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Wasters CD

 Wasters Discography of CDs

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Wasters Music


Detailed Wasters Music Information



List Price $14.99 (You save $1.50)
Category Rock Albums, Rock/Pop CDs
Label Chuckie-Boy
Orig Year 2000
CD Universe Part number 1167271
Discs 1
Release Date Jan 01, 2003
Studio/Live Studio
Mono/Stereo Stereo
Wasters Songs


Wasters Album Track Listing



1.All Messed Up
2.The Thrill
3.Down In The Junkyard
4.Big Black Car
5.Left And Right
6.Bondage Kitty Mow Mow
7.Don'T Bring Me Down
8.Rocker On The Run
9.Poseur
10.Catharsis 13
11.39 Lashes
12.Beneath The Planet Of The Three Part Mini-Series
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Wasters Music Reviews



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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi ...
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Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, it's a group of three natural-born collaborators: John Paul Jones, the old studio pro who gravitated toward provocative partners after Led Zeppelin's demise, teaming up with R.E.M. as easily as he did with avant-queen Diamanda Galas and nu-folkster Sara Watkins; Dave Grohl, who hopped into an empty drummer's chair whenever the opportunity presented itself; and Josh Homme, who set up a mini-empire based entirely on jam sessions. If Them Crooked Vultures brings to mind Homme's projects more than Grohl's or Jones', it's largely due to his role as lead vocalist and how guitar can push a rhythm section as powerful as this to the side, dominating with its grinding riffs and solos. Homme's predilection for ...
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North Carolina sibling duo the Avett Brothers return in 2009, fresh off a few years of building a cult following for its melodic and rootsy alt-bluegrass sound, with the subdued I AND LOVE AND YOU. The opening single and title track basks in piano-pop splendor in an odd mix of Beach Boys, Byrds, and the Band. The Avett Brothers continue charting the same musical course as EMOTIONALISM and MIGNONETTE on major-label debut I AND LOVE AND YOU, despite the presence of hands-on producer Rick Ruben. The country-folk duo continue to add elements of pop and hillbilly rock to a country/bluegrass foundation on the 2009 LP, a record with a newfound emphasis on piano and nuanced arrangements. Working with a larger budget allows the group to add small flourishes -- a cello line here, a keyboard crescendo there -- but the resulting music is rarely grand, focusing on textures rather than sheer volume. Scott and Seth Avett share vocals throughout the album, delivering their lyrics in a speak-sing ...
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Recorded live at Madison Square Garden, New York, New York on November 27-28, 1969. Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an impressive recorded output during their three years away from touring, the Stones peppered their sets with hits, including "Honky Tonk Women," "Jumpin' Jack Flash," and "Street Fighting Man." Tipping their collective hats to Chuck Berry, the band also included covers ...
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RESOLUTION is a 1997 reunion album by southern boogie-rockers .38 Special. In their first album in six years, .38 Special comes back with a brace of tunes that recasts the band in contemporary terms. With the core of the group now sweated down to singer Donnie Van Zant, guitarists Don Barnes (back in the ...
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Ekoostik Hookah Where The Fields Grow Green CD  (2002)

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Critics say that Radiohead is best, but Muse is equally passionate and mad when it comes to delivering a raw rock sound. The Hullabaloo Soundtrack arrived after only two albums -- 1999's Showbiz and 2001's indie smash Origin of Symmetry -- and it's an ambitious move for the band. Hullabaloo captures Muse live in concert at Le Zenith in Paris in October ...
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Everything I've Got In My Pocket
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According to her bio, Minnie Driver was a singer long before she ever became an actress. Accordingly, Everything I've Got in My Pocket, her first album, contains ten Driver originals and a cover of Bruce Springsteen's "Hungry Heart." The project began as an exhortation by producer Marc "Doc" Dauer, who had heard Driver's songs accompanied by her self-admitted "mangled" guitar playing. Dauer plays guitar and leads a band that includes multi-instrumentalist Rami Jaffee. As for the material, it's pleasant and the songs are ably written, and Driver can sing to boot. She writes all over the map, from the gently textured Americana of "Fast As You Can" to the suburban country-flavored "Home" to the lush folksy pop of "Invisible Girl," which feels like some slick teahouse session between Aimee Mann and Avril Lavigne. There's nothing wrong with anything here: it's pleasant, breezy, and gentle. But records come out like this every single day. These songs possess no edge -- nothing to distinguish them whatsoever other than that they were recorded ...
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