| | Bach, Bach And Bach CD Michael Zaretsky, Viola . Marina Minkin, harpsichord CDS
Michael ZaretskyBorn in the former Soviet Union, Michael Zaretsky graduated from Moscow State Conservatory cum laude. He began his career as a member of the Moscow Philharmonic String Quartet and later of the Moscow Radio and TV Symphony Orchestra. In 1972 he immigrated to Israel and became principal violist of the Jerusalem Broadcasting Symphony Orchestra and a soloist of Radio Israel. The following year, he played for Leonard Bernstein who brought him to Tanglewood, where he successfully auditioned for the Boston Symphony Orchestra. Besides being a member of the BSO for the past thirty-two years, Mr. Zaretsky regularly plays solo recitals and chamber music in the U.S., having appeared with some of the leading artists of our time, including Yuri Bashmet, Yefim Bronfman, Emanuel Ax and Vadim Repin. In addition, he has soloed with the Boston Pops, the Rhode Island Philharmonic and Atlantic Symphony Orchestra. A faculty member at Boston University and the Longy School of Music, Mr. Zaretsky regularly performs in Israel, Japan, and Mexico. In addition to the traditional viola repertoire, Michael Zaretsky performs an extensive repertoire of new music. His collaboration with composer Jakov Jakoulov has resulted in many works for viola with piano, with harpsichord, and with orchestra. In July 2003, Mr. Zaretsky was soloist with the Tanglewood Music Center Orchestra in a performance of Jakoulov's Viola Concerto No. 2, a work written for him. Also in summer 2003, he appeared as soloist with the Georgian Chamber Orchestra at the International Music Festival directed by Liana Issakadze in Borjomi, Republic of Georgia. He has made three highly acclaimed recordings for the ARTONA label; the first, Black Snow, an album of Russian music for viola and piano with pianist Xak Bjerken, was included in Fanfare magazine's 1999 "Want List." Bach, Bach & Bach, with harpsichordist Marina Minkin, was released in September 1999, and Singular Voices: Brahms, Schumann, and the Viola, also with Mr. Bjerken along with mezzo-soprano Pamela Delall, was released in the fall of 2000. In December 2004 the label released Mr. Zaretsky's viola performances of J.S. Bach's Six Cello Suites, recorded in Symphony Hall. Bach, Bach And Bach Music | Label | Artona | | CD Universe Part number | 1183448 | | Discs | 1 | | Release Date | Mar 10, 2005 | | Recording Time | 1 4 |
Bach, Bach And Bach Review
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Bach, Bach And Bach Songs 1. Sonata for viola & harpsichord in C minor (spurious): Adagio E Mesto (13:40) Windows Media Real Audio | | Composer | Wilhelm Friedemann Bach (1710 - 1784) | | Performer | Michael Zaretsky (Viola) Marina Minkin (Harpsichord) | | Genre | Classical Period | | Period | Classical | | Venue | Symphony Hall, Boston, MA | | Recording Date | 01/1999 | 2. Sonata for viola & harpsichord in C minor (spurious): Allegro Non Troppo (11:09) Windows Media Real Audio | | Common Name | Sonata For Viola Da Gamba & Continuo | | Catalog No. | H 510 / WQ 88 | | Composer | Carl Philipp Emanuel Bach (1714 - 1788) | | Performer | Michael Zaretsky Marina Minkin (Harpsichord) | | Genre | Classical Period / Sonata | | Date Written | 1759 | | Period | Classical | | Venue | Symphony Hall, Boston, MA | | Recording Date | 01/1999 | 3. Sonata for viola & harpsichord in C minor (spurious): Allegro Schezzando (11:37) Windows Media Real Audio | | Common Name | Sonata For Viola Da Gamba & Keyboard | | Catalog No. | BWV 1027 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Michael Zaretsky Marina Minkin (Harpsichord) | | Genre | Baroque Period / Sonata | | Date Written | 1720 | | Period | Baroque | | Country | Germany | | Venue | Symphony Hall, Boston, MA | | Recording Date | 01/1999 | 4. Sonata for viola da gamba & continuo in G minor, H. 510, Wq. 88: No. 1, Allegro moderato (12:17) Windows Media Real Audio | | Common Name | Sonata For Viola Da Gamba & Keyboard | | Catalog No. | BWV 1028 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Michael Zaretsky Marina Minkin (Harpsichord) | | Genre | Baroque Period / Sonata | | Date Written | 1720 | | Period | Baroque | | Venue | Symphony Hall, Boston, MA | | Recording Date | 01/1999 | 5. Sonata for viola da gamba & continuo in G minor, H. 510, Wq. 88: No. 2, Larghetto (14:14) Windows Media Real Audio | | Common Name | Sonata For Viola Da Gamba & Keyboard | | Catalog No. | BWV 1029 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Michael Zaretsky Marina Minkin (Harpsichord) | | Genre | Baroque Period / Sonata | | Date Written | 1720 | | Period | Baroque | | Country | Germany | | Venue | Symphony Hall, Boston, MA | | Recording Date | 01/1999 |
Bach, Bach And Bach Music
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$14.69 Review of this CD:Vera Breheda's recording of the 8 Piano Pieces Op. 76 conveys all their romance and tenderness, from the essentially intimate pieces which the composer calls "intermezzi", to the fiery and passionate ones to which he gives the deceptive title "Caprices". These last have all the breathtaking sweep and virtuosity one could desire without becoming mere virtuoso display. The subtleties of Brahms' thought are clothed in the most enchanting sounds, from dreamy repose the utmost fervour and agitation... The recorded sound is warm and spacious. The earlier Handel Variations round out the disc. These were apparently taken from a live performance and although the sound is less pristine, Breheda's performance is no less convincing, both emotionally and intellectually. This is a "must have" disc for all Brahms-lovers.Jerry Kuderna, Berkeley, CAVera Breheda, born in Hamburg, Germany of Ukrainian parents, came to the U. S at age three. She spent her early childhood in Buffalo, New York where piano and dance consumed most of her after school time. Her early memories were of her parents singing folk songs of their native Ukraine. At age 11, Vera's family moved to San Francisco where she soon became a scholarship piano student of Alma Harrington, Adolph Baller, and Marcus Gordon at the San Francisco Conservatory of Music. Within several years, she was soloist with the San Francisco Symphony in a special youth concert. She continued her studies with Martin Canin at SUNY Stony Brook, and Leonard Shure in Boston, and in 1983 gave her New York recital debut at Carnegie Recital Hall (Weill Recital Hall). Performing music of many styles, from Baroque to 21st century, Vera Breheda's concertizing has taken her from San Francisco, to New York, Boston, Los Angeles and Seattle, as well as to Germany Austria, Czechoslovakia and Russia. Vera Breheda has appeared as ...
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