| | Motown Legends Vol. 1 CD
Unfortunately, throughout the '80s and '90s Motown took advantage of the burgeoning CD movement, endlessly packaging and repackaging chart-topping hits from the label's massive collection. This led to a flood of budget-line compilations that helped to keep Motown afloat during the leanest of years, when the hit factory in Los Angeles had all but dried up. Much like several other series entries, this Motown Legends set features familiar radio-friendly hits like Smokey Robinson's "Shop Around" (one of the label's first hits), Mary Wells' "My Guy," and two of Stevie Wonder's finest tracks, "I Was Made to Love Her" and "Shoo-Be-Doo-Be-Doo-Da-Day." The Supremes dominate almost a third of the disc with "Come See About Me," "Love Child," and "You Keep Me Hanging On." Most devotees will already own many if not all of these tracks, but casual fans looking for the hits who can't find any of the other available budget-line series would be well-served by this disc. ~ Rob Theakston Motown Legends Vol. 1 Music Motown Legends Vol. 1 Songs Motown Legends Vol. 1 Review
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Purchase Motown Legends Vol. 1 CD To buy, Click on price to add to cart | Bryan Ferry Boys And Girls CD (1985) Remastered
Motown Legends Vol. 1 album
$11.69 All tracks have been digitally remastered using HDCD technology.
Ferry's first solo effort since the second breakup of Roxy Music is arguably his best, in part because it continues in the direction the band had been going. It's like AVALON, only more so.
Here, Ferry's lounge lizard affectations are writ large; the lyrical pose is all bruised romantic fatalism (say hello, "Slave to Love"), and the music fits it like a glove. The ...
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$10.35 Southern California's Voodoo Glow Skulls were skanking well before the major success of their fellow counterparts No Doubt, the Dance Hall Crashers, and Goldfinger, yet the band remains at the top of their game when delivering their own hearty side of vivacious rawk in the third ...
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$10.75 "As We Lay" was nominated for the 2001 Grammy Award for Best Female R&B Vocal Performance.
Kelly Price's sophomore release is both tough and sweet, reflecting what she's gone on record as describing as a tough period in her life. The sophisticated rhythms, arrangements, and production on display belie some harsh subject matter, all centering on love, loss, betrayal, and leaving.
It's hard to believe that Price didn't write songs such as "At Least (The Little Things)" herself; she inhabits them completely, in the same way that Aretha Franklin possesses a song such as "Dr. Feelgood," or "I Never Loved a Man (The Way I Love You)." Before long you're totally caught up in her life. "She Wants You" is a song of resignation and defeat preceded by a "National Anthem" that humorously itemizes her ...
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$35.49 Even though this long-player was the second collection to have featured the original Supremes lineup with Mary Wilson, Florence Ballard and Diana Ross, Where Did Our Love Go (1964) was the first to significantly impact the radio-listening and record-buying public. It effectively turned the trio -- who were called the 'No-Hit Supremes' by Motown insiders -- into one of the label's most substantial acts of the 1960s. Undoubtedly, their success was at least in part due to an influx of fresh material from the formidable composing/production team of Brian Holland, Lamont Dozier and Eddie Holland (HDH). They had already proven themselves by presenting "(Your Love Is Like A) Heatwave" to Martha & the Vandellas and providing Marvin Gaye with "Can I Get a Witness." Motown-head Berry Gordy hoped HDH could once again strike gold -- and boy, did they ever. Equally as impressive is that the Supremes were among the handful of domestic acts countering the initial onslaught of the mid-'60s British Invasion with a rapid succession of four Top 40 sides. Better ...
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