| | Dougie Maclean Indigenous CD Dougie Maclean Discography of CDs
(1 Customer Review)
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Our Price: $14.65 CD Backorder: (Usually ships in 3-10 days) 
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One of his best albums, it consists of mostly originals, with two by Robert Burns. ~ Steve Winick
From 1991;Scottish
Recorded at Dunkeld Records Studios, Scotland and Studio W, Nahsville, Tennessee from 1990 to 1991.
Personnel: ... Indigenous Music | List Price | $16.97 (You save $2.32) | | Category | Rock/Pop Albums, Rock CDs, Folk, New Age, Celtic, Irish, Scottish, World | | Label | Blix Street | | Orig Year | 1991 | | All Time Sales Rank | 61201  | | CD Universe Part number | 1187969 | | Catalog number | 410060 | | Discs | 1 | | Release Date | Dec 07, 1999 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Dougie MacLean; Graeme Hughes | | Engineer | Graeme Hughes | | Recording Time | 46 minutes | | Personnel | Jerry McPherson - electric guitar Bruce C. Bouton - pedal steel guitar, Wasenborne guitar Duncan Mullins - fretless bass, drum programming Chris Smith - snare drum, congas, background vocals Dougie Maclean - vocals, acoustic guitar, didjeridu, keyboards, congas, percussion Jimmy Anderson - electric guitar Davie Duncan - harmonica, bodhran, background vocals Gordon Duncan - whistle Graeme Hughes - keyboards Mairi MacLean - background vocals
Also: Trisha Yearwood |
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$11.39 Steve Ferrone has been around a long time, he has played in numerous bands and on thousands of records over the years. He is mostly known for his work with Average White Band, Eric Clapton, Chaka Kahn, Jeff Golub, Duran Duran, and for the last ten years Tom Petty & The Heartbreakers."It was in working with Tom Petty that my urge to create and perform my own music was rekindled. Every member of the band is creative and writes music. Tom really bares his soul and tells great stories of personal beliefs and experiences. Mike Campbell works constantly on his writing as does Benmont Tench and Scott Thurston. They kind of swept me up in their thirst to express themselves, so when I found myself in some pain from a break up, I decided to let it turn itself into some music. Woody Creek and CC & 7 were the result of that little interlude, and I just kept on going. A good friend Marcel East, brother of that great bassist Nathan East, helped me to write the sometimes strange mixtures that are found on this album. He then suggested that I get a band and play at La-Ve-Lee, a local jazz club in Studio City. Fearfully I put this together. I have never tried to be a front man before, I was always safely hidden away in a group or as a sideman. But I faced my fears and slowly started to make a band. I called on some of my oldest friends and favorite players to help me put together enough of a program to play a set. Mixed in among my tunes were songs that I had always liked to listen to and to play. Alex Ligertwood, one of my oldest friends and fantastic vocalist, David Garfield and his extraordinary keyboard work were key in getting this off the ground. Steve Farris (Mr. Mr.) and Michael P. O'Neil (George Benson) with their two styles of guitar work that enrich the music so much, Jimmy Earl, powerhouse bass player with Robben Ford and Chick Correa, Bikki Johnson, a wonderful artist, bassist and the only girl in the band to play second bass on Woody Creek, and to top it off Gerald Albright (Sax's) multi instrumentalist, and a star in his own right, Jason Weber (Sax's) a very talented newcomer from San Diego, and Lee Thornberg (Trumpet and Trombone) session master and resident of the Leno Show Band. Marcel east decided that it was too good an opportunity to pass up, so he brought down his pro-tools rig with engineer Mike Aarvol and recorded the whole thing. It was a great night!About a year after the recording was complete I finaly got around to listening to what Marcel had recorded, and I was stunned by the quality of the sound and playing. Because it was all put together in such short notice I felt that some of the arrangements could be better. By that time, I had befriended Clarke Rigsby, a real journeyman guitarist, engineer and producer in Phoenix. I played him the tapes and he loved the performances and immediately got stuck into making things happen. We set to work touching up the songs. Sam Pilafian, a tuba player and music professor at Arizona State University offered to help with the arrangements as did sax player Jerry Donato. The section comprised of Tuba virtuoso Patrick Sheridan, Phoenix Symphony trombonist John Lofton and trumpeter Peter Green worked wonderfully together on the arrangements so that they seemed like they were there on the night of recording. Then there was that one song that just didn't have the sparkle of the others. "Put ...
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