| | Andy Gibb Shadow Dancing CD Andy Gibb Discography of CDs
(3 Customer Reviews)
Originally Released In 1978- Multi-Platinum Album
Personnel: Andy Gibb (background vocals); Don Felder, Jock Bartley (guitar); Tim Renwick (acoustic guitar, electric guitar); Joey Murcia (electric guitar); John Sambataro (slide guitar, background vocals); Stanley Webb, Neal Bonsanti, Bill Purse, Peter Graves , Whit Sidener, Kenneth Faulk (horns); George Bitzer (keyboards); Albhy Galuten (synthesizer); Harold Cowart (bass guitar); Tubby Ziegler (drums); Joe Lala (percussion); Barry Gibb (background vocals). Recording information: Criteria Recording Studios, Miami, FL; FL. Photographer: Gary Heery. Unknown Contributor Roles: Stanley Webb; Neal Bonsanti; Sid Sharp; Bob Basso; Bill Purse; Andy Gibb; Peter Graves ; Whit Sidener; Kenneth Faulk. Arrangers: Albhy Galuten; Barry Gibb. As the youngest brother of the massively popular Gibb siblings, otherwise known as the Bee Gees, it's no wonder that Andy Gibb was a superstar in his own right. An accomplished vocalist and writer, Gibb shot to the top of the charts with his 1977 debut Flowing Rivers. Shadow Dancing, released just one year later, effortlessly confirmed his ascension to the top of the pop pedestal. Working with his brothers again, Gibb wowed audiences with his easy-on-the-ears passionate pop. He was well-suited to the era. The title track, which kicked off that year's string of hits, was nothing short of pure, smoldering disco. Written by all three of the Bee Gees (who also added backing vocals to the song), it hit the top of the charts, giving Gibb his third number one single and even more maximum exposure. "An Everlasting Love" and "(Our Love) Don't Throw It All Away" quickly peeled off the LP and landed on the charts. And while many may argue that Gibb's success was received on the backs of the Bee Gees' own stellar reputation, it must be acknowledged that he was certainly not without talent. It's also true that the charting songs on Shadow Dancing all bear the mark of one or more of his brothers; however, Gibb's own material shows great, if as yet unrealized, promise. "Fool for a Night" is a bittersweet, up-tempo piece of pop, and "Melody" works as a wistful love song, while "I Go for You," smarmy as it may be in hindsight, was still better than many of its contemporaries. Laugh if you must, dismiss if you're so inclined, but no matter what anyone may argue, it cannot be disputed that Andy Gibb realized many of his aspirations across this LP and, in so doing, became a vital part of the late '70s music scene. ~ Amy Hanson
Andy Gibb Shadow Dancing Songs | 1. | Shadow Dancing |
| 2. | Why |
| 3. | Fool For a Night |
| 4. | Everlasting Love, An |
| 5. | Don't Throw It All Away, (Our Love) |
| 6. | One More Look at the Night |
| 7. | Melody |
| 8. | I Go For You |
| 9. | Good Feeling |
| 10. | Waiting For You |
| Shadow Dancing Music Review Purchase Shadow Dancing CD To buy, Click on price to add to cart | Rod Stewart Never A Dull Moment CD (1971) Gold
Shadow Dancing
$19.10 Essentially a harder-rocking reprise of Every Picture Tells a Story, Never a Dull Moment never quite reaches the heights of its predecessor, but it's a wonderful, multi-faceted record in its own right. Opening with the touching, autobiographical rocker "True Blue," which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he'd "rather be back home," the record is the last of Stewart's series of epic fusions of hard rock and folk. It's possible ...
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$9.99 The British duo Zero dB have been remixing songs for other artists since the beginning of the 21st century, but it's not been until 2006 that they've put out their own full-length album. Coming in the form of the nine-song Bongos, Bleeps & Basslines, the record shows off Zero dB in their element, blending layers of rhythms and jazzy keys into something that ends up being very listenable and accessible while still retaining a hard, beat-heavy edge. Drums and bass are the most important aspect of their sound, and they stand out from those around them with their ability to put seemingly disparate beats together into something that works really well. The album moves through samba, jazz, hip-hop, and conga with direction and intensity, so much so that even the slower, more introspective tracks ("Anything's ...
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| | U Roy Dread In A Babylon CD (1975) (Import) United Kingdom
Shadow Dancing
$7.35 Includes liner notes by Trevor Herman. Even without the music, this album would still leap off the racks; its photo of U Roy exhaling a mushroom cloud of marijuana smoke from his ever-available pipe ranks among the all-time greatest covers, regardless of genre. However, U Roy doesn't have any trouble coming across as a distinctive presence; his scattershot repertoire of barks, chants, and screams is as critical or more important as the deft, unobtrusive backing woven behind him. U Roy imposes his own willful style, regardless of setting. Sometimes he pulls off a positively poppy veneer on tracks like "Runaway Girl" or "Silver Bird"; other times, he extemporizes slightly ahead of the beat on "Natty Don't Fear" or "The Great Psalms." His lyrics run the gamut of Rastafarian concerns, from facing adversity ("Dreadlocks Dread") to female troubles ("I Can't Love Another") and royalist run-ins ("Chalice in the Palace"). The uncredited musicians stay out of the way (although they get their own album-closing instrumental, "Trench Town Rock"). This album ranks among the '70s dub masterpieces, even if the odd lyrical clinker keeps it from perfection; "Runaway Girl"'s glistening skank can't paper over its sexism (which suggests the girl in question "may be nice/but you're not that smart"). Even so, sometimes an artist only needs charisma to get across, and U Roy handily wins on that score. ~ Ralph Heibutzki The flourishes of sound manipulation throughout DREAD IN A BABYLON make it obvious why U Roy is considered the man who established the role of the DJ in reggae and Western ...
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