Ethnic Heritage Ensemble Freedom Jazz Dance CD

this group has been about 2 horns & a drum for twenty years - over the years, drummer Kahil El'Zabar has stretched the boundaries of the band's sound, using trombone, African thumb piano, sax, guitar & other instruments; the music itself reflects African

Ethnic Heritage Ensemble: Ernest "Khabeer" Dawkins (alto & tenor saxophones, percussion); Joseph Bowie (trombone, percussion); Kahil El'Zabar (drums, percussion, African thumb piano).
Additional personnel: Fareed Haque (acoustic & electric guitars, percussion).
Recorded at Riverside Studio, Chicago, Illinois on March 8 & 9, 1999. Includes liner notes by Michael Jackson.
Personnel: Fareed Haque (acoustic guitar, electric guitar, percussion); Ernest Dawkins (alto saxophone, tenor saxophone, percussion); Joseph Bowie (trombone, percussion); Kahil El'Zabar (drums, percussion).
Liner Note Author: Michael Jackson.
Recording information: Riverside Studio, Chicago, IL (03/08/1999-03/09/1999).
Photographer: Darlene Martin.
The ever-evolving lineup of the Ethnic Heritage Ensemble keeps one thing consistent -- producing great records. This version is one of the best, featuring Kahil El'Zabar on drums, percussion, and mbira; Joseph Bowie on trombone and percussion; Ernest "Khabeer" Dawkins on alto and tenor sax, as well as percussion; and special guest Fareed Haque on acoustic guitar, electric guitar, and percussion. The four men create a fine balance, with the percussive elements of El'Zabar and the other players providing a strongly Africanized structure upon which to hang the music, while the horns and Fareed Haque's guitar playing pull the sound back in the direction of jazz. The musicians complement each other well, with even guests like Haque pulling an equal weight. His presence brings new life to the Ethnic Heritage Ensemble sound; on songs like "Katon," his rhythmic playing infuses the band with energy. Other strong songs include a wonderful percussion and voice version of "This Little Light of Mine," which displays a metaphysical weariness, and, at the same time, crackles with liveliness. Indeed, the whole of Freedom Jazz Dance seems to act as one gentle, life-affirming force. ~ Stacia Proefrock

CMJ (11/29/99, p.27) - "...innovative and startlingly fresh. It explores the continuum of African and African-American traditions of dancing..."
JazzTimes (5/00, p.153) - "...Elevates [their] usual 2-horns-and-drums lineup to a higher level of tonal beauty....Like the best of the Ensemble's work, it's a harmonically simple and direct ode to the spirit of freedom, jazz and dance."