1. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: (2:08) Windows Media Real Audio |
| Common Name | Come Ye Sons Of Art Away Birthday Ode For Queen Mary For Chorus & Instruments |
| Catalog No. | Z 323 |
| Composer | Henry Purcell (1659 - 1695) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period / Ode |
| Date Written | 1694 |
| Period | Baroque |
| Country | England |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/21/1945 |
2. Stript of their green our groves appear, song, Z. 444 (3:32) Windows Media Real Audio |
| Catalog No. | Z 444 |
| Composer | Henry Purcell (1659 - 1695) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period |
| Date Written | 1692 |
| Period | Baroque |
| Country | England |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 02/19/1942 |
3. I saw that you were grown so high, song, Z. 387 (3:03) Windows Media Real Audio |
| Catalog No. | Z 387 |
| Composer | Henry Purcell (1659 - 1695) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period / Song |
| Date Written | 1678 |
| Period | Baroque |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 02/19/1942 |
4. The Indian Queen, semi-opera, Z. 630: Let us wander, not unseen (1:48) Windows Media Real Audio |
| Common Name | Let Us Wander Not Unseen, The Indian Queen Semi Opera |
| Catalog No. | Z 630 |
| Composer | Henry Purcell (1659 - 1695) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period / Opera |
| Date Written | 1695 |
| Period | Baroque |
| Country | England |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/21/1945 |
5. King Arthur, or, The British Worthy, semi-opera, Z. 628: Shepherd, shepherd, leave decoying (1:24) Windows Media Real Audio |
| Common Name | King Arthur Or The British Worthy Semi Opera |
| Catalog No. | Z 628 |
| Composer | Henry Purcell (1659 - 1695) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period / Opera |
| Date Written | 1691 |
| Period | Baroque |
| Country | England |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/21/1945 |
6. Ottone, re di Germania, opera, HWV 15: Come to me, soothing sleep (4:23) Windows Media Real Audio |
| Common Name | Come To Me Soothing Sleep, Ottone Re Di Germania Opera |
| Catalog No. | HWV 15 |
| Composer | George Frederick Handel (1685 - 1759) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period / Opera |
| Date Written | 1722 |
| Period | Baroque |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 04/20/1945 |
| Notes | Composition written: 1722.
Composition revised: Italy. |
7. Ottone, re di Germania, opera, HWV 15: Spring is coming (3:57) Windows Media Real Audio |
| Common Name | Ottone Re Di Germania Opera |
| Catalog No. | HWV 15 |
| Composer | George Frederick Handel (1685 - 1759) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period / Opera |
| Date Written | 1722 |
| Period | Baroque |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 04/20/1945 |
| Notes | Composition written: 1722.
Composition revised: Italy. |
8. The Judgment of Paris, opera: O ravishing delight (3:40) Windows Media Real Audio |
| Composer | Thomas Arne (1710 - 1778) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Classical Period / Opera |
| Period | Classical |
| Country | United Kingdom |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/21/1942 |
9. Tempest, incidental music: Where the bee sucks (2:00) Windows Media Real Audio |
| Common Name | Where The Bee Sucks, Tempest Incidental Music |
| Composer | Thomas Arne (1710 - 1778) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Classical Period / Incidental Music |
| Date Written | 1740 |
| Period | Classical |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/02/1943 |
10. O God of My Righteousness ("I will lay me down in peace"), anthem for 2 or 4 voices & continuo in F (3:50) Windows Media Real Audio |
| Composer | Maurice Greene (1696 - 1755) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period |
| Date Written | 1743 |
| Period | Baroque |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/30/1944 |
11. O Praise the Lord: O praise the Lord (1:54) Windows Media Real Audio |
| Composer | Maurice Greene (1696 - 1755) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Baroque Period |
| Period | Baroque |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/30/1944 |
12. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: What is life? (4:41) Windows Media Real Audio |
| Common Name | What Is Life, Orfeo Ed Euridice Italian Version |
| Catalog No. | WQ 30 |
| Composer | Christoph Willibald Gluck (1714 - 1787) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Classical Period / Opera |
| Period | Classical |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/30/1944 |
13. The Dream of Gerontius, oratorio for soloists, chorus & orchestra, Op. 38: My work is done...It is b (3:28) Windows Media Real Audio |
| Common Name | The Dream Of Gerontius Oratorio For For Chorus & Orchestra |
| Composer | Edward Elgar (1857 - 1934) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Oratorio / Romantic Period |
| Date Written | 1900 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/30/1944 |
| Notes | Composition written: 1900.
Composition revised: United Kingdom. |
14. An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4) (3:08) Windows Media Real Audio |
| Catalog No. | D 547 |
| Composer | Franz Schubert (Vienna) (1797 - 1828) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period |
| Date Written | 1817 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/12/1941 |
15. Med en Primula veris (The First Primrose), song for voice & piano, Op. 26/4 (2:23) Windows Media Real Audio |
| Composer | Edvard Grieg (1843 - 1907) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period |
| Date Written | 1876 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 08/03/1943 |
16. Schwesterlein, Schwesterlein, wann gehn wir, folk song for voice & piano, WoO 33/15 (3:13) Windows Media Real Audio |
| Catalog No. | WOO 33 |
| Composer | Johannes Brahms (1833 - 1897) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period / Song |
| Date Written | 1894 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 08/03/1943 |
| Notes | Composition written: 1894.
Composition revised: Germany. |
17. Liebe und Frühling ("Wie sich Rebenranken"), song for voice & piano, Op. 3/2 (2:18) Windows Media Real Audio |
| Composer | Johannes Brahms (1833 - 1897) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period / Song |
| Date Written | 1852-1853 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/30/1944 |
18. Die Versuchung ("Feinsliebchen, du sollst mir nicht barfuss gehn"), folk song for voice & piano, WoO (2:40) Windows Media Real Audio |
| Composer | Johannes Brahms (1833 - 1897) |
| Performer | Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period / Song |
| Date Written | 1858 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/30/1944 |
19. O can ye sew cushions, folk song (3:05) Windows Media Real Audio |
| Composer | English Traditional |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/18/1942 |
20. Whistle and I'll Come To You for voice & piano (1:54) Windows Media Real Audio |
| Composer | Anonymous |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Song |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 04/02/1943 |
21. Comin' Thro' the Rye (1:45) Windows Media Real Audio |
| Composer | Scottish Traditional |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Song |
| Country | Scotland |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/18/1942 |
22. Think on Me for voice & piano (2:59) Windows Media Real Audio |
| Composer | Alicia Ann Scott |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period / Song |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 06/18/1942 |
23. Gruá ("Wohin ich geh'"), song for 2 voices & piano, Op. 63/3 (2:33) Windows Media Real Audio |
| Composer | Felix Mendelssohn (1809 - 1847) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period |
| Date Written | 03/1844 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/21/1945 |
24. Ich wollt', meine Lieb', song for 2 voices & piano, Op. 63/1 (2:43) Windows Media Real Audio |
| Composer | Felix Mendelssohn (1809 - 1847) |
| Performer | Isobel Baillie Gerald Moore [Piano] (Piano) |
| Genre | Romantic Period |
| Date Written | 12/03/1836 |
| Period | Romantic |
| Venue | EMI Abbey Road Studios, London, England |
| Recording Date | 09/21/1945 |