| | Junior Wells Hoodoo Man Blues CD Junior Wells Discography of CDs
(7 Customer Reviews)
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w. his Chicago Blues Band inc. Buddy Guy
Personnel: Junior Wells (vocals, harmonica); Buddy Guy (guitar); Jack Myers (bass); Billy Warren (drums). Recorded in Chicago, Illinois on September 22 & 23, 1965. Includes liner notes by Bob Koester. Personnel: Junior Wells (vocals, harmonica); Buddy Guy (vocals, guitar); Bill Warren (drums). Liner Note Author: Bob Koester. Recording information: 1965. Photographer: Greg Roberts. One of the truly classic blues albums of the 1960s, and one of the first to fully document the smoky ambience of a night at a West Side nightspot in the superior acoustics of a recording studio. Wells just set up with his usual cohorts -- guitarist Buddy Guy (billed as "Friendly Chap" on first vinyl pressings), bassist Jack Myers, and drummer Billy Warren -- and proceeded to blow up a storm, bringing an immediacy to "Snatch It Back and Hold It," "You Don't Love Me," "Chitlin con Carne," and the rest of the tracks that is absolutely mesmerizing. ~ Bill Dahl HOODOO MAN BLUES is one of the great albums from the era of classic Chicago blues. Though usually overshadowed by mid-century Chicago legends like Muddy Waters and Howlin' Wolf, Junior Wells ranks among the most dynamic and satisfying performers of the milieu, and his explosive harmonica playing and charismatic vocals come through like gangbusters on this 1965 release. The record has the added distinction of being one of the first long-playing blues albums to hit the scene (blues had largely been confined to 45s prior to its release). The sessions benefit from notably clean production and fine musicianship (Buddy Guy appears on lead guitar). The band is energetic and plays with equal parts precision and abandon, creating the perfect canvas for Wells's sly, sexy frontman antics. Unlike a lot of his contemporaries, Wells was not afraid to incorporate the influence of R&B and rock & roll ("Snatch It Back and Hold It"), and his music has an accessible edge as a result, though he downshifts to slow-burn blues with perfect ease ("In the Wee Hours"). Sometimes fiercely electrifying, sometimes as laid-back and gauzy as barroom smoke, HOODOO MAN BLUES is a must for any comprehensive blues library. One of the truly classic blues albums of the 1960s, and one of the first to fully document the smoky ambience of a night at a West Side nightspot in the superior acoustics of a recording studio. Wells just set up with his usual cohorts -- guitarist Buddy Guy (billed as "Friendly Chap" on first vinyl pressings), bassist Jack Myers, and drummer Billy Warren -- and proceeded to blow up a storm, bringing an immediacy to "Snatch It Back and Hold It," "You Don't Love Me," "Chitlin con Carne," and the rest of the tracks that is absolutely mesmerizing. [This version contains alternate takes of "Hoodoo Man Blues" and "Chitlin con Carne."] ~ Bill Dahl
Down Beat (11/91) - 5 Stars - Excellent - "..the first LP to capture the raw dynamism of Chicago's second-generation electric blues. It's still a classic...peak performances by Wells on harmonica and vocals and Buddy Guy on guitar..." Junior Wells Hoodoo Man Blues Songs Hoodoo Man Blues Music Review Average Rating: (4.6 out of 5 stars)    List All Reviews HARP LEGEND Although the songs are short and not technologically advanced by todays standards, Junior Wells' ability cannot be denied. For those who love blues harmonica, this is a must have. Recorded in '65, the material goes way back..and who knows, these songs may have been in Juniors' head when he was in Muddy Waters' band. Great help from from a much younger Buddy Guy too!! Submitted by MSULLIVANFROG (Bow, WA , Pacific NW)  Was This Review Helpful? Yes No
My kind of blues! This is old Chicago style and has a lot of good sounds including Bass, Harmonica, and Sax. Submitted by nskk (Princeton, Florida)  Was This Review Helpful? Yes No
Hoo Doo Man Blues/Junior Wells I first bought this Album in '65, I began playing the harmonica. My record has broke. CD's are just as great. I have always consider this my favorite harmonica recording. It has two great solo performers.Junior Wells and Buddy Guy. The rest of the band is awesome making this record a collectors item for both harmonica and guitar players to have. I have since become a guitarist myself and I say this with a passion for the blues, Hoo Doo Man Blues, RULES! Jumpin' Dave. Submitted by a reviewer (Lenoir,NC, USA)  Was This Review Helpful? Yes No
A classic I first heard this recording in 1968 and it is still one of my favorite blues albums of all time. Don't really care for the loud, rock-oriented sound of Buddy Guy today, but here he is fabulous - always there, playing way more than just rythym guitar, and never over-powering the harp. And what can you say about Junior? Spittin' & gruntin' into the mike - outstanding! Just the liner notes are worth the price of admission. Submitted by dennior (bainbridge island, WA, USA) Was This Review Helpful? Yes No
Just Buy It. Worth the money for just 'Snatch It Back And Hold It', 'Early In The Mornin', and 'You Don't Love Me Baby', never mind the rest of this outstanding CD. Just great music. Submitted by Austin (Stirling, Scotland) Was This Review Helpful? Yes No
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Purchase Hoodoo Man Blues CD To buy, Click on price to add to cart | Paul Butterfield Blues Band CD (1965)
Hoodoo Man Blues
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Personnel: Paul Butterfield (vocals, harmonica); Sam Lay (vocals, drums); Elvin Bishop (guitar); Mike Bloomfield (slide guitar); Jerome Arnold (bass); Mark Naftalin (organ). Includes liner notes by Pete Welding. The Paul Butterfield Blues Band: Michael Bloomfield. Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. ...
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| | Cannonball Adderley Cannonball Plays Zawinul CD (2004)
Hoodoo Man Blues
$9.29 Personnel: Cannonball Adderley (soprano saxophone, alto saxophone); Nat Adderley (cornet); Joe Zawinul (piano, Fender electric piano); George Duke (electric piano); Victor Gaskin, Sam Jones, Walter Booker (bass); Roy McCurdy, Grady Tate, Louis Hayes (drums); Airto Moreira (percussion). Recorded at Capitol Studios, New York, New York; Sankel Hall, Tokyo, Japan, The Troubadour, Capitol Studios, Los Angeles, California between 1961 & 1968. Includes liner notes by Bob Belden. Personnel: Cannonball Adderley (soprano saxophone, alto saxophone); Nat Adderley (cornet); Joe Zawinul (piano, electric piano, Fender Rhodes piano); George Duke (electric piano); Grady Tate, Louis Hayes, Roy McCurdy (drums); Airto Moreira (percussion). Liner Note Author: Bob Belden. Recording information: Capitol Records, Los Angeles, CA (08/23/1961-08/09/1971); Sankei Hall, Tokyo, Japan (08/23/1961-08/09/1971); Troubadour, Los Angeles, CA (08/23/1961-08/09/1971). Cannonball Plays Zawinul represents the exquisite fruits of the musical relationship between saxophonist Cannonball Adderley and pianist/composer Joe Zawinul. Recorded between 1961 and 1971, all cuts were either written or co-written by Zawinul, and, except for one piece ("Dr. Honorus Causa"), he also serves as part of the various combos. All of the work here remains loose but nonetheless retains a sparkling intensity. The longer cuts, in particular, show a group of musicians searching out the free parameters of post-bop without ever drifting off into space. Both "74 Miles Away" and "Money in the Pocket," 14 and ten minutes respectively, maintain strong central themes, filled with rhythm and melody, while allowing Adderley, Zawinul, drummer Roy McCurdy, bassist Victor Gaskin, ...
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