| | Vainio Vaisanen Vega Endless CD Vainio Vaisanen Vega Discography of CDs
The first important thing to understand about Endless is that it has been credited to the names of Mika Vainio, Ilpo Väisänen, and Alan Vega, not Pan Sonic and Vega. The Scandinavian duo has constructed minimal techno songs. They may be full of clicks, glitches, and buzzes, but they still are songs, following a strongly rhythmic architecture. Ambient techno this is not, nor mere backgrounds for Suicide singer Vega to read his words over. His vocal delivery could be described as gripping or utterly annoying, depending solely on the listener's interest in spoken words. Although the technology has changed considerably, the synthesizers from the 1980s having been replaced by computer generated glitch electronica, Endless sounds a lot like Anne Clark's early albums, at least in spirit. The bleak atmospheres fit the tortured lyrics. This is a good collaboration where each side met the other one halfway, the resulting music belonging to neither's usual sound. Fans of Pan Sonic can expect to be destabilized. But once you get used to the song format and the singer's voice (especially if you never heard him before), you start to notice what the music actually is and how it has been pieced together. Experimental techno meets the cold wave. Meditate on that and you'll know if this one's right for you. ~ François Couture
Alan Vega,Iipo Vanssanen & Miko Vanio
Vainio Vaisanen Vega: Mike Vanio, Ilpo Vanssanen, Alan Vega (vocals).
Recording information: 6 (1997); 8 Studios, New York, NY (1997).
Spin (12/98, op.86) - 7 (out of 10) - "...ENDLESS often suggests Joy Division if Ian Curtis had survived his girl troubles....Thanks to Vainio and Vaisanen's sonic architectonics, ENDLESS serves as Vega's belated revenge on at least two generations of Suicide copyists, finally trumping the cult of clowns like Trent Reznor." Vainio Vaisanen Vega Endless Songs Endless Review
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Purchase Endless CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as ...
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| | The Ultimate Bee Gees CDs (2009)
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Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that ...
| | Beatles Rubber Soul CD (1965) Limited Edition; Remastered; Digipak; Enhanced CD
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This reissue of RUBBER SOUL has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
Though some might argue that the Beatles' unprecedented evolution from British Invasion pin-ups to pop music visionaries began with BEATLES FOR SALE, RUBBER SOUL is without a doubt the first album to definitively put the Fab Four in the running for Greatest Band Ever. Virtually every aspect of the Liverpool ...
| | Rolling Stones Get Yer Ya-Ya's Out!: In Concert CDs (1970) With Book; With DVD; Anniversary Edition; Limited Edition
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Recorded live at Madison Square Garden, New York, New York on November 27-28, 1969.
Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an impressive recorded output during their three years away from touring, the Stones peppered their sets with hits, including "Honky Tonk Women," "Jumpin' Jack Flash," and "Street Fighting Man." Tipping their collective hats to Chuck Berry, the band also included covers of "Carol" and "Little Queenie" alongside more blues-influenced numbers such as "Stray Cat Blues" and "Love In Vain."
Having been a member of John Mayall's Bluesbreakers, new guitarist Mick Taylor parlayed his experience into some impressive ...
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Ace.
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| | Julio Kladniew Babies Go Bach CD (2003) (Import) Argentina
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Personnel: Julio Kladniew (keyboards).
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| | Kate Early Mr. Versatility's Daughter CD (2007)
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KATE EARLY ARTIST BIO'I want my music to move your heart so that you hear the story there as well as in your ears. I want you to throw yourself on the floor and bawl like a calf for the unhappy women and to soar with joy for the blissful couples and to stop the war to save the doomed soldiers. And I want you to shake your moneymaker to the danceable stuff!" Kate EarlyKate Early, 'Mr. Versatility's Daughter,' was born during the twilight years of the old Irish enclave on Chicago's West Side. On her father's side, she springs from a long line of short musicians, union laborers, farmers and ancient Irish and French royalty!or so family legend has it. Her mother's side provided a much shorter line of slightly taller musicians, and many North Atlantic fishermen, both Tory Islanders and Newfoundlanders. At the present time, the distaff branch of the family tree boasts several Royal Canadian Mounted Policemen; further back, it includes a Scot forced from his home during the Highland Clearances and a wild young Irishman who killed a British soldier for blood vengeance, then fled across the waters.Gene Early, Mr. Versatility, was a popular pianist and singer from the end of WWII until the early 1970s, playing in nightclubs, bars and restaurants in Chicago and Northwest Indiana. Many kinds of music were heard in the Early house - pop, Broadway, Irish, jazz, folk, operetta, swing - and the radio seemed to always be on. As a childhood treat, Kate was permitted to stay up late on Saturday nights to listen to 'The Wandering Folksong' and 'The Midnight Special' on WFMT Radio until she began to fall asleep at the kitchen table. She heard excerpts from the University of Chicago Folk Festival during these Saturday night broadcasts and decided that one day she would go to that school so that she could participate in the festival. Years later, Kate took a degree at the University of Chicago and served two terms as Co-President of the Folklore Society, which presents the annual Folk Festival. She still advises the Folklore Society. Although Kate took piano lessons for ten years, her preferred instrument has always been the vox humana, the human voice. She began singing in her class chorus at age seven, and at age 13 sang on WOPA Radio with a local church choir. She cut her first records at age 15 as a featured soloist with her high school choir. The crowning glory of her high school years, however, was portraying Lady Thiang in a production of 'The King and I. ' Kate had many years earlier taken to heart her father's dictum to never imitate other singers, but to make a song her own. ...
| | Motiveless Spread Of Hatred CD (2007) (Import)
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