| | Patrice O'Neill Elusive CD Patrice O'Neill Discography of CDs
gentle, mellow folk from singer/songwriter uses piano as the base instrument, w. additional instruments filling out the sound Patrice O'Neill Elusive Songs | 1. | Midsummer Skies |
| 2. | Road To Survival |
| 3. | When Autumn Calls |
| 4. | Aurora |
| 5. | Cleodora |
| 6. | Deep Pools |
| 7. | When The Lavender Blooms |
| 8. | Fractal Love |
| 9. | Walk With Me |
| 10. | Alive |
| 11. | Find A Love |
| 12. | For My Dad |
|
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Purchase Elusive CD To buy, Click on price to add to cart | Miranda Lambert Revolution CD (2009)
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Since it was recorded during the '80s, Home for Christmas sounds a bit too slick, especially for fans of her early material, but it's nevertheless a reasonably enjoyable holiday record, thanks to Dolly's irrepressible ...
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On 2006's PRECIOUS MEMORIES, country superstar Alan Jackson ventures into gospel territory, offering up a set of warm and inviting faith-themed songs. These spare tracks feature no percussion and rely almost solely on piano and acoustic guitar, allowing the focus to remain on Jackson's ...
| | Dinah Washington Dinah Jams CD (1954)
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DINAH JAMS is a specially imported, limited-edition reissue. All tracks have been digitally remastered (24-bit).
Recorded in Los Angeles, California on August 14, 1954. Includes liner notes by Michael Bourne.
All tracks have been digitally remastered.
With Clifford Brown,Max Roach
Recorded at the start of Dinah Washington's climb to fame, 1954's Dinah Jams was taped live in front of a studio audience in Los Angeles. While Washington is in top form throughout, effortlessly working her powerful, blues-based voice on both ballads and swingers, the cast of star soloists almost steals the show. In addition to drummer Max Roach, trumpeter Clifford Brown, and other members of Brown and Roach's band at the time -- tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow -- trumpeters Maynard Ferguson and Clark Terry, alto saxophonist Herb Geller, and pianist Junior Mance also contribute to ...
| | Waylon Jennings 20th Century Masters: The Millennium Collection CD (2000)
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Digitally remastered by Jim Phillips (Universal Mastering Studios-West, North Hollywood, California).
This is part of MCA's 20th Century Masters: The Millennium Collection series.
Despite its ambitious title, this compilation actually focuses on only one small section of Waylon's career, from 1986-89. Consequently, anyone expecting an introduction to Jennings' oeuvre here will wind up rather confused.
Although Jennings spent the '70s breaking country taboos left ...
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On her auspicious debut album, Stacey Earle, younger sister of country-rock icon Steve Earle, comes across as a rough-hewn blend of Emmylou Harris and Nanci Griffith. Her music is a folk-country hybrid, and is just the sort of thing that label executives in Nashville don't want to acknowledge exists in their vicinity. Her songs are exclusively about the relationships between women and men. These aren't narratives so much as finely drawn descriptions of emotional responses to situations. The ...
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Singer/songwriter Mindy Smith first came to attention with a faithful cover of Dolly Parton's "Jolene" on a tribute to the latter, Just Because I'm a Woman: The Songs of Dolly Parton. Smith's fine debut album, One Moment More, arrived the following year and marked her as a country-pop talent worth watching. "Come to Jesus," the album's leadoff track, though uncharacteristic of the rest of the record, gave Smith a substantial hit and readied her newly acquired audience for the sequel. Long Island Shores doesn't exactly take Smith to new places -- she remains perched firmly between mainstream and daring -- but it's as solid an effort as that debut and confirms that the level of talent it displayed was no fluke. On Long Island Shores, Smith never succumbs to the clichés of craftsmanship or production that mar so many contemporary efforts within the genre. Although her tunes are relatively free of edge and quirk and her voice is naturally tender and crystalline, the vulnerability and honesty in her words and delivery elevate her quickly from novice to confident veteran. Smith is willing to explore and unafraid of intimacy. In the heartrending title track she longs for a family reunion that can never be, and the intimate soul-baring detail of "Peace of Mind" is confessional songwriting at its best: "I need peace of mind and a lullaby/'Cause there is an angry voice in my head tonight/Telling me to do things that can't be right." Those looking for more along the lines of "Come to Jesus" will find it in the evangelistic "I'm Not the Only One Asking" and "Little Devil," in which surprise overcomes her: "I thought he'd have two big horns and look at me with big red eyes/Instead he wore those baby blues and whispered promises and lies." Though there is a seriousness to much of her writing, it's not all meant to weigh heavily: "Tennessee" is a love letter to her adopted home, ...
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