| | Steve Walsh Glossolalia CD Steve Walsh Discography of CDs
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This solo offering from Kansas' lead vocalist was released in conjunction with that band's fine comeback, Somewhere to Elsewhere. This is an exploratory collection of songs that range from the metallic title track (thanks to Mike Slamer's explosive guitar playing) to the aggressive dance number "Heart Attack" and periodic progressive and symphonic meandering that parallels those of his main band. The song "Kansas" combines Magical Mystery Tour psychedelia with a haunting exorcism-like vibe that exemplifies this album's recurring theme of rebirth; Steve Walsh seems to be thumbing his nose at the demons and habits that have entrapped him for so many years. The more plaintive "Nothing" with its steel guitar and comparable vocals actually recalls early-'70s Neil Young, and "Mascara Tears" is reminiscent of mid-'70s Electric Light Orchestra. Co-producing this smorgasbord of styles along with Walsh is Magellan keyboardist Trent Gardner. Bassist Billy Greer who's appeared with Kansas and Streets continues his longtime association with Walsh on this recording. ~ Dave Sleger
Personnel includes: Steve Walsh (vocals, keyboards); Trent Gardner (trombone, keyboards); Billy Greer (bass); Virgil Donati (drums).
Personnel: Steve Walsh (vocals, keyboards); Mike Slamer (guitar); Page Waldrop (acoustic guitar, steel guitar); Trent Gardner (trombone, keyboards); Virgil Donati (drums).
Steve Walsh Glossolalia Songs Purchase Glossolalia CD To buy, Click on price to add to cart | Liquid Tension Experiment CD (1998)
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| | Channulal Mishra Spirit Of Benares CD (2005)
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Channulal Mishra is one of India's most gifted and versatile vocalists, with a rich and wide ranging repertoire. His sonorous voice transcends specific styles of singing, creating music in which the aesthetic and the spiritual merge to great effect. On stage he is a figure of composure, lightly strumming the soothing swarmandal, which resonates colourfully with the notes of his chosen raga. He is equally proficient in classical and light classical music such as dadra, thumri, chaiti, kajri and bhajan, as is demonstrated in this performance recorded live on 8th January 2003 at the Saptak Annual Music Festival held in Ahmedabad, Gujarat.Channulal Mishra's music is eclectic, featuring unmistakeable references to Benares, Kirana and Patiala gharanas, three very contrasting traditions of North Indian classical singing, which have all played a meaningful part in the singer's development.He was brought up in an atmosphere of rich musical activity in the ancient, holy city of Benares, starting his vocal training at a young age under the guidance of his father, Badri Prasad Misra. He is also the son-in-law of the late Anokhelal Misra, a great tabla player of Benares tradition.Later his musical vision and skills were refined by Ustad Abdul Ghani Khan and Thakur Jaidev Singh. Having left his home to learn music he was nurtured in the honoured practice of 'guru shishya parampara', a diminishing tradition where the student stays in the home of his or her teacher. Groomed under the watchful eye of the Guru is devoted to the musical and spiritual growth of the student, just as a father is devoted to his own son.In this recital, Channulal Mishra begins with a khayal, a classical rendition of raga Maru Behag. Khayal is the most dominant form of singing in Hindustani classical music, giving great scope to the imagination and individuality of the singer. Khayal singing is marked with melodic elaboration, decorative elegance, sensuousness and romanticism. It invariably combines devotion with romance.Maru Behag is a late evening ...
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Behold the early days of Nile, a band destined to crush the well-fortified boundaries of death metal with later releases Amongst the Catacombs of Nephren-Ka (1998) and Black Seeds of Vengeance (2000), both modern classics in their own right. Numerous accolades from the metal underground regarding the aforementioned albums ...
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