| | 70'S Rock Hits CD
Rebound's 70's Rock Hits is almost what it says it is. A more accurate title might have been 70's Rock Songs, since many of these nine songs (eight on cassette) weren't exactly hits. Nevertheless, the featured songs -- including BTO's "Let It Ride," Rod Stewart's "Maggie May," the Allman Brothers' "Blue Sky," Frijid Pink's "Heartbreak Hotel," Wet Willie's "Dixie Rock," Savoy Brown's "I'm Tired" and Atlanta Rhythm Section's "Champagne Jam" -- give a good feeling of what rock in the '70s sounded like. And that may be of interest to some casual consumers on a tight budget. ~ Stephen Thomas Erlewine
Feat.Bachman Turner Overdrive, Rod Stewart 70'S Rock Hits Review
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Purchase 70'S Rock Hits CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
70'S Rock Hits album
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as ...
| | Them Crooked Vultures CD (2009)
70'S Rock Hits CD music
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Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, it's a group of three natural-born collaborators: John Paul Jones, the old studio pro who gravitated toward provocative partners after Led Zeppelin's demise, teaming up with R.E.M. as easily as he did with avant-queen Diamanda Galas and nu-folkster Sara Watkins; Dave Grohl, who hopped into an empty drummer's chair whenever the opportunity presented ...
| | Avett Brothers I And Love And You CD (2009)
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North Carolina sibling duo the Avett Brothers return in 2009, fresh off a few years of building a cult following for its melodic and rootsy alt-bluegrass sound, with the subdued I AND LOVE AND YOU. The opening single and title track basks in piano-pop splendor in an odd mix of Beach Boys, Byrds, and the Band.
The Avett Brothers continue charting the same musical course as EMOTIONALISM and MIGNONETTE on major-label debut I AND LOVE AND YOU, despite the presence of hands-on producer Rick Ruben. The country-folk duo continue to add elements of pop and hillbilly rock to a country/bluegrass foundation on the 2009 LP, a record with a newfound emphasis on piano and nuanced ...
| | Rolling Stones Get Yer Ya-Ya's Out!: In Concert CDs (1970) With Book; With DVD; Anniversary Edition; Limited Edition
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| | Gary Bartz Anthology CD (2005) (Import) United Kingdom
70'S Rock Hits CD music
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Soul Brother has given us a long overdue compilation of Gary Bartz's experimental jazz material from the 1970s, beginning with his classic Harlem Bush Music albums, Taifa and Uhuru from 1970 and 1971, with his band NTU Troop. While it's impossible to overstate the influence his brief tenure with Miles Davis had on him (Bartz is featured on the Live-Evil recordings), the saxophonist and composer was exploring other avenues of creative black music as well, from funk to soul to the blues. The 12 cuts here begin with the sublime "Celestial Blues," from that seminal NTU Troop debut set. The band included vocalist/keyboardist Andy Bey, bassist Ron Carter, drummer Harold White, and percussionist Nat Bettis in the mix. Following is "Uhuru Sasa," with a killer call-and-response vocal from Bartz and Bey, and "Drinking Song," which similarly follows suit but with a fiery, deep solo from Bartz. "Dr. Follow's Dance" from Follow the Medicine Man marks the accent on the blistering electric funk groove. Bey left the band and was replaced by Hubert Eaves, II, who added a smoother, more R&B-oriented dimension to the band's sound. "I've Known Rivers" is from the live set of the same name, with Stafford James on bass and Eaves on acoustic and electric piano, and melds soul, R&B, and Native American folk music with Bartz's post-Coltrane modal sensibilities. Bartz's vocal is just beautiful and inspiring here. The transition is complete with "I Wanna Be Where You Are," written by T-Boy Ross and Leon Ware. Spacey for Marvin Gaye, slippery, shimmering, and utterly in the pocket, it winds through the entire history of black music to execute its popping ethereal groove. There are also tracks here from Juju Man and the rare Shadow Do ("Sea Gypsy"/"Gentle Smiles"). The disc's final two offerings come from Bartz's Blue Note album, Music Is My Sanctuary, which was produced by Larry Mizell; these include the title track and "Carnaval de l'Espirit." What is notable about these final two songs is their utter abandonment of the jazz fake-book (even with a very large -- 17 piece -- band) for urban soul. The late vocalist Syreeta Wright is present on these ...
| | Charles Compo Seventh Moon CD (2002)
70'S Rock Hits music CDs
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New York born and bred multi-instrumentalist Charles Compo, is creating edgy/smooth, electric, saxophone driven jazz. He has recorded and performed with artists such as, Sahib Shehab, Ted Daniels, Sonny ...
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| | Def Leppard Hysteria: Deluxe Edition CDs (1987) Bonus Tracks; Anniversary Edition; Remastered; Deluxe Edition; Digipak
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| | Neverwas CD (2007)
70'S Rock Hits CD music
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Neverwas (a.k.a. Christopher Cunningham, sync66, el peludo, Moribund Veneer, etc.)A Brief Biopsy:Born during the us-soviet spylane showdown of 1960, Neverwas grew up amidst the rising noise floor of the hyperactive American youth culture, and hit the ground running - directly into the belly of the early 1980’s No wave and Downtown Punkfunk scenes of both American coasts. His lead guitar gig with James Chance (James White) and The Contortions (Blacks) began a twenty-Five year period of musical global voyaging, involving a multitude of subsequent groupings, pairings, and breakups. Although NYC was always the home country, his collaborations on stages and in studios with the likes of Marianne Faithfull, ...
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