| | John Surman Stranger Than Fiction CD John Surman Discography of CDs
John Surman's thoughtful solos (which take their time and make a liberal use of space) have long made him the perfect ECM artist. On his quartet set with pianist John Taylor, bassist Chris Laurence and drummer John Marshall, Surman mostly sticks to soprano although there are some short spots for his baritone and bass clarinet. Surman always sounds relaxed, even on the more heated originals. It's an interesting set of generally introverted music. ~ Scott Yanow
Recorded at Rainbow Studio, Oslo, Norway in December 1993.
Personnel: John Surman (soprano & baritone saxophone, alto & bass clarinet); John Taylor (piano); Chris Laurence (bass); John Marshall (drums).
Q (1/95, p.261) - 3 Stars - Good - "...offers a welcome chance to sample his under-recorded English quartet....[Surman], on his various rich-toned saxes and clarinets, is at his most assured and relaxed, sailing majestically..."
JazzTimes (4/95, p.80) - "...Surnam possesses not only exceptional technique, but also a very special vision that draws upon a variety of musical sources, including jazz, classical and folk....This is captivating music born of personal and instrumental commitment that demands serious investment on the part of the listener..." Stranger Than Fiction Music John Surman Stranger Than Fiction Songs Stranger Than Fiction Review
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Purchase Stranger Than Fiction CD To buy, Click on price to add to cart | Herbie Hancock Prisoner CD (1969) Remastered
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Digitally remastered using 24-bit technology by Rudy Van Gelder (2000, Van Gelder Studio, Englewood Cliffs, New Jersey).
This is part of the Blue Note Rudy Van Gelder Editions series.
There is no mistaking the influence of the great Gil Evans on Herbie Hancock's THE PRISONER. The dark textures, the creative voicings, and the way in which Hancock assembles his arrangements are evocative of Evans' work with the pianist's former boss, Miles Davis. However, Hancock does more than pay homage here, as he exercises yet another aspect of his exceptional musicianship and applies it to the large ensemble format he had ...
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies ...
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Detroit comprises a six-composition suite commissioned for the 2009 thirtieth anniversary Detroit International Jazz Festival, played in the studio with musicians from composer/arranger Gerald Wilson's Los Angeles home or New York City area. Curiously, there are no Motor City-based players on the disc, but the themes are based in certain locales from the industrial Midwestern City that has fallen on hard economic times but played a pivotal role in the development of Wilson's highly developed skills as a composer, arranger, and bandleader. A quite spirited and energetic music is heard here from the 90-year-old Wilson, whose charm and wit would rival anyone many decades his junior. It's a swinging affair molded in the traditional big-band visage of Count Basie, Ernie Wilkins, or early Quincy Jones, with Wilson's deft touch ...
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Some musicologists have argued that ragtime, not Dixieland, was the first form of jazz, but that assertion is incorrect because ragtime was never improvisation-oriented -- and improvisation, like blues feeling, is a main ingredient of jazz. However, ragtime was a major influence on early jazz piano; ...
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I have been playing guitar and writing music since I was 7 years old. In fact the first song that I wrote was about my favorite show at the time...The Dukes of Hazzard. Oh, how the times have changed! Since that time, so many new songs have been written.Growing up on a grain and dairy farm near Valley City, ND is one of the experiences that I cherish the most about my life. Times seemed more simple then, and the hundreds of acres that I had available around our farmstead was the greatest playground that any boy could ask for. However, like all childhood experiences, they now exist only in my memories, photographs, and daydreams.I have discovered through observation and experience ...
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