| | Mike Bloomfield Best Of Michael Bloomfield CD Mike Bloomfield Discography of CDs
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THE BEST OF MICHAEL BLOOMFIELD is in fact a very nice anthology of the great guitarist's non-Paul Butterfield/Electric Flag work, from pre-Butterfield club shows recorded in 1963 (duets with singer/pianist Little Brother Montgomery) to studio sessions made at the end of his tragically brief career. These latter include "The Gospel Truth" and "See That My Grave is Kept Clean," both of which showcase Bloomfield's skills as a multi-instrumentalist.
Other noteworthy tracks include three live cuts with a five-piece combo reuniting him with Butterfield pianist Mark Naftalin. There's also an early '70s big band workout--"Hitch Hike on the Possum Trot Line"--in which he trades licks with jazz legend Woody Herman and gives as good as he gets.
Live Recording
Recorded between 1963 and 1980.
Personnel: Michael Bloomfield (vocals, guitar, electric guitar, slide guitar, tiple, accordion, piano, organ, Moog synthesizer); Little Brother Montgomery (vocals, piano); Roger Troy (vocals); Mark Adams (harmonica); Steve Lederer, Frank Tiberi, Gene Smookler, Sal Nistico (reeds); Woody Herman (soprano saxophone); Derrick Walker, King Perkoff (tenor saxophone); Hart McNee (baritone saxophone); Forrest Buchtel, Buddy Powers, Bill Byrne, Tom Harrell, Tony Klatka (trumpet); Don Switzer, Bob Burgess , Ira Nepus (trombone); Mark Naftalin (piano); Barry Goldberg (organ); Alan Broadbent (keyboards); Ed Soph, Bob Jones , Tom Rizzo (drums).
Audio Remasterer: Joe Tarantino.
Liner Note Author: Pete Welding.
Recording information: American Zoetrope (??/??/1963-11/29/1980); Beggs (??/??/1963-11/29/1980); Fickle Pickle, Chicago, IL (??/??/1963-11/29/1980); Hyde Street Studios, San Francisco, CA (??/??/1963-11/29/1980); Tamarin, Mill Valley, CA (??/??/1963-11/29/1980); The Old Waldorf, San Francisco, CA (??/??/1963-11/29/1980); Tres Virgos (??/??/1963-11/29/1980); Wally Heider Studio, San Francisco, CA (??/??/1963-11/29/1980).
Photographer: Norman Dayron.
Arrangers: Alan Broadbent; Michael Bloomfield.
Personnel includes: Michael Bloomfield, Little Brother Montgomery, Hart McNee, King Perkoff, Derrick Walker, Tom Rizzo, Barry Goldberg, Mark Adams, Mark Naftalin, Roger Troy, Bob Jones, David Shorey.
Best Of Michael Bloomfield Music | List Price | $11.98 (You save $2.19) | | Category | Rock Albums, Blues CDs, Rock/Pop, Contemporary Blues, Regional Collections, Greatest Hits Collections | | Label | Takoma | | Orig Year | 1997 | | All Time Sales Rank | 60009  | | CD Universe Part number | 1165767 | | Catalog number | 8905 | | Discs | 1 | | Release Date | Oct 21, 1997 | | Studio/Live | Studio | | Mono/Stereo | Mixed | | Producer | Norman Dayron; Ray Shanklin; Woody Herman; Denny Bruce (Compilation); Denny Bruce (Reissue) | | Engineer | Alan Rice; Richard Beggs; Mark Wallner; Norman Dayron; Wally Heider; Bob Rose | | Personnel | Alan Broadbent - keyboards Mark Naftalin - piano Ira Nepus - trombone Michael Bloomfield - vocals, guitar, electric guitar, slide guitar, tiple, accordion, piano, organ, Moog synthesizer Woody Herman - soprano saxophone Tom Harrell Mark Adams - harmonica Bob Burgess Bob "Congo" Jones Bill Byrne
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$15.19 What should you expect from music? Do you expect something different from electronic music? In the age of “the club banger”, electronically rehashed pop songs, mash-ups, and band wagon drivel, Prophetnoise stands out as forcefully original, respectful of past influences, and keenly aware of the sound scape he works within. His first full length album, \'Godless Music for a Free Mind\' is completely sample free and painstakingly composed. It shows. The album has clarity rarely seen by the glut of artists clogging the conglomerates of music retailers. Prophetnoise expects more.\'Godless Music for a Free Mind\' opens with prominence, both sonically and structurally. Like the first track’s title, \'Step Outside (An Intro...)\', the music calls for you to diverge from your comfort zone. Once you remove the expectations of endless “four on the floor” and banal throwbacks to 70’s disco funk, you begin to experience the unique textures and layering this electronically produced album brings. The bass exists clearly and is best heard with the sub-woofer turned up, allowing you to absorb the deep frequencies and sub harmonics.With tones of classic Orb and infamous Orbital style synths, the album demands you listen, but frees you from the burden of conscious ...
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