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Zorn, John - Filmworks III: 1990-1995 CD Cover Art
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Filmworks III: 1990-1995 Soundtrack CD


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Live Recording

Personnel: John Zorn (alto saxophone); Bill Frisell (guitar, banjo); Carol Emanuel (harp); Dave Douglas (trumpet); Dave Hofstra (tuba, bass instrument); Greg Cohen (bass instrument); Joey Baron (drums); Christian Marclay (turntables).

Filmworks III: 1990-1995 Soundtrack Music


Detailed Filmworks III: 1990-1995 Soundtrack Music Information



List Price $16.98 (You save $2.99)
Category Rock/Pop Albums, Classical CDs, Jazz, Jazz Instrument, Soundtrack, Classical Vocal Crossover, Classics (Silents / Avant Garde), 20th Century Period, Enhanced CD, Duet, Film Score
Label Tzadik Records
Orig Year 1997
All Time Sales Rank   17117  
CD Universe Part number 1164620
Catalog number 7309
Discs 1
Release Date Mar 18, 1997
Mono/Stereo Stereo
Personnel Bill Frisell - guitar, banjo
Greg Cohen - bass instrument
Joey Baron - drums
John Zorn - alto saxophone
Dave Douglas - trumpet
Carol Emanuel - harp
Christian Marclay - turntables
Dave Hofstra - tuba, bass instrument
Filmworks III: 1990-1995 Soundtrack Songs


Filmworks III: 1990-1995 Soundtrack Album Track Listing



1.Main Title
2.Caper, The
3.Cadence
4.Kidnapping
5.Doubt
6.Nocturne
7.Nocturne 2
8.Bag Man
9.Cop, The
10.Nocturne 3
11.Juke Box
12.End Titles
13.Music For Tsunta (Nine Cues)
14.Main Titles
15.Washing Machine (A)
16.Washing Machine (B)
17.Night Hotel
18.Japanese Tourists
19.Night Hotel 2
20.Objects
21.Night Hotel 3
22.Rooftop Death Rattle
23.Taiwan
24.End Titles
25.Juke Box
Filmworks III: 1990-1995 Soundtrack Review


Filmworks III: 1990-1995 Soundtrack Music Reviews



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The diversity in these pieces betrays the fact that they are for five vastly different films. "Pueblo," which Zorn calls one of his personal favorites, is a trance-influenced piece that also manages to convey the openness of the American West. Guitar chords bloom onto Lynch-ian landscapes while percussion bubbles in the background. Produced for Maria Beatty's Elegant Spanking, the piece echoes the subtlety of her dark S&M films, with Erik Friedlander's plaintive cello rounded out by harp, viola, and vibraphone. The vibes especially provide a retro feel, and the harp ...
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