| | Suppé, Auber: Overtures / Paray, Detroit Symphony CD DSO / Paray / Suppe CDS
Feat.Detroit Symphony Suppé, Auber: Overtures / Paray, Detroit Symphony Music | List Price | $11.98 (You save $3.83) | | Label | Philips | | Orig Year | 5/12/1992 | | All Time Sales Rank |  3329  | | CD Universe Part number | 1191890 | | Catalog number | 434309 | | Discs | 1 | | Release Date | May 12, 1992 | | Recording Time | 1 6 |
Suppé, Auber: Overtures / Paray, Detroit Symphony Review
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Suppé, Auber: Overtures / Paray, Detroit Symphony Songs 1. Die schöne Galathee (The Beautiful Galatea), operetta: Overture (6:22)  Windows Media  Real Audio | | Common Name | Die Schone Galathee The Beautiful Galatea | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Harold Lawrence | | Genre | Opera / Operetta / Romantic Period | | Date Written | 1865 | | Period | Romantic | | Venue | United States | | Recording Date | 11/1959 | | Notes | Composition written: 1865.
Composition revised: Germany. | | 2. Pique Dame (The Queen of Spades), overture to the operetta: Overture (7:28) Windows Media Real Audio | | Common Name | Pique Dame The Queen Of Spades | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Harold Lawrence | | Genre | Overture / Romantic Period | | Date Written | 1862 | | Period | Romantic | | Country | Austria | | Venue | United States | | Recording Date | 11/1959 | | 3. Leichte Kavallerie (Light Cavalry), operetta: Overture (6:26) Windows Media Real Audio | | Common Name | Leichte Kavallerie Light Cavalry | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Harold Lawrence | | Genre | Operetta / Romantic Period | | Date Written | 1866 | | Period | Romantic | | Venue | United States | | Recording Date | 11/1959 | | Notes | Composition written: 1866.
Composition revised: Germany. | | 4. Dichter und Bauer (Poet and Peasant), overture for orchestra (9:24) Windows Media Real Audio | | Common Name | Dichter Und Bauer Poet And Peasant For Orchestra | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Harold Lawrence | | Genre | Romantic Period | | Date Written | 1846 | | Period | Romantic | | Country | Austria | | Venue | United States | | Recording Date | 11/1959 | | 5. Ein Morgen, ein Mittag, ein Abend in Wien (Morning Noon and Night in Vienna), overture from the inci (7:32) Windows Media Real Audio | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Harold Lawrence | | Genre | Overture / Romantic Period | | Date Written | 1844 | | Period | Romantic | | Country | Austria | | Venue | United States | | Recording Date | 11/1959 | | 6. Boccaccio, operetta: Overture (6:48) Windows Media Real Audio | | Common Name | Boccaccio Operetta | | Composer | Franz von Suppé (1819 - 1895) | | Conductor | Harold Lawrence | | Genre | Opera / Operetta / Romantic Period | | Date Written | 1879 | | Period | Romantic | | Venue | United States | | Recording Date | 11/1959 | | Notes | Composition written: 1879.
Composition revised: Germany. | | 7. Bronze Horse, opera: Overture (6:49) Windows Media Real Audio | | Composer | Daniel-François-Esprit Auber (1782 - 1871) | | Conductor | Harold Lawrence | | Genre | Opera / Romantic Period | | Date Written | 1835 | | Period | Romantic | | Venue | United States | | Recording Date | 04/1959 | | Notes | Composition written: 1835.
Composition revised: France. | | 8. Fra Diavolo, opera: Overture (7:31) Windows Media Real Audio | | Common Name | Fra Diavolo Opera | | Composer | Daniel-François-Esprit Auber (1782 - 1871) | | Conductor | Harold Lawrence | | Genre | Opera / Romantic Period | | Date Written | 1830 | | Period | Romantic | | Country | France | | Venue | United States | | Recording Date | 04/1959 | | 9. Masaniello Overture (7:24) Windows Media Real Audio | | Composer | Daniel-François-Esprit Auber (1782 - 1871) | | Conductor | Harold Lawrence | | Genre | Overture / Romantic Period | | Period | Romantic | | Country | France | | Venue | United States | | Recording Date | 04/1959 |
Suppé, Auber: Overtures / Paray, Detroit Symphony Music Composers on Suppé, Auber: Overtures / Paray, Detroit Symphony CD : Daniel-Francois-Esprit Au, Franz von Suppe Conductors on Suppé, Auber: Overtures / Paray, Detroit Symphony CD : Harold Lawrence, Paul Paray Genres on Suppé, Auber: Overtures / Paray, Detroit Symphony CD : Opera, Operetta, Overture, Romantic Period Purchase Suppé, Auber: Overtures / Paray, Detroit Symphony To buy, Click on price to add to cart | Bill Evans Intuition CD (1974)
Suppé, Auber: Overtures / Paray, Detroit Symphony
 $8.69  
Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California.
The fullness of this duet album's sound suffers only slightly from the lack of a drummer, compensating with deeply satisfying intuitive interplay between pianist Evans and longtime collaborator Gomez. Evans experiments on INTUITION with the electric Fender-Rhodes piano for his original tunes, "Show-Type Tune" and "Are You All the Things," but he is at his most assertive and polished when playing acoustic piano. Particular standouts are the two songs by Bronislau Kaper, the romantic ballad "Invitation," and, with particular care and expression, the theme "Hi Lili, Hi Lo," from the musical "Lili." Gomez is a full participant, using the bass the way he did as a member of the Bill Evans Trio, making himself an indispensable part of the equation. INTUITION is a strongly empathetic album which memorializes a deep musical connection between two jazz greats.
Recorded at Fantasy Studios, Berkeley, California from November 7-10, 1974. Originally released on Fantasy (9475). Includes liner notes by George Cleve.
Composer: Claus Ogerman.
Personnel: Bill Evans (piano).
Liner Note Author: George Cleve.
Recording information: Fantasy Studios, Berkeley, CA (11/07/1974-11/10/1974).
Unknown Contributor Role: Bill Evans .
Personnel: Bill Evans (piano); Eddie Gomez (bass).
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Suppé, Auber: Overtures / Paray, Detroit Symphony
$6.59  | | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often credited to Davis, "Blue In Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Miles fascination with the earthy melodies and brooding metaphors of the Iberian peninsula...a harbinger of his next masterpiece, SKETCHES OF SPAIN. KIND OF BLUE remains M
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Suppé, Auber: Overtures / Paray, Detroit Symphony
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Live Recording
Recorded at Estudios Infinity, Madrid, Spain in March-May 1999.
Personnel: Martirio (vocals); Raul Rodriguez (guitar, tres, percussion); Paco De Amparo (guitar); Jorge Pozas (cello) Chano Dominguez (piano); Javier Colina (bass); Guillermo McGuill (drums, cajon); Rogerio De Souza (percussion); Pepe Torres (feet, compas); Luis Torres (compas).
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Suppé, Auber: Overtures / Paray, Detroit Symphony
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Live Recording
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Personnel: Mike Murley, Phil Dwyer (soprano saxophone, tenor saxophone); P.J. Perry, Campbell Ryga (alto saxophone); Seamus Blake, Yannick Rieu (tenor saxophone); Perry White (baritone saxophone); Mark Eisenman (piano); Neil Swainson (double bass); Terry Clarke (drums).
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Artist & Repertoires Series.
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This is a Super Audio CD playable only on Super Audio CD players.
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