| | Joe Mcbride Gift For Tomorrow CD Joe Mcbride Discography of CDs
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All songs written by Joe McBride except "Walking In Rhythm" (Barney Perry), "Deja Vu" (A. Anderson/I. Hayes), and "You've Got A Friend" (Carole King).
Keyboardist Joe McBride seems to have had a good time during parts of his Heads Up release, especially when he is trading off with guitarist Larry Carlton, taking acoustic piano solos in a style reminsicent of Ramsey Lewis or overdubbing his voices on the infectious "Everybody Needs Love" and "You've Got a Friend"...There are many melody statements by anonymous-sounding saxophonists (Kirk Whalum, Dave Koz and Wayne Delano)...dance music rhythms and other R&Bish vocals by McBride... ~ Scott Yanow
Keyboardist Joe McBride seems to have had a good time during parts of his Heads Up release, especially when he is trading off with guitarist Larry Carlton, taking acoustic piano solos in a style reminsicent of Ramsey Lewis or overdubbing his voices on the infectious "Everybody Needs Love" and "You've Got a Friend." However, from the jazz standpoint there are many dull melody statements by anonymous-sounding saxophonists (Kirk Whalum, Dave Koz and Wayne Delano), mundane dance music rhythms and other R&Bish vocals by McBride, making this CD of limited interest. ~ Scott Yanow
Recorded at Big Time Audio, Dallas, Texas.
Personnel: Joe McBride (piano, vocals, programming), Dave Koz (soprano saxophone), Wayne Delano (soprano & tenor saxophone, flute), Kirk Whalum (soprano & tenor saxophone), Dave Von Blohn (flugelhorn), Larry Carlton (acoustic & electric guitar), Dave Monsey (bass), Martin Walters (programming, bass, guitar), Dennis Durick (drums, percussion).
JazzTimes (12/94, p.152) - "...The musical multiplexity of pianist-vocalist Joe McBride is evident in this variety-pack album. He's among the new breed of crossover artists, melding R&B roots with pop and improvised jazz, a blend he describes as 'jazz/hip-hop hybrid'..." Gift For Tomorrow Music | List Price | $11.97 (You save $2.32) | | Category | Rock/Pop Albums, Jazz CDs, Rap, Jazz Instrument, Gospel, Piano | | Label | Heads Up | | Orig Year | 1993 | | All Time Sales Rank |  60219  | | CD Universe Part number | 1184620 | | Catalog number | 3025 | | Discs | 1 | | Release Date | Feb 15, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dave Love; Martin Walters | | Engineer | Martin Walters; Steve Browne | | Recording Time | 50 minutes | | Personnel | Larry Carlton - acoustic & electric guitar
Dave Koz - soprano saxophone
Kirk Whalum - soprano & tenor saxophone
Joe Mcbride - piano, vocals, programming
Martin Walters - programming, bass, guitar
Wayne DeLano - soprano & tenor saxophone, flute
Dave Monsey - bass
Dave Von Blohn - flugelhorn
Dennis Durick - drums, percussion
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This is a Super Audio CD playable only on Super Audio CD players.
This ultracool saxman has some of the sexiest moves in smooth jazz and a dreadlock-based look that drives female genre fans wild. He's always focused on passionate, soprano-based tunes to express this sexuality in musical terms, so it's no surprise that one of the best tracks here is the power-passion ballad ...
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SALT SONG is a 1971 release by jazz saxophonist Stanley Turrentine.
Stanley Turrentine's stint with Creed Taylor's CTI label may not have produced any out-and-out classics on the level of the very best LPs by Freddie Hubbard, Hubert Laws, or George Benson, but the bluesy tenorist's output was consistently strong and worthwhile for all but the most stridently anti-fusion listeners. Salt Song was Turrentine's second album for CTI, and while it's perhaps just a small cut below his debut Sugar, it's another fine, eclectic outing that falls squarely into the signature CTI fusion sound: smooth but not slick, accessible but not simplistic. In general, keyboardist Eumir Deodato's arrangements have plenty of light funk and Brazilian underpinnings, the latter often courtesy of percussionist Airto Moreira. The first three cuts are the most memorable, beginning with a ten-minute exploration of the abrupt time signature shifts of Freddie Hubbard's "Gibraltar." Though a hard bop version might have returned to the theme a little ...
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Two years after their debut and a year after they'd split up, the Damned became the first punk band to make a comeback. Their timing was great; two years being a very long time on the UK music scene, a "second wave" of punk was getting underway. The Damned shocked critics and fans alike by releasing an album as good as their first, DAMNED DAMNED DAMNED.
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