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Travers, Pat - Blues Tracks Vol. 2 CD Cover Art CD music music CDs songs album

Pat Travers Blues Tracks Vol. 2 CD

 Pat Travers Discography of CDs

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Live Recording

Recording information: Studio Z, Orlando, FL (12/1997-01/1998).

Personnel: Pat Travers (vocals, guitar); Liberty DeVitto (harmonica, drums); Michael Franklin (piano).

Audio Mixer: Pat Travers.

Blues Tracks Vol. 2 Music


Detailed Blues Tracks Vol. 2 Music Information



List Price $16.98 (You save $3.13)
Category Rock Albums, Rock/Pop CDs, Hard Rock, Blues, Enhanced CD
Label Blues Bureau International
Orig Year 1998
All Time Sales Rank   50892  
CD Universe Part number 1166014
Catalog number 452038
Discs 1
Release Date Apr 21, 1998
Studio/Live Studio
Mono/Stereo Stereo
Producer Pat Travers; Liberty Devitto
Engineer Rick Money
Personnel Pat Travers - vocals, guitar
Liberty Devitto - harmonica, drums
Michael Franklin - piano
Pat Travers Blues Tracks Vol. 2 Songs


Pat Travers Blues Tracks Vol. 2 Album Track Listing



1.I Guess I'll Go Away
2.Pack It Up
3.Outside Woman Blues
4.Your Cash Ain't Nothing But Trash
5.Whipping Post
6.Take It Back
7.Taxman
8.Purple Haze
9.Bring It on Home to Me
10.I Don't Know
11.Walkin' by Myself
12.One More Heartache
Blues Tracks Vol. 2 Review


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Live! Go For What You Know
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Recorded live at the Opry House, Austin, Texas; Great Southern Music Hall, Orlando, Florida; Great Southern Music Hall, Gainesville, Florida; Gusman Hall, Miami, Florida in January and February 1979. All songs written or co-written by Pat Travers except "Boom Boom (Out Go The Lights)" (Stan Lewis). Pat Travers never sounded more focused and inspired than he does on Live! Go for What You Know, which was recorded during the Canadian hard rocker/blues-rocker's U.S. tour of early 1979. Travers can really burn on stage, and this album reflects that. Backed by guitarist Pat Thrall (who had been a member of the obscure space rock band Automatic Man in 1976 and 1977), bassist Mars Gowling, and drummer Tommy Aldridge, the singer is in top form on explosive, definitive versions of funky originals like "Heat in the Street," "Gettin' Betta," and "Makes No Difference." But the best-known thing on the album is Travers' gutsy performance of Stan Lewis' blues classic "Boom Boom (Out Go the Lights)," which should not be confused with the John Lee Hooker favorite "Boom Boom." For Travers, "Boom Boom (Out Go the Lights)" has ...
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Richard M. Jones was one great blues pianist and bandleader who plied his wares behind a number of blues vocalists, the best of which are featured on this 23 track collection. Recorded in Chicago and Richmond, Indiana over a five year period, this ...
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Although Eric Clapton and B.B. King's long friendship originated during a chance meeting and subsequent jam session at New York City's Cafe Au Go Go in 1967, the idea for a collaborative album only crystallized during the sessions for King's 1997 album DEUCES WILD. The resulting record, 2000's RIDING WITH THE KING, is a stellar event, thanks to a wealth of rich material and a solid supporting cast including Jimmie Vaughan, Joe Sample, and Steve Gadd. B.B. King's extensive catalog provides a wellspring of inspiration, including signature songs such as the smoldering "Three O' Clock Blues," alongside lesser-known numbers like the ribald shuffle "Days Of Old" and the LIVE AT THE REGAL chestnut "Help The Poor." Elsewhere, King and Clapton look to guitarist Big Bill Broonzy (an acoustic "Key to the Highway") and Chicago pianist Maceo Merriweather (the slow-rolling "Worried Life Blues") for inspiration. Even the non-blues numbers are delivered with a rich subtlety befitting these guitar icons' consummate musicianship. John Hiatt's title track becomes a mid-tempo exchange between old friends, while the pair's honeyed vocals on the standard "Come Rain or Come Shine" are worthy of Ray Charles's 1959 version. RIDING WITH THE KING won the 2001 Grammy Award for Best Traditional Blues Album. Live Recording Personnel: Eric Clapton (vocals, guitar); B.B. King (vocals, ...
Trumpet Blues: The Best Of Harry James
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Released to coincide with the publication of Peter Levinson's biography of the same name, Capitol Jazz's Trumpet Blues: The Best of Harry James is an excellent collection of 16 highlights from James' stint at Capitol between 1955 and 1958. These don't quite rank among James' very best recordings, which are generally considered to be his '30s and '40s work, but they're enjoyable latter-day waxings, finding him in a relaxed, generous mood. Among the highlights are the re-recorded title tracks and duets with Buddy Rich, Willie Smith, Corky Corcoran, and Helen Forrest. Trumpet Blues shouldn't be considered a definitive statement, but it's a nice addendum ...
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Along with the Gershwin brothers and Cole Porter, Irving Berlin is on the short list as one of the most quintessentially American songwriters. This VERY BEST OF collection assembles some of the finest interpretive talents--in both classic ...
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When you've been born in Algeria, lived in various African and European countries, followed by Canada, before settling in Ecuador, you need an international musical language to communicate. In the case of Sarazino (the nom de musique of Lamine Fellah) that's reggae. He does a very good job with it, too. It's always there at the root of the songs, but often just part of the overall sound, as with "Nadia," which also includes an Andalusian feel to transport it across oceans. It's very much a multi-national affair, with an African vocalist (the excellent Revelino Aguidissou) who features on most of the tracks, along with guest appearances from the legendary Toots Hibbert, who brings real reggae authenticity to "People," and King Chango's Blanquito Man, offering his ...
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