| | Just One Of Those Things: Lionel Hampton Featuring Oscar Peterson On Verve CD Lionel Hampton Discography of CDs
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Personnel: Lionel Hampton (vibraphone); Oscar Peterson (piano); Buddy DeFranco (clarinet); Herb Ellis (guitar); Ray Brown (bass); Buddy Rich (drums).
Producer: Norman Granz.
Reissue producer: Ben Young.
Recorded at Fine Sound, New York, New York on April 12 & 13 and September 13 & 15, 1954. Includes liner notes by Francis Davis.
Digitally remastered by Kevin Reeves (Polygram Studios).
Personnel: Lionel Hampton (background vocals); Herb Ellis (guitar); Buddy DeFranco (clarinet); Oscar Peterson (piano); Buddy Rich (drums).
Liner Note Author: Francis Davis.
Recording information: Fine Sound, New York, NY (04/12/1954-09/15/1954).
Photographers: Cynthia Sesso; Herman Leonard.
Verve's Just One of Those Things contains a selection of eight highlights from Lionel Hampton's sessions with Oscar Peterson between 1953 and 1954. This may be just a sampler, but it's a highly enjoyable one, since Hampton and Peterson were at the top of their form during this era. The compilers have skillfully balanced familiar selections with slightly esoteric choices (including 78 rpm master takes of "It's a Blue World" and "Hamp's Boogie Woogie"), resulting in an informative, entertaining introduction to one of the great pairings of '50s jazz. ~ Stephen Thomas Erlewine Just One Of Those Things: Lionel Hampton Featuring Oscar Peterson On Verve Music Just One Of Those Things: Lionel Hampton Featuring Oscar Peterson On Verve Songs Just One Of Those Things: Lionel Hampton Featuring Oscar Peterson On Verve Review
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Stephen Schwartz/Winnie Holtz- Man
Principal cast includes: Kristin Chenowith (Galinda, Glinda); Sean McCourt (Witch's Father); Cristy Canlder (Witch's Mother); Jan Neuberger (Midwife); Idina Menzel (Elphaba); Michelle Federer (Nessarose); Christopher Fitzgerald (Boq); Carole Shelley (Madame Morrible); William Youmans (Doctor Dillamond); Norbert Leo Butz (Fiyero); Sean McCourt (Ozian Official); Joel Grey (The Wonderful Wizard Of Oz); Manuel Herrera (Chistery).
Recorded at Right Track Studios, New York, New York.
Personnel: Greg Skaff (guitar); Laura Sherman (harp); Maura Giannini, Ann Labin, Victor Heifets, Suzanne Ornstein, Victor Schultz (violin); Kevin Roy, Ronald Carbone (viola); Jeanne LeBlanc (cello); Helen Campo (flute); John Campo (clarinet, bassoon, baritone saxophone); John Moses (clarinet, soprano saxophone); Tom Hoyt, Jon Owens (trumpet); Kelly Dent (French horn); Douglas Purviance, Dale Kirkland (trombone); Alex Lacamoire (piano, synthesizer); Dr. David Evans (keyboards).
Audio Mixers: Frank Filipetti; Jason Stasium.
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Director: Stephen Oremus.
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Arrangers: Stephen Oremus; James Lynn Abbott; ...
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In the Year of our Lord Two-thousand and Three, Capt. Chip Skippy (then, simply know as the Chris) journeyed as the hippie in the back of a van to Chicago for the National Poetry Slam, where he and the Nathan that was to become the Neutron Wad. They achieved a grand alliance through sleep deprivation, merrymaking and not staying lost in Chicago. The longer their alliance continued after returning home, the more it evolved. Eventually, becoming the music and poetry show called Living Words with No Shadows which played a few coffee shops in Oklahoma City and Tulsa. Soon after those shows the soon-to-be Captain started a project with Will, whom he had played in with a band called Closed who opened for NoFx when they were only 18, and William Stewart named The Venditos. After a ferocious Halloween show that will go down in Chickentown history, they needed a new bass player. Enter again Natewad to the hallowed ground under the smelly carpeted garage at 525 NW Eubanks. Disputes and problems led to Will exiting the fold. Then, the power-jam trio took its abrasive triangular shape. It has been said that was devolved version of what they were to become. Having rightfully assumed their identities: Chris was fully bestowed with the title of Captain when he assumed full reign over the school bus, Natewad Neutron brought his willingness to learn and his knack for strangeness, all the while Bobby Blanco taught the drums math. They achieved a more upright state and were ready to show the world what just was behind the curtain when you met the Wizard. They played any venue brave enough to withstand the collective grunt and roar. They were even stupid enough to have even dared electrocution finishing a set as the rain ...
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