| | Williams Brothers Candlelight Christmas CD Williams Brothers Discography of CDs
The Williams Brothers: Melvin Williams, Doug Williams, Terrell Gatlin (vocals). Aditional personnel includes: Derrick Horne, June Evans (various instruments); Cornelius Dwayne Watkins (acoustic guitar): Steve Johnson, Ron Artis (guitar); Maulty Jewell IV (keyboards); Pharis, Jr. (background vocals). Recorded at Terminal Recording Studios, Jackson, Mississippi. Personnel: Melvin Williams (vocals, background vocals); Harvey Pop Watkins, Sr., Harvey Watkins, Jr. (vocals); Steve Johnson , Ron Artis (guitar); Cornelius Dwayne Watkins (acoustic guitar); Maulty "Tuff" Jewell IV (strings, harmonica, keyboards); Norman Williams (strings, piano, synthesizer); Derrick Horne (strings, piano); Bill Murphy (saxophone); Nathan Barnes (piano, electric piano); Rodney "Hubb" Hubbard (keyboards); Pharis "June Bug" Evans, Jr. (drums, chimes); Quincy McCullum (drums); Rufus Mapp (percussion); Doug Williams , Victor Allen, Terrell Midge Gatlin (background vocals). Audio Mixer: Randy Everett. Recording information: Terminal Recording Studios, Jackson, MS. Arrangers: Derrick Horne; Doug Williams ; Melvin Williams; Pharis "June Bug" Evans, Jr. Candlelight Christmas features the Williams Brothers performing a variety of holiday favorites. Featured songs include "No Greater Gift," "The Christmas Song," "Thank You for Your Son," and "Celebrate Jesus," in addition to nine others. ~ Jason Birchmeier Candlelight Christmas Music Williams Brothers Candlelight Christmas Songs Candlelight Christmas Review
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Purchase Candlelight Christmas CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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Candlelight Christmas
$20.35 This set includes a CD of their epic, landmark 1998 concert, the biggest selling Arab album in history and a DVD of the concert, plus exclusive interviews and documentary.
Personnel includes: Rachid Taha, Khaled, Faudel, Gail-Ann Dorsey, Zachary Alford, Steve Hillage. Recorded at Bercy Arena in Paris, France in September 1998. It was the biggest Algerian concert ever in France, with Khaled, the King of Rai, Faudel, the music's young prince, and Rachid Taha, the French-raised Algerian roots rocker. While there are plenty of greatest hits -- Faudel's groundbreaking "Tellement N'Brick" and Khaled's "N'Ssi N'Ssi," for example -- this live recording is just as much about sharing the stage, combining styles and generations. And so you have all three combining forces on the classic songs "Ya Rayah" and "Comme d'Habitude," Khaled and Faudel teaming up for a version of Khaled's 1996 hit "Aicha," and so on. They all get their individual times in the spotlights, but cooperation is the key, backed by a crack band of Western and North African musicians. As a document of a landmark event, it's important. But taken on purely ...
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Candlelight Christmas
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Candlelight Christmas
$15.15 David Gurney of tinymixtapes.com:"The exuberance of the opening guitar lick (and I do mean lick) on Satellite Lot's Second Summer is like a cool blast of water hitting your face unexpectedly in the middle of the dog days of summer. Its presence sets "That Wasn't Me" soaring into the pop-rock stratosphere. It's a pure moment, but a deceptive one to be sure. For when one delves more deeply into Second Summer, there's little of that unbridled joy to be found, and instead two young songwriters with a touch of lovesickness are hiding there, slyly attempting to bare their confused souls to the willing listener.Of course, it's never as easy as that. There's a lot of ground covered over the course of 11 songs, from the jazzed-out sad-sac balladry of "The First Day" to the rip-snortin' Springsteenisms of "Hold Your Fire." Yet, underlying every stylistic shift, grunt, and croon are the travails of youthful longing being snuffed out -- the realization that love and creativity won't flow as easily as one might have hoped it could. Lucky for us that Satellite Lot are incredibly talented at conveying such emotions and that the chameleon-like shells of the compositions are always crafted with the utmost care. These are songs that almost make one yearn for the pangs of unrequited or failed love. A line like "May I propose a toast to those who love too much/ You'll destroy everything you touch" snuck in at the end of "Battle to Be One," the album's heartfelt paean to the competitive undercurrents that can devour relationships, will have you wanting to raise a glass to celebrate the sorry state of adult affairs.But lingering on only the anguish of the lyrics doesn't do service to the music. So much ground is covered, though not in an overreaching manner. While these boys and their cadre of musicians have the chops to pull off just about anything they set their mind to, it never feels forced or out of place. The throbbing down tempo dance feel to "Double Yellow Lines" seemingly comes out of ...
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Candlelight Christmas
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