| | Southern Gospel Greats Of The 90'S CD
Southern Gospel Greats of the 90's contains the biggest radio hits of the genre from that decade. Included on this ten-song compilation are two tracks from the Cathedrals ("Healing," "He Made a Change") along with eight other contemporary gospel hits by Gold City, the Kingsmen, Poet Voices, the Hoppers, the Crabb Family, Kirk Talley, and Jeff & Sheri Easter. ~ Al Campbell
Liner Note Author: Paul Heil. Southern Gospel Greats Of The 90'S Music Southern Gospel Greats Of The 90'S Songs Southern Gospel Greats Of The 90'S Review
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In 2001, several years after any listeners could've expected a follow-up to 1992's Connected, Stereo MC's finally delivered with Deep Down & Dirty. It's a tribute to how far ahead of the curve Stereo MC's were ten years earlier that Deep Down & Dirty never strays far from the spirit of Connected, but still sounds perfectly up-to-date for 2001. It's clear the productions are more mature and more complex, but they still plumb the depths of deep-groove beatbox funk, with nods to soul-jazz and gospel. Still tossing out lines with the half-assed cool of Shaun Ryder or Ian Brown, frontman Rob Birch doesn't rap quite as much as he used to (that's a good thing), and the productions are a tad more down-tempo and dubby than when the band was at its most clubbed-up ...
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Often compared to countrymen Coldplay and Radiohead, the UK-based trio Keane plays a similarly majestic, sweeping blend of pop-informed rock music. Fueling the comparisons is the fact that lead vocalist Tom Chaplin makes heavy use of the same kind of Jeff Buckley-esque falsetto and emotion-filled wails favored by Chris Martin and Thom Yorke. On HOPES AND FEARS's epic tracks such as "She Has No Time," however, Keane takes the more dramatic elements of the aforementioned bands' sounds and magnifies them, creating piano- and synthesizer-driven cinematic soundscapes dripping with quiet heartache and existential angst. In addition, Keane incorporates minimalist trip-hop beats, which, in combination with Chaplin's strong pop melodies, evoke a male-led Portishead jamming with the Raspberries. One of the most sonically atmospheric groups of the Britpop scene, Keane ignores the notion of traditional guitar-based rock music in favor of something altogether quieter, yet equally as intense.
The English music press can never let anyone be. They're always quick to hail the next big thing and, in this case, the next big Coldplay is Keane. Lowgold briefly held that title upon its debut release in 2001, but U.K. critics rushed to give that crown to someone else just because that's what they like to do. Keane didn't ask for it, but perhaps it's the overall majestic presentation of the band's debut album, Hopes and Fears, that does it. That and the fact that the Sussex trio doesn't rely on a formula of lilting melodies and feverish guitars to carry the weight of the album. Keane haven't positioned themselves to be kings of anything, let alone the next Coldplay. They sound nothing like Chris Martin and Co. Sure, Coldplay's biggest hit to date, "Clocks," included only pianos, and they released the Safety EP on Fierce Panda, which is also Keane's label, but those are the only things Keane have in common with Coldplay. Alongside ...
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