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Boukman Eksperyans - Revolution CD Cover Art CD music music CDs songs album

Boukman Eksperyans Revolution CD

 Boukman Eksperyans Discography of CDs

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Boyer (bass); Sanba Kapo (bamboo); Peggy "Siamese" Duvivier Beaubrun, Josie P. Raymond, Jocelyne P. Azor, The Children (background vocals); Jerry "Te-Bass" Duplessis.

This Haitian worldbeat band is politically motivated. While the musicianship is lush and there is a real sense of theater about the songwriting and production here, there is a lack of communication toward the listener throughout. Even borrowing snippets, as they do on "Sevenlen/Sukiyaki (No More Excuses for the War)," from the hit musical Flower Drum Song, fails to bring the listener any closer to understanding just exactly what Boukman Eksperyans hopes to gain from Revolution. ~ Jana Pendragon

Recorded at Refugee Camp Studios, East Orange, New Jersey in July 1997.

Producers: Theodore "Lolo" Beaubrun, Mimerose "Manze" Beaubrun.

Boukman Eksperyans: Hubert Severe (vocals, bass); Gary Seney (vocals, drums, percussion); Theodore "Lolo" Beaubrun, Mimerose "Manze" P. Beaubrun (vocals); Ted Gabriel Beaubrun (keyboards, percussion); Jean Paul Coffy (keyboards); Hans "Bwa Gris" Dominique (drums, bamboo); Henry B.D. Pierre Joesph, Alexis Raymond (drums, percussion).

Additional personnel: Jacques Ardouin "Doudou" Chancey" (saxophone); Chiko

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Revolution Music


Detailed Revolution Music Information



List Price $11.98 (You save $1.03)
Category Rock/Pop Albums, World CDs, International, R&B, Haitian
Label Lightyear
Orig Year 1998
All Time Sales Rank   150885  
CD Universe Part number 1160273
Catalog number 54270
Discs 1
Release Date Jul 21, 1998
Studio/Live Studio
Mono/Stereo Stereo
Engineer Jean-Raymond Leconte
Personnel Gary Seney - vocals, drums, percussion
Hans "Bwa Gris" Dominique - drums, bamboo
Hubert Severe - vocals, bass
Jean-Paul "Roudy" Coffy - keyboards
Mimerose "Manze" P. Beaubrun - vocals
Theodore "Lolo" Beaubrun
Alexis Raymond - drums, percussion
Henry B.D. Pierre Joesph
Ted Gabriel Beaubrun - keyboards, percussion

Also: Chiko, Jacques Ardouin "Doudou" Chancey"
Boukman Eksperyans Revolution Songs


Boukman Eksperyans Revolution Album Track Listing



Windows MediaRealAudio Media1.Sevelen / Sukiyaki (No More Excuses For The War)$0.99
Windows MediaRealAudio Media2.Nou Pa Vle Lage :: We Don't Want No War
Windows MediaRealAudio Media3.Mariaj Azaka$0.99
Windows MediaRealAudio Media4.Imamou Lele$0.99
Windows MediaRealAudio Media5.Tipa Tipa$0.99
Windows MediaRealAudio Media6.Mesaj a Ginen$0.99
Windows MediaRealAudio Media7.Peye Loa Yo$0.99
Windows MediaRealAudio Media8.Nou Se Limye$0.99
Windows MediaRealAudio Media9.Baron$0.99
Windows MediaRealAudio Media10.Rekomanse$0.99
Windows MediaRealAudio Media11.Gran Bwa Ile$0.99
Windows MediaRealAudio Media12.Gran Bwa Karnival$1.99
Windows MediaRealAudio Media13.Saint Fort Yawe$0.99

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It was big news in 1969 when former key members of the Byrds, Buffalo Springfield, and the Hollies--three of the finest bands of the '60s--splintered off to form their own trio. Despite their already-proven talents, few could have imagined the gossamer vocal blend that would become the trademark of supergroup Crosby, Stills & Nash. The band's debut effectively provided the soundtrack to the summer of '69. For his part, Steve Stills keeps exploring the progressive folk-rock sound that he'd pioneered with Buffalo Springfield; signature tune "Suite: Judy Blue Eyes" is an expansive, multi-section affair that makes full use of the group's vocal skills. Fresh from the Hollies, Graham Nash adds an accessible pop sensibility, epitomized by the effervescent ditty "Marrakesh Express." David Crosby, always the wild card in the Byrds, here adds rough edges and flashes of mystery with his cutting protest rocker "Long Time Gone" and the exquisite art-folk of "Guinnevere." With this kind of firepower under its belt, it's no wonder ...
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My new CD is called Many Ponies. I hope you'll enjoy it.

The inspiration for the title song, and so, in a way for the whole album, was a painting of the same name by a wonderful artist, Cecilia Henle. The style is primitive, in the best sense of that word, and looks quite American Indian to me, and other-worldly, as well.

It reminded me a lot of the Horse Nation Dance described in Black Elk Speaks.

When the horse (t'shunka wakan) came to the Plains Indians, especially the Lakotas, it created a revolutionary change in their culture and ushered in a whole new way of doing things. Since that time, the horse has been symbolic of something new, something radically different, or revolutionary change.

Horses brought a revolutionary change to my way of thinking, acting and being, too.

But for the New to be born, the Old has to die.

To become the person you will be, you have to let go of the person you've been.

It's that simple.

But it ain't easy.

I know.

See. Horses saved my life.

I'd be a much different man if not for them, and I'm not sure you'd like him.

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