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Our Price: $12.49  CDFor Sale Usually ships in 1-2 days
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Digitally remastered by William Aura, Craig Chaquico, Ozzie Ahlers (Auravision Studios).
ACOUSTIC PLANET was nominated for Best New Age Album in the 37th Annual Grammy Awards.
Live Recording
Recorded at Lunatunes, Mill Valley, California. Includes liner notes by Craig Chaquico.
Personnel: Craig Chaquico (guitar, percussion, sound effects); Washburn (guitar); Dean Markley (strings); Ozzie Ahlers (keyboards, percussion); Ensoniq (keyboards); Wade Olson (drums); Alain Eskinasi (percussion).
Audio Mixers: Craig Chaquico; Ozzie Ahlers; William Aura.
Liner Note Author: Craig Chaquico.
Recording information: Lunatunes, Mill Valley, CA.
Editor: Craig Dobbin.
Illustrator: Schim Schimmel.
Photographer: Rory Earnshaw.
Personnel: Craig Chaquico (guitar, percussion, programming); Ozzie Ahlers (guitar, keyboards, bass, percussion); Jim Reitzel (bass); Wade Olson (drums); Alain Eskinasi (percussion).
Craig Chaquico Acoustic Planet Songs Acoustic Planet Review
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Purchase Acoustic Planet CD To buy, Click on price to add to cart | Craig Chaquico Once In A Blue Universe CD (1997)
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Craig Chaquico has found a nice groove, one that he develops very nicely in this smooth, low-key album. The primary focus is Chaquico's elegant guitar playing, though there are guest spots on the album (Richard Elliot and 3rd Force). The tones are interesting, the overall feeling is a very settled one. The music grabs your attention without resorting to anything outrageous, making for a very enjoyable set. Listeners who own computers with CD-ROM playrs will be able to take advantage of the Enhanced ...
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Originally released as an elaborate double-album set in 1982 to showcase the art-retro label's lineup and overall artistic aesthetic -- something pitched somewhere between John Waters' sets (if not his scripts) and the type of thing that the Rezillos adored -- A Young Person's Guide to Compact is a loving and entertaining embrace of a slew of sounds and styles that still holds up well after the quietly confrontational context of the album's release. Little surprise that Virna Lindt starts off the album with her excellent "Attention Stockholm" single; she also makes various other appearances on the album with "The Dossier on Virna Lindt," later to appear on her debut album, Shiver, as well as otherwise unavailable songs like "Young and Hip" and the dramatic-then-peppy "Model Agent." The other standout in terms of profile would be Mari Wilson, who would soon take her own brand of retro-party to the U.K. charts; much more of a straight-up singer than Lindt, she takes easy control of songs like the handclap-heavy "Beat the Beat" (one of many examples that show acts and label weren't simply interested in redoing the past straight-up), a brief live version of "Rave," and "Dance Card," a pure neo-Motown confection. The remaining acts are a little more of a mixed bag but not a bad one by any means. The Beautiful Americans have three cuts, suggesting similar retro pop fetishes but slotting in very nicely with the era of "new pop" in the U.K. just as well -- if "Sparkletones" isn't quite "All of My Heart" by ABC, it's not as far removed as might be guessed. The Popheads' self-consciously quirky synth pop confections ...
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