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Recorded live in Denver, Colorado; Lexington, Kentucky; Houston and Dallas, Texas in October, 1987. Includes liner notes by Keith Jarrett.
Keith Jarrett's trio usually plays standards, but this time out it performs four Jarrett originals, all of which possess a gorgeously hypnotic openness. The slowly evolving moods (a simple theme is started and undulates over the course of an extended improvisation) and folkish bearing have a great deal in common with Jarrett's solo recordings. They evolve by addition and subtraction as subtle variations on the core melodic identity of the piece.
Bassist Gary Peacock's dazzlingly playful performance on "Dancing," and drummer Jack DeJohnette's explosive improvisations on "Ecstacy," are just two moments among many that display the trio's powerful strengths. The four pieces were recorded live, each in a different city, during a US tour in 1987. As usual with ECM Records, the sound quality is pristine.
Keith Jarrett Trio: Keith Jarrett (piano); Gary Peacock (bass); Jack DeJohnette (drums).
Composer: Keith Jarrett.
Personnel: Keith Jarrett (piano); Jack DeJohnette (drums).
Audio Remixer: Jan Erik Kongshaug.
Liner Note Authors: Christa Wolf; Keith Jarrett.
Recording information: Dallas, TX (10/09/1987-10/14/1987); Denver, CO (10/09/1987-10/14/1987); Houston, TN (10/09/1987-10/14/1987); Houston, TX (10/09/1987-10/14/1987); Lexington (10/09/1987-10/14/1987); Lexington, KY (10/09/1987-10/14/1987); United States (10/09/1987-10/14/1987). Keith Jarrett Changeless Songs Changeless Review
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Recorded live at Festival De Jazz d' Antibes, Juan Les Pins, France on July 16, 2002. Includes liner notes by Keith Jarrett.
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EXCLAIM! (Canada) September 2008Destination Out - Experimental & Avant Garde ReviewsAndy Haas - The Ruins Of America By David DacksFormer Martha and the Muffins sax player Andy Haas has lived in New York for two decades. He's been an active participant in the improvising flank of post-no-wave musicians. Haas was under-recorded until a few years ago but The Ruins of America marks his fifth album in the last three years. This time, he flies solo on wind instruments and live electronics, unaccompanied by any rhythm elements. Haas's electronically processed soprano sax, Korean piri and fife represent some of the most dynamic and interactive use of augmented acoustic sources in the world today. But these are no unstructured improvisations - everything is grounded in Haas's twisted yet faithful takes on traditional Americana. Classic tunes by Irving Berlin, Antonio Carlos Jobim and others are forced through extreme harmonization and delay settings, yet there is always faithfulness to the source material. This is brilliantly displayed in the four-part title track, which fillets "America The Beautiful." America may be beautiful but it's terrifying and grotesque as well. As with all his work, Haas's knowledge of Asian techniques and harmonies adds more than just ironic overtones to these resolutely American songs. Haas forces globalization and modernity on these songs of the fading giant. The Ruins of America - Andy HaasSignal to Noise Magazine reviewFall 2008 Ask most people about "protest music" and I'll bet they think of Woody Guthrie, Phil Ochs, and Buffy Sainte-Marie, or just maybe the politicized punk rock of Crass, the Ex, and Dead Kennedys. But protest music has a substantial history in jazz and improv, too. Charles Mingus's "Fables of Faubus" and Charlie Haden's Liberation Music Orchestra come immediately to mind. Add to the list the work of saxophonist/multi-winds player Andy Haas, once with Canadian new wave combo Martha and the Muffins and most recently heard with Fred Frith. The Ruins of America is no doubt Haas's statement on, well, the state of things (no point in pummeling a deceased stallion here). Yet Ruins isn't merely another round of America-bashing - instead it feels like a bereaved lament or threnody for the American Dream, lost, strayed or stolen. "Accompanying" himself with live electronics and loops, Haas turns in a recital of choicely sardonic covers ("America the Beautiful", "I Don't Want to Set the World on Fire", "Let's Face the Music ...
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