| | Anthology Of Greek Music, Vol. 7 CD
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Purchase Anthology Of Greek Music, Vol. 7 CD To buy, Click on price to add to cart | Patrizio Buanne Patrizio CD (2009)
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$8.09  | | Lanterna Desert Ocean CD (2006)
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Lanterna is the name for the atmospheric instrumental project of guitarist Henry Frayne. Like Frayne's previous work, DESERT OCEAN has an expansive, cinematic feel to it, with layers of guitars, synthesizers, and drums creating a soothing, evocative sound that could easily be used as a soundtrack to an IMAX film. Listeners may be given to visions of cloud formations moving in time-lapse over vast natural landscapes.
Frayne clearly has a diverse, sophisticated ear, so it is not surprising to here the influence of U2's The Edge or jazz eclectic Bill Frisell in his playing. Yet Lanterna's music is of a piece: organic, moody, and highly suggestive, making DESERT OCEAN a sonic experience potentially pleasing to fans of rock, jazz, ambient, or even new age.
Lanterna Desert Ocean Desert Ocean is Lanterna's 5th album and the first ...
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| | Johnny Paycheck Take This Job And Shove It/Armed And Crazy CD (2007)
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Raven's 2007 two-fer -- kind of a sequel to their previous Paycheck two-fer, 11 Months and 29 Days/Slide Off of Your Satin Sheets -- pairs 1977's Take This Job and Shove It and 1978's Armed and Crazy, adding half of 1981's Mr. Hag Told My Story as a way to push this CD to a generous length of over 75 minutes long. Johnny Paycheck was steadily moving his way up the country charts until 1978, when "Take This Job and Shove It" catapulted him to the top. It was a combination of the right song given to the right singer at the right time, but much of that combination was down to producer Billy Sherrill, who had steadily been smoothing out the rough edges in Paycheck's sound while exaggerating his outlaw stance for almost comical effect. No other song quite captured this blend like "Take This Job and Shove It," which took a David Allan Coe original and twisted it into a cartoon that was appealing because of its exaggeration, not in spite of it. The song became an anthem, propelling the album to number two on the country charts, taking Bobby Braddock's drinking song, "Georgia in a Jug," to number 20 along the way. "Georgia in a Jug" is one of four explicit drinking songs here -- of course the title track has a drinking undercurrent, it just doesn't make it explicit -- the best of which is the bizarre, funny "Colorado Kool-Aid," a tongue-in-cheek talking blues about Coors, Mexicans, and lopped-off ears, but the punny "The Spirits of St. Louis" is plenty funny in its own right. When Johnny's not drinking here, he's singing tales of heartbreak or barroom blues shuffles, both given the signature Sherrill treatment. Sherrill doesn't pump Paycheck up into some cinematic scope the way he did with George Jones, but he does give the underpinning melancholy of "From Cotton to Satin (From Birmingham to Manhattan)" and "The Fool Strikes Again" a comforting lushness, while turning a boogie like "The 4-F Blues" into something ...
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