| | Damage Manual CD Damage Manual Discography of CDs
Principally recorded at ASI, Chicago, Illinois and Berwick Street Studios, London, England.
The Damage Manual's self-titled debut full-length isn't quite as exciting as their preceding EP, but that can be attributed to sheer length and clutter; the old farts appear to be better suited to short bursts rather than 70-minute sittings. And what's up with all the remixes? Between One and The Damage Manual, you get 12 original versions and eight remixes. The full-length is pretty much half original and half not. Yeah, yeah, that's what a program button is for, and who the hell can tell a remix from an original version these days anyhow? But seriously, this would be more effective with less pointless remixes and some quality control. And does Bill Laswell really need any more work? The most prolifically mediocre artist of the last decade mixes and remixes five tracks; why couldn't Martin Atkins or any of the others do the duties? Although the record seems to have more reasons for complaint than praise, it can't be denied as a strong record and a highlight of the Invisible catalog. (Whether that's saying much or not is up to you.) Whoever was responsible for this matching of giants (likely Atkins) needs a pat on the back. Each of the distinct members bring their originality to the table without having their talents trip over each other. Chris Connelly (that voice), Jah Wobble (that bass), Atkins (those drums) and Geordie Walker (that guitar) all contribute heartily and passionately, as if each of them were still in their mid-20s. Nasty, gritty, crunchy, and vicious as hell, The Damage Manual comes dangerously close to matching the meaner-spirited moments of Primal Scream's XTRMNTR (also released in 2000) -- but since this material is more true to the members' lengthy histories, it's more convincing. Hopefully this doesn't get lost in the murk of numerous post-industrial, post-punk, post-whatever releases. ~ Andy Kellman
Engineers include: Jason McNinch, Simon Phillips, Orb.
The Damage Manual includes: Chris Connelly (vocals); Geordie Walker (guitar); Jah Wobble (bass); Martin Atkins (drums, loops).
Additional personnel: Bob Dog Catlin (sitar); Charlotte Glasson (violin, saxophone); Lee Fraser (synthesizer, programming); Jesse De La Pena (vinyl scratches).
Alternative Press (12/00, pp.94-5) - 4 out of 5 - "...An ambitious record that welds post-punk's sense of possibilities with a bracing modern energy that's largely been absent in the underground..." Damage Manual Music | List Price | $14.98 (You save $1.93) | | Category | Rock Albums, Pop CDs, Alternative, Rock/Pop, Industrial, Enhanced CD | | Label | Invisible | | Orig Year | 2000 | | All Time Sales Rank | 118763  | | CD Universe Part number | 1185035 | | Catalog number | 420169 | | Discs | 1 | | Release Date | Sep 05, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Martin Atkins | | Personnel | Charlotte Glasson, Bob Dog Catlin, Jesse De La Pena, Lee Fraser, Jah Wobble |
Damage Manual Review
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Purchase Damage Manual CD To buy, Click on price to add to cart | Pink Floyd Wall CDs (1979) Remastered
Damage Manual album
$22.65 Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California).
THE WALL was Roger Waters' crowning accomplishment in Pink Floyd. It documented the rise and fall of a rock star (named Pink Floyd), based on Waters' own experiences and the tendencies he'd observed in people around him. By now, the bassist had firm control of the group's direction, working mostly alongside David Gilmour and bringing in producer Bob Ezrin as an outside collaborator. Drummer Nick Mason was barely involved, while keyboardist Rick Wright seemed to be completely out of the picture. Still, THE WALL was a mighty, sprawling affair, featuring 26 songs with vocals--nearly as many as all previous Floyd albums combined.
The story revolves around the fictional Pink Floyd's isolation behind a psychological wall. The wall grows as various parts of his life spin out of control, and he grows incapable of dealing with his neuroses. The album opens by welcoming the unwitting listener to Floyd's show ("In the Flesh?"), then turns back to childhood memories of his father's death in World War II ("Another Brick in the Wall [Part ...
| | Ohgr Welt CD (2001)
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$11.19 Lost in legal limbo since 1995 when it was originally recorded for Rick Rubin's American Recordings label, former Skinny Puppy frontman Nivek Ogre, in conjunction with producer/programmer Mark Walk, mix techno with modern rock, resulting in the group ohGr and this CD, Welt. A voice sounding like Pete Shelley of the Buzzcocks in some mad amalgam of Kraftwerk and Black Sabbath, Welt is abrasive, gruff, melodic, and dark. Opening with the trancey, dancey "Water," the industrial leanings of this duo are evident from the outset. On first listen the album blurs from one tune to the next, but after repeated spins, each song's identity becomes clearer. It is the nature of electronic music to confuse the senses -- Lou Reed's Metal Machine Music, released on CD by Buddah, is perhaps the best example of that, and though Welt is certainly more cohesive than Reed's wall of noise, this stuff can still pull you into a vacuum. Does the record work as a listening experience, or is it exclusively for dancefloors? That's the paradox of Welt. Borrowing a page from the Talking Heads' 1979 release, Fear of Music, where eight of the 11 selections ...
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| | Beatles The White Album CDs (1968) Limited Edition; Remastered; Digipak; Enhanced CD
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Additional personnel includes: Yoko Ono (vocals); Eric Clapton (electric ...
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| | Ray Conniff Friendly Persuasion CD (1965)
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| | Big Sugar Brothers & Sisters, Are You Ready? CD (2001) (Import) Argentina
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$22.35 BROTHERS & SISTERS ARE YOU READY is an album by the popular Canadian rock band Big Sugar.
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| | Don and Karen McNatt Better Late Than Never CD (2007)
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$18.95 Don and Karen McNatt - Better Late than NeverThere are CD's out on both of these performing Singer/ Songwriters, but they fell in love, got married, and travel playing together most of the time, so it seemed time for a CD with both artists. For those who asked for such a CD, at live venues, we appreciate your input. This is for you. While it does have cuts that are on CD's of both artists, most of the songs are new for this project, and the title song tells it all. The McNatts have found love, harmony, and an audience for their music later in life than some others, but they are having a great time and it shows on this CD. Baby Boomer websites can point to this couple as poster children for enjoying life and making great music after your troubling teen age years. The couple has playing in London, Berlin, Bermuda, Mexico, around the USA, and the world. At this stage of life, they plan on taking a full touring schedule to support the 4 current CD's, and for shorter runs, take a travel trailer, marked on the side "Have Songs, Will Travel", which will be the theme of the coming tour.They love to hear from locations around the world, that would enjoy having them come to play. Don has a long carreer in entertainment, and hosts a local television program in Nashville, called ...
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Damage Manual album
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