Buddy Guy / Junior Wells' Chicago Blues Band / Junior Wells - Hoodoo Man Blues CD

Hoodoo Man Blues CD music A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003. Includes liner notes by Al Kooper, Michael Thomas. Includes liner notes by Michael Thomas. Full performer name: Mike Bloomfield/Al Kooper/Steve Stills. Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Reissue producer: Bob Irwin.

Hoodoo Man Blues buy CD music As the electric guitar ace Joe Bonamassa was so strongly inspired by blues and blues-oriented six-stringers (i.e., Clapton, Johnny Winter), many of his fans would politely pester him about doing a disc of blues standards. Originally done as a lark, the results of such a session were deemed by Bonamassa good enough to be released--hence, BLUES DELUXE, on which he covers some lesser-known songs and includes three originals. Of course, his fierce, scorching guitar is center stage. If axe-men such as Peter Green, Rory Gallagher, and Buddy Guy are your cup of tea, this DELUXE item is a necessity. Recorded at Unique Studios, New York, New York. Includes liner notes by Harris Cohen. Personnel: Joe Bonamassa (vocals, guitar); Jon Paris (harmonica); Benny harrison (Hammond B-3 organ); Eric Czar (electric bass); Kenny Kramme (drums).

Hoodoo Man Blues songs The '60s Blues Revival begins here. Calling this album influential is an understatement akin to calling the Grand Canyon a rut; suffice to say that an entire generation of musicians (mostly young and white) heard this and had their lives changed forever. In fact, for at least a year after the album's release in 1965, it was impossible to walk down the hall of any college dorm in America without hearing one of the songs here echoing from somebody's room. Heard today, the thing still packs a wallop. Butterfield's harmonica and vocals are utterly idiomatic, without a hint of minstrelsy. Michael Bloomfield's lead guitar is stinging and eloquent, and the rhythm section, on loan from Howling Wolf, swings like mad. The only fly in the ointment is the fairly primitive production, which often makes Mark Naftalin's keyboards sound like a horde of angry bees, but that's a small criticism in the face of blues playing as passionate and accomplished as this. A genuine classic. The Paul Butterfield Blues Band: Michael Bloomfield. Live Recording Includes liner notes by Pete Welding. Personnel: Paul Butterfield (vocals, harmonica); Sam Lay (vocals, drums); Elvin Bishop (guitar); Mike Bloomfield (slide guitar); Jerome Arnold (bass); Mark Naftalin (organ).

Hoodoo Man Blues album for sale Recorded in Memphis, Tennessee and Chicago, Illinois between 1951 and March 1959. Originally released on Chess (9195) in 1959. Includes original liner notes by Ralph Bass. Recorded in Chicago, Illinois between June 24, 1957 and May 1961. Originally released on Chess in 1962. Includes original liner notes by Paul Ackerman. Simply put, this disc is indispensable for anyone interested in blues, rock, or good music in general. One of the rare, genuine "deals" on record store shelves, this two-fer compiles Howlin' Wolf's first two full-length albums on one CD and offers twenty-two tracks of the man's absolute finest. These are the essential documents of the man who was the last word in electric Chicago blues--a unique and riveting performer whose voice could loose buildings from their foundations and remove skin from bone. Wolf's visceral impact is overwhelming at times, and his performances on these tunes are definitive. All his best-known and loved are here, including "Shake For Me," "The Red Rooster," "Wang Dang Doodle" Spoonful," "Evil" and "Forty Four." As good, if not better, than any "best of" collection, MOANIN' IN THE MOONLIGHT/HOWLIN' WOLF is a must. 2 LPs on 1 CD. Includes liner notes by Don Kamerer. MOANIN' IN THE MOONLIGHT: Personnel: Howlin' Wolf (vocals, harmonica); Willie Johnson, Hubert Sumlin, Jody Williams, Lee Cooper, L.D. McGhee, Otis "Smokey" Smothers (guitar); Adolph "Billy" Dockins (tenor saxophone); Ike Turner, Hosea Lee Kennard, Otis Spann (piano); Willie Dixon (bass); Willie Steel, Earl Phillips, Fred Below, S.P. Leary (drums). HOWLIN' WOLF: Personnel: Howlin' Wolf (vocals, guitar, harmonica); Willie Dixon (vocals, bass); Hubert Sumlin, Jimmy Rogers, Otis "Smokey" Smothers, Willie Johnson (guitar); Abe Locke (tenor saxophone); Johnny Jones, Henry Gray, Hosea Lee Kennard, Otis Spann (piano); Sammy Lay, Earl Phillips, Fred Below, S.P. Leary (drums). Personnel: Howlin' Wolf (vocals, guitar, harmonica); Willie Dixon (vocals); L.D. McGhee, Lee Cooper, Hubert Sumlin, Jimmy Rogers , Jody Williams, Otis Smokey Smothers, William Johnson, Willie Johnson (guitar); Abe Locke, Adolph Dockins (tenor saxophone); Henry Gray, Ike Turner, Hosea Lee Kennard, Johnny Jones , Otis Spann (piano); Earl Phillips, Fred Below, Willie Steel, S.P. Leary, Sam Lay (drums). Liner Note Authors: Paul Ackerman; Ralph Bass. Recording information: Chicago, IL; Memphis.

