| | Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture CD Gergiev / Kirov / Tchaikovsky CDS
Kirov Orchestra Valery Gergiev,Conductor Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture Music | List Price | $16.98 (You save $6.09) | | Label | Philips | | Orig Year | 1/11/2000 | | All Time Sales Rank | 8901  | | CD Universe Part number | 1169699 | | Catalog number | 456580 | | Discs | 1 | | Release Date | Jan 11, 2000 | | Recording Time | 1 9 |
Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture Review
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Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture Songs Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture Music Composers on Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture CD : Peter Ilyich Tchaikovsky Conductors on Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture CD : Valery Gergiev Genres on Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture CD : Fantasy, Romantic Period, Symphony
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Tchaikovsky: Symphony No. 6 "Pathétique"; Romeo And Juliet Fantasy Overture
$16.19 In 1972, Stax Records was second only to Motown as America's most successful black-owned record company, and as part of an ambitious bid to grow into a multimedia empire, the Memphis-based label had opened offices in Los Angeles and was eager to announce its presence in the community. The Watts Summer Festival was an annual celebration staged in the beleaguered Watts neighborhood of L.A., a mostly African-American community that had been scarred by race riots in the late '60s, and in 1972 Stax did something special for the occasion: it staged an all-day concert at the Los Angeles Coliseum on the final day of the Watts festival, with nearly every artist on the Stax roster appearing live on-stage and tickets priced at only a dollar. Over 110, 000 people attended the show, a camera crew was on hand to capture the proceedings for a feature film, and a mobile recording truck committed the whole show to tape. Two albums featuring material from the Wattstax festival appeared in 1972 and 1973, but both contained studio recordings along with material from the concert, and Wattstax: Music from the Wattstax Festival and Film is a three-CD set that brings together the lion's share of the previously released live material from the show along with a handful of previously unreleased performances recorded that day. This set tries to give a sense of the size, shape, and flow of the massive concert, opening with "Salvation Symphony" (a grand-scale orchestral piece written by Dale Warren, who led the big band that backed most of the performers) and an invocation by the Rev. Jesse Jackson, and closing with headliner Isaac Hayes winding up the crowd with "Theme from Shaft." Along the way, the festival attempted to showcase the breadth of both the African-American musical experience and the Stax artists, touching on gospel, blues and several flavors of rhythm & blues, though the jazz acts which appeared at the show didn't make the cut for this set. While these three discs feel a bit over
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