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AvantRetro (Charlie Rossiter & Al DeGenova) is a Chicago-based performance poetry duo that uses a variety of techniques and tools including store-bought and home-made musical instruments, audience participation, and unorthodox vocalizations to present their original poetry that gets at the essence of what it means to be human. Al's major instrument is saxophone; he also plays flute. Charlie plays conga and other hand percussion instruments.Since joining poetic forces in 1998, they have been featured performers at Printers Row Book Fair; Around the Coyote Arts Festival; the Detroit Opera House; and major poetry venues around Chicago and the Midwest. They are frequent guests on Rick Kogan's Sunday morning program on WGN radio. Back Beat, their co-authored book of memoir and poetry, has been praised by such poets as Lawrence Ferlinghetti, Jimmy Santiago Baca and Maria Gillan. They were among the handful of poets selected to be featured at the 2005 Chicago Blues Festival. AvantRetro also performed at the 2003 Best of the Best Showcase for west suburban library programmers and were among those who performed at Chicago Artists for Dean during the primaries for the last presidential election. Charlie Rossiter--is known for his dynamic poetry performances at places like the Dodge Poetry Festival in NJ; Bowery Poetry Club and Nuyorican Poets Cafe, NYC; the Green Mill, Chicago; the ...
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As with many first recordings, Jayde's first release is mainly taken from songs she has been performing in her live shows. The Texas swing songs come from farmiliar sources such as Bob Wills and Spade Cooley. The Cajun songs are all South Louisiana favorites that have been popularized at dances and Fais do do's.It should be noted that the version of Jole Blon that Jayde has chosen to record is that of the legendary Harry Choates. This is the version that her grandfather, Hadley J. Castille learned after hearing it played almost non-stop on the juke boxes in Leonville. Of special interest is Jayde's recording of the old waltz, L'anse Belaire. Also known as the Mulberry Waltz, it was discovered by conversations with Jayde's great grandmother, Mrs. Mary ...
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