Hoodoo Man Blues CD music Few would dispute that this collection is the Holy Grail of blues harmonica. Like the other entries in Chess Records' HIS BEST series, the Little Walter compilation is beautifully selected, sequenced, remastered, and packaged. At 20 tracks, HIS BEST gives a satisfying, economical summary of Walter's genius, and defends his title as the king of blues harp men. As a member of Muddy Waters's band, and on his own, Walter was one of the architects of the original Chicago sound. His propulsive chording, high-leaning notes, inventive use of amplification (he used a close-up hand-held microphone and effects like distortion and echo), and endless stream of ideas expanded the possibilities of the harmonica. With the help of such Chicago heavy-hitters as pianist Otis Spann, bassist Willie Dixon, and drummer Fred Below, Walter's own group displayed ferocious chemistry and instrumental prowess. Naturally, Walter's vocals and exceptional harp are at the fore here. Whether on signature tunes ("Juke"), slow burners ("Mean Old World"), or classic rockers ("Boom, Boom Out Goes the Light"), this is old-school electric blues at its absolute finest. In addition to its status as a textbook for harmonica players, HIS BEST is a ground-floor necessity for any blues library. This is part of Chess Records' 50 Anniversary series. Personnel: Little Walter (vocals, harmonica); Muddy Waters (guitar, slide guitar); Dave Myers , Fred Robinson , Jimmie Lee Robinson, Jimmy Rogers , Leonard Caston, Louis Myers, Luther Tucker, Robert Lockwood, Jr. (guitar); Otis Spann (piano); Fred Below, Billy Stepney, George Hunter (drums). Liner Note Author: Billy Altman. Recording information: Chicago, IL (05/12/1952-12/??/1960). Photographers: Ray Flerlage; Mary Katherine Aldin.

Hoodoo Man Blues buy CD music The definitive HIS BEST collects some of Sonny Boy Williamson's finest work from his tenure at Chess Records, a period widely conceded to be his most artistically fruitful. He's backed by a who's who of Chicago blues musicians, in particular the astonishingly metallic sounding two guitar team of Robert Lockwood and Luther Tucker, bassist/songwriter Willie Dixon, Muddy Waters' great pianist Otis Spann, and future Blues Brother Matt "Guitar" Murphy. Highlights are almost too numerous to mention, but don't miss "Fattening Frogs for Snakes," which features one of Williamson's most metaphorically interesting lyrics. The great harp workout "Bye Bye Bird" has here been thoughtfully remixed for stereo. This is part of Chess Records 50th Anniversary series. Personnel: Sonny Boy Williamson II (vocals, harmonica); Eugene Pierson, Jimmy Rogers , Luther Tucker, Matt "Guitar" Murphy, Muddy Waters, Robert Lockwood, Jr., Buddy Guy (guitar); Jarrett Gibson, Donald Hankins (saxophone); Lafayette Leake, Otis Spann (piano); Clifton James, Fred Below, Al Duncan (drums). Audio Remasterer: Erick Labson. Audio Remixers: John Strother; Bill Inglot. Liner Note Author: Dick Shurman. Recording information: Chicago, IL (08/12/1955-04/30/1964). Photographers: Valerie Wilmer; Galen Gart.