| | Eric Essix Southbound CD Eric Essix Discography of CDs
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Guitarist Eric Essix gives his listeners a strong dose of smooth Southern hospitality on this excellent release for Zebra Records. Southbound features 11 great tracks inspired by Essix's southern influences, including a great cover of Glen Campbell's "Wichita Lineman" and one of Brook Benton's biggest hits, "A Rainy Night in Georgia." The guitarist wrote five original songs that are realized with the accompaniment of bassist Sean Michael Ray, Lil' John Roberts on drums, and Kelvin Wooten on Wurlitzer electric piano, Hammond B3 organ, Fender Rhodes, and acoustic piano. Guest appearances by Melvin Butler on saxophones and flutes and Darrell Tibbs on percussion round out the core quartet. One of the most inspirational points on the CD is provided by Minister Valerie Harris and the GLC Praise Team on "People Get Ready." The choir does a stirring gospel version of this song that would have made Curtis Mayfield proud. "Camellia" provides the beautification imagery on the CD and Eric Essix has a great solo to go along with it. Together the group has a lot to say about their homeland and there's plenty to hear. From the R&B, gospel, blues, funk, and southern rock sound reminiscent of the Allman Brothers, Essix and his great guitar capture the natural essence of a "southern groove" master. Great CD. ~ Paula Edelstein
Principally recorded at Fame Recording Studios, Muscle Shoals, Alabama in March 2000. Includes liner notes by Eric Essix.
Personnel: Eric Essix (vocals, acoustic guitar, electric guitar, xylophone); Melvin Butler (flute, saxophone); Topper Price (harmonica); Kelvin Wooten (piano, electric piano, Fender Rhodes piano, Wurlitzer organ); Jeff Perry , Lil' John Roberts (drums).
Audio Mixer: Eric Bates.
Recording information: Fame Recording Studios, Muscle Shoals, AL (03/2000).
Photographer: Eric Essix.
Arranger: Eric Essix.
Personnel includes: Eric Essix (vocals, acoustic & electric guitars, xylophone); Glennis Richard, Maria Sellers, Derrick Young, Fatima Young, Maria Lyles, Spencer Favors, Sylvia Radford Bell, Darion Horne, Deborah Patrick, Delechia Thompkins, Jaiwara Johnson, Cassandra Smith, Cathy Noye, Katrina Clay, Kedric Pigler (vocals); Melvin Butler (saxophone, flute); Topper Price (harmonica); Kelvin Wooten (acoustic, Fender Rhodes & Wurlitzer electric pianos, Hammond organ); Sean Michael Ray (bass); Jeff Perry, Lil' John Roberts (drums); Darrell Tibbs (percussion).
Guitarist
Southbound Music | List Price | $10.98 (You save $1.99) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument, Guitar | | Label | Zebra | | Orig Year | 2000 | | All Time Sales Rank | 102439  | | CD Universe Part number | 1179875 | | Catalog number | 44022 | | Discs | 1 | | Release Date | Sep 05, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Eric Essix | | Engineer | Daniel Beard; Daniel Beard | | Personnel | Darrell Tibbs - percussion Kelvin Wooten - piano, electric piano, Fender Rhodes piano, Wurlitzer organ Sean Michael Ray - bass Melvin Butler - flute, saxophone Eric Essix - vocals, acoustic guitar, electric guitar, xylophone Topper Price - harmonica Cassandra Smith Cathy Noye Darion Horne Deborah Patrick
List all 22 contributors
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$22.09 Recorded live at the Bohemian Caverns, Washington, D.C. on May 13-15, 1965. Originally released on Argo (757). Includes liner notes by Al Clarke and Barry Alfonso.
Digitally remastered by Doug Schwartz, MCA Studios, North Hollywood.
Soul-jazz pioneer Ramsey Lewis's 1965 hit "The In Crowd" made the pianist a crossover smash, connecting with the pop, rock, and jazz crowds simultaneously. His simple, bluesy, swinging style is infectious and immediately accessible. One of the key aspects of THE IN CROWD is its party atmosphere--you get a real feel for the interaction between Lewis and the live audience, and you can hear him humming along with the piano and bass lines.
While some jazz purists of the day condemned Lewis for what they saw as pandering to the masses with his instrumental versions of pop songs and his preference for blues-based modality over complex bebop-derived harmonies, time has shown the wiser. Today, THE IN CROWD sounds like an extension of the hard-bop era's no-frills, groove-oriented aesthetic, not to mention a foreshadowing ...
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