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These intimate home tapes from Magic Sam were documented a year before his untimely passing in 1969. Sam -- born Samuel Maghett in the Delta of Mississippi -- became one of the unquestionable originals and seminal contributors to the Chicago Westside blues scene in the late 1950s and 1960s. As this collection aptly demonstrates, he is at the top of his game during the informal get together. Epitomizing the D.I.Y. ethos, Sam is heard unadorned, backing himself up on electric guitar. Upon occasion, children playing and a washing machine churning bleed on to the tape, further adding to the homey personable nature. In a stripped down setting, the purity of Sam's soulful fretwork, coupled with the lack of a rhythm section, seemingly amplifies his clean and ultimately melodic execution. The evidence lies in the sublime and fluid runs that commence the pre-eminent reading of "You Belong to Me," easily besting the spirit of the excellent Black Magic (1968) version. "What Have I Done Wrong" is another superior side that would surface on the same album. Sam's incisive picking is bathed in his trademark string-bending wails, alternately stinging and shimmering beneath the stark vocals. While far from an audiophile document, the sound is thoroughly enjoyable, vacillating from good to excellent. In this case, the performance quality far outweighs any and all technical or aesthetic limitations. "That's All I Need" is given a workout that spotlights its' infectious syncopation, with Sam ably pulling off the tricky timing. The cover of Willie Dixon's "I Can't Quit You Baby" is one of the most impassioned on the anthology as Sam shouts the verses like a testifying preacher. Other indispensable inclusions are the dark "Baby, You Torture My Soul," a heart-wrenching "That's Why I'm Crying" and, augmented by Eddie Boyd on vocals, "Come Into My Arms." The dearth of Magic Sam's legacy has made each and every entry essential and Give Me Time (1991) is a testament to both his prowess as a musician as well as the crucial offerings that he made to modern blues. ~ Lindsay Planer
1968 solo rehearsal tapes previously unissued
Includes rare photos and liner notes by Jim O'Neal.
Recorded in Magic Sam's living room in early 1968.
Personnel: Magic Sam (vocals, guitar); Eddie Boyd (vocals).
Liner Note Authors: Jimmy O'Neil; Jim O'Neal.
Recording information: Home Of Magic Sam, Chicago, IL (01/1968).
Photographers: Diane Allmen; Bill Lindemann.
Unknown Contributor Roles: Dave Jones ; Keith Miller.
Personnel: Magic Sam (vocals, electric guitar); Eddie Boyd (vocals).
Down Beat (4/92, p.33) - 5 Stars - Excellent - "...His gospelly, gritty-sweet tenor soars to a piercing wail, while his guitar stitches mordant lead lines and springy chords into full-blown arrangements ...an aural textbook of modern blues techniques - with an added touch of genius..." Audio Magazine (3/93, p.96) - "...Sam's sheer artistry is overwhelming....These haunting sides explain once again why he'll always be a legend among blues fans..." Give Me Time Music | List Price | $12.98 (You save $2.99) | | Category | Rock/Pop Albums, Blues CDs, Chicago Blues | | Label | Delmark | | Orig Year | 1991 | | All Time Sales Rank | 79133  | | CD Universe Part number | 1187110 | | Catalog number | 654 | | Discs | 1 | | Release Date | Sep 18, 1993 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Robert G. Koester; Steve Wagner | | Engineer | Bill Lindemann | | Recording Time | 38 minutes | | Personnel | Eddie Boyd - vocals Magic Sam - vocals, electric guitar
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Magic Sam Give Me Time Songs | 1. | Give Me Time |
| 2. | You Belong to Me |
| 3. | That's Why I'm Crying |
| 4. | You're So Fine |
| 5. | Come into My Arms |
| 6. | I Can't Quit You Baby |
| 7. | Sweet Little Angel |
| 8. | That's All I Need |
| 9. | What Have I Done Wrong? |
| 10. | Baby, You Torture My Soul |
| 11. | I'm So Glad |
| 12. | Shake a Hand |
| Give Me Time Review
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Purchase Give Me Time CD To buy, Click on price to add to cart | Magic Sam West Side Soul CD (1967)
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$12.89 Kim Robertson returns to Gourd Music with 14 beautiful instrumental arrangements of ancient melodies, traditional tunes, hymns, and contemporary compositions on Celtic harp. Kim has redefined the rich traditions of the harp with her innovative style and improvisational spirit. As a pioneer in the American folk harp movement, she combines cutting-edge artistry with a passionate sense of tradition, bringing a contemporary touch to a centuries-old instrumentBorn in Wisconsin and classically trained on piano and orchestral harp, Kim's discovery of the Celtic harp in the mid-70's grew into a profound love for the instrument, setting her upon the path of exploration for which she is now widely known. A renowned performer and instructor, her work encompasses over 20 album projects, 11 volumes of harp arrangements, three instructional videos and an international itinerary of concerts and retreats.Liner Notes1. The Youngest DaughterThis spirited reel appears in O'Neill's Music of Ireland (1903) and also in Ceol Rince na hEireann No. 1 by Breandan Breathnach as Baintreach na Radaireacht where it is attributed to Sean Potts, a whistle player, formerly of The Chieftains.2. All Things Bright and Beautiful This tune was written by Mrs. Cecil Frances Alexander (1823-1895) and first appeared in her Hymns for Little Children in 1848. Mrs. Alexander lived in Derry, Ireland and was the wife of the Archbishop of Armagh. The melody was borrowed from a 17th century English composition titled Royal Oak. It has been said that Genesis 1:31 was Mrs. Alexander's inspiration for this hymn. This beloved song is also included in The Episcopalian Hymnal.All ...
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