| | Message From The Moon: Everlasting Chinese Love Songs CD
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Our Price: $7.55  CDFor Sale Usually ships in 1-2 days
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Message From The Moon: Everlasting Chinese Love Songs Music | List Price | $9.97 (You save $2.42) | | Label | Marco Polo | | Orig Year | 8/9/1994 | | CD Universe Part number | 1175144 | | Discs | 1 | | Release Date | Jul 11, 1995 | | Mono/Stereo | Stereo | | Recording Time | 1 9 |
Message From The Moon: Everlasting Chinese Love Songs Review
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Purchase Message From The Moon: Everlasting Chinese Love Songs To buy, Click on price to add to cart | El Sistema DVD (2009) Widescreen
Message From The Moon: Everlasting Chinese Love Songs
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Violence and poverty may rule the ...
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Live Recording
Personnel includes: Mike E. (rap vocals, guitar); Tom Hemby, Paul Jackson, Jr. (guitar); Mark Douthit (saxophone); Dwayne Adell (piano); Greg Philinganes, George Duke (keyboards); Cedric Dent (keyboards, programming, background vocals); Ben Tankard, Joe Hogue (keyboards, programming); Mervyn Warren (piano, keyboards, drums, programming, background vocals); Victor Caldwell, Jackie Street (bass); James Blair, Ricky Lawson (drums); Donna McElroy, Bob Bailey, Vicki Hampton, Chris Willis (background vocals).
Producers include: Mervyn Warren, George Duke, David Pack, Take 6, Gary D. Hines.
Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph.
Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, ...
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English Subtitles
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Kirov Orchestra
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Will Wynton Marsalis' omnivorous appetite ever be satisfied? Seemingly enthralled with the string quartets of Béla Bartók, he tries to write one of his own that basically takes off upon Bartók's (and America's Charles Ives') own methods of drawing upon vernacular language to create thoroughly contemporary classical music. While Bartók's inspiration was Hungarian folk music, Marsalis, like Ives, seems to draw upon American fiddle tunes and blues. Sounds interesting, but Wynton's reach has again exceeded his grasp over seven, often disjointed movements that stretch some 45 minutes -- a lot longer than Bartók dared go. Wynton employs a lot of slithering portamentos, occasional passages of dissonance in a tonal framework, flinging ideas out there that are not developed or even hammered into a groove. The best movements are the rambunctious fifth, where the nod to Bartók is explicit in its insistent rhythms and glides, and the charming, straight-forward ragtime of the seventh. Though the liner notes are thankfully not by Stanley Crouch, they are of little help in determining the motivations behind the piece, and the Orion String Quartet works hard to pump life into this lofty attempt to jump genres. Classical listeners will make the associations more readily than jazz fans, who will be hard-pressed to relate this to anything Wynton has recorded before ...
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Music and lyrics by Stephen Sondheim.
Principal cast includes: David Campbell, Lauren Ward, Michael Benjamin Washington, Andrea Burns, Christopher Fitzgerald, Kirk McDonald, Greg Zola, Joey Sorga, Clarke Thorell.
Recorded at The Hit Factory, New York, New York. Includes liner notes by Jeff
Lonoff.
Personnel: Rachel Ulanet, Lauren Ward (vocals); Maura Giannini, Al Rogers, Belinda Whitney-Barratt, Suzanne Ornstein, Richard Sortomme (violin); Kenneth Burward-Hoy, Toby Appel, Clay Ruede (viola); Scott Ballantyne, Eugene J. Moye (cello); John Winder, Les Scott, Richard Heckman (woodwinds); Brian O'Flaherty, Matt Peterson, Tino Gagliardi (trumpet); Clinton Sharman (trombone); Steve Marzullo (synthesizer); Bruce Samuels (programming).
Audio Mixer: Joel Moss .
Recording information: The Hit Factory, New York, NY (03/28/2000).
After having its world premiere in London in 1997, 43 years after it was written, Stephen Sondheim's first professional musical, Saturday Night, was produced in Chicago in 1999 and finally, on January 18, 2000, opened off-Broadway in New York. Based on a play by Julius J. and Philip G. Epstein, it tells the tale of a group of male friends in Brooklyn in 1929, most of whom are focused on getting dates on Saturday night, though one is determined to rise socially and financially, even if he has to break a few rules to do it. The young Sondheim demonstrates a feel for these ethnic characters that probably helped lead the producers of West Side Story to think he could also handle the words sung by the gang members in that show. But as in West Side Story, he sometimes has them using a vocabulary that is implausibly large, and the songs show off the sharp wit for which he later became known, especially "In the Movies," which contrasts real life with screen fantasy, and "What More Do I Need?," a declaration of love despite the travails ...
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