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American Big Bands, Vol. 3 CD


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Category Jazz Albums, Jazz Instrument CDs, Jazz Collections, Big Band
Label Columbia River
Orig Year 1998
CD Universe Part number 1163628
Catalog number 1577
Discs 1
Release Date May 26, 1998
Mono/Stereo Stereo
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Recorded between 1976 & 1998. Includes liner notes by Don Heckman. Basically, this "greatest hits of all" is simply that: the highest-charting tracks in George Benson's long career -- highest-charting pop and adult contemporary tracks, that is. Benson had been on the scene over a decade before signing with Warner Bros., and many of his jukebox and R&B hits were recorded for Creed Taylor's CTI label. Some of Benson's recorded work that held those hits has been reissued in the past two years. Of the Warner material, they have gauged success by chart placement -- not sales, not radio play, not artist choice. Therefore, while the stellar tracks from Breezin', namely "This ...
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Madeleine Peyroux's unique blend of jazz and pop was first unveiled on 1996's DREAMLAND, where she sounded like a postmodern heir to the smoky-voiced tradition that ran down from Billie Holiday through the likes of Karen Dalton and Judy Roderick. Though Peyroux made a splash with her debut, she quickly dropped out of the music scene, not to appear again until eight years later with the long-overdue follow-up, CARELESS LOVE. Here, Peyroux tackles material from a variety of sources; some songs ...
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The crown jewel of the epic Evans/Davis triptych that began with MILES AHEAD and PORGY AND BESS, SKETCHES OF SPAIN is as emotionally compelling as any performance in the trumpeter's remarkable body of works. Combining as it does the emotional gravity of two cultures--the deep song of flamenco music and the rich lament of the blues--SKETCHES OF SPAIN is a musical hybrid of enormous power and beauty. Gil Evans' immense canvas of orchestral colors inspires some of Davis' most deeply felt solo flights. He paints vast vistas of velvety, shimmering night sounds, and through it all runs the mountainous backbone of Spain's native rhythms and chants. The centerpiece of SKETCHES OF SPAIN is the Evans/Davis treatment of the second movement of Rodrigo's "Concierto De Aranjuez." Evans' charts ...
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There are many singer/songwriters who try to integrate punk hipness and a post-new wave fun asthetic into their work. Few succeed as well as Jim Infantino. His signature tune "Addicted to Stress" shows us a writer with commitment to his heart, describing his collapsing modern world with wit, bluntly yet artistically. He is sort of like Loudon Wainwright, III on acid. ...
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STRETCHING OUT contains 2 LPs on 1 CD: SATIN DOLL (1959)/LIL' DARLIN' (1959). When it comes to Red Garland's history as a recording artist, there is good news and bad news. First, the bad news: Garland spent most of the '60s in semi-retirement and didn't get into the studio at all from 1963-1969. Now, the good news: Prestige and its various subsidiaries documented Garland extensively in the late '50s and early '60s. During that period, the influential pianist recorded about 25 sessions as a leader -- and that isn't counting all the Prestige releases that feature him as a sideman. Fantasy, which owns the Prestige catalog, has generally been good about reissuing Garland's work. Assembled by Fantasy in 2002, this 70-minute CD draws on two LPs that Garland recorded in 1959: Satin Doll and Lil' Darlin'. Garland's Prestige output was impressively consistent, and Stretching Out finds him in fine form on both live and studio material. The studio tracks (which include George Gershwin's "The Man I Love" and Duke Ellington's "Satin Doll") were recorded in Rudy Van Gelder's famous New Jersey location, while the live performances are from an October 2, 1959, appearance at the Prelude in New York's Harlem ...
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