| | Big Wheeler Jump In CD Big Wheeler Discography of CDs
On his second LP, Wheeler is joined by his brother James on guitar, pianist Allen Batts, bassist Bob Stroger and drummer Baldhead Pete for a traditionally minded set featuring a number of the singer/harmonica player's original compositions. ~ Jason Ankeny
playing swooping & soaring harmonica in the style of his mentor Little Walter, Wheeler presents a groovy traditional blues session w. his brother James-gtr, Allen Batts-pno, Bob Stroger-bss + others
Includes liner notes by Sandra Pointer-Jones.
Personnel: Golden "Big" Wheeler (vocals, harmonica); James Wheeler (guitar); Allen Batts (piano); Bob Stroger (bass); Baldhead Pete (drums).
Big Wheeler Jump In Songs | 1. | Gotta-Have Will Jump In |
| 2. | Fire on the Mountain |
| 3. | Chicago Winter Weather Blues |
| 4. | Connie |
| 5. | Just to Be With You |
| 6. | Bad Situation Worse |
| 7. | Guilty |
| 8. | Big Wheeler's Christmas Bells |
| 9. | Big Mishap |
| 10. | Young Generation |
| 11. | Jelly, Jelly, Jelly |
| 12. | You're So Fine |
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Jump In Review
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Purchase Jump In CD To buy, Click on price to add to cart | Artie "Blues Boy" White Can We Get Together CD (1999)
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This release is something of a departure for the bold trumpet stylist. After the Latin-tinged dance-floor jams of ...
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THE VINTAGE YEARS compiles B.B. King's 1950's and 60's recordings for the Modern Records Group.
This impressive, impeccably packaged four-CD box set focuses solely on B.B. King's 1950s and 1960s recordings for the Modern family of labels. That was a period that basically encompassed the vast majority of his work prior to 1962, though he did a few non-Modern sides before signing with ABC Paramount in early 1962 and did a few other sides for Modern in the mid-'60s. So this is basically a box-set overview of King's early career, one that saw him score many R&B hits and build a career as a blues legend, even as the blues were falling out of fashion in favor of rock and soul. As many tracks as there are here -- 106 in all, four of them previously unreleased -- this isn't a catchall roundup of everything the prolific King did for the label. Additional material shows up on more specialized retrospectives, like Ace's own The Modern Recordings, 1950-1951. King's output during this period might be more consistent than it is varied, but both King fans and committed blues enthusiasts in general will be mighty happy with this set, presenting the considerable bulk of his significant Modern sides with intelligence. Each individual CD focuses on a theme of sort. Disc one, "The Great B.B.," concentrates on the hits and most familiar tunes, like "Sweet Little Angel," "Every Day I Have the Blues," "Sweet Sixteen," "Downhearted (How Blue Can You Get?)," "Rock Me Baby," "3 O'Clock Blues," and "Did You Ever Love a Woman." The disc titled "Memphis Blues'n'Boogie" is pretty self-explanatory and perhaps the least exciting of the CDs, as it's the most samey-sounding. The disc "Take a Swing With Me" is devoted to King's mild stylistic tours into soul, gospel, doo wop, and rock & roll, though it's usually a case of King absorbing such influences into blues than trying something too different. The final CD, "King of the Blues," puts the spotlight on his later recordings for the label, in which his sound was maturing into something more urbanely soulful, though "Fishin' After Me" (aka "Catfish Blues") sounds like a Howlin' ...
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