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Clark, Terri - How I Feel CD Cover Art
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Terri Clark How I Feel CD

 Terri Clark Discography of CDs
5 stars (1 Customer Review)

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All tracks have been digitally mastered using HDCD technology.

While HOW I FEEL finds Clark shaving off some of the rock & roll edges that made her previous recording, JUST THE SAME, stand out from the pack, the attitude expressed on the tunes here is no less forthright. Whether she's making an exclamation of self-reliance on the opener, "I'm Alright," or celebrating the joys of amour on "Now That I Found You," she presents a strong, independent face that is far removed from the fragile broken-hearted waifs who clutter the country charts. Even when confronted with emotional/romantic difficulties, as on the title track and "Everytime I Cry," Clark addresses the problem with directness and forthrightness, seeking solutions instead of crying in her beer. Sure, there are barrels full of great country songs about crying in one's beer, but as this album makes apparent, that's just not Terri Clark's style.

Principally recorded at The Castle, Franklin, Tennessee.

Personnel: Terri Clark (vocals); John D. Willis (acoustic guitar); J.T. Corenflos, Brent Mason (electric guitar); Dan Dugmore (slide & steel guitars); Sonny Garrish, Paul Franklin (steel guitar); Stuart Duncan (fiddle); John Jarvis (piano); Gary Prim (keyboards); Glenn Worf (bass); Owen Hale (drums); John Wesley Ryles, Stephony Smith, Sunny Russ, Vicki Hampton, Robert Bailey, Alison Krauss (background vocals).

Entertainment Weekly (5/29/98, p.77) - "On her third album, Nashville's only cowboy-hatted female takes her largely down-home act uptown--with alt-country, L.A. pop, and relax-in-the-bubble-bath-blues..." - Rating: B
How I Feel Music


Detailed How I Feel Music Information



List Price $9.98 (You save $3.13)
Category Rock/Pop Albums, Country CDs, HDCD, Contemporary Country
Label Mercury Nashville
Orig Year 1998
All Time Sales Rank   14025  
CD Universe Part number 1192131
Catalog number 558211
Discs 1
Release Date May 19, 1998
Studio/Live Studio
Mono/Stereo Stereo
Producer Keith Stegall
Engineer John Kelton
Personnel Paul Franklin - steel guitar
Glenn Worf - bass
Stuart Duncan - fiddle
Dan Dugmore - slide & steel guitars
John Jarvis - piano
Sonny Garrish
Vicki Hampton
Gary Prim - keyboards
Owen Hale - drums
Robert Bailey

List all 18 contributors
Terri Clark How I Feel Songs


Terri Clark How I Feel Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.I'm Alright  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Now That I Found You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Everytime I Cry  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.That's How I Feel  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.You're Easy on the Eyes  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Getting Even With the Blues  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Till I Get There  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Not Getting Over You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.This Ole Heart  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Cure For the Common Heartache  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.That's Me Not Loving You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Unsung Hero  $0.99

How I Feel Music Review


Customer How I Feel Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Awsome Lady
Terri has the voice that inhances the way I wish I could be ,because she is a great singer and a survivor.
Submitted by Irosesleuth24#yahoo.com (Naschitti,New Mexico)
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I'm Alright
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All tracks have been digitally mastered using HDCD technology. She's a little bit country, she's a little bit rock and roll, she's the toast of Nashville. On JUST THE SAME, Terri Clark combines the punch and electricity of rock with the twangy, earthy feel of country music. Clark covers Warren Zevon's evergreen "Poor, Poor Pitiful Me" without trying to turn it into a country song, and adds an aggressive rock edge to "Twang Thang" (rhymes with "heart strang" and "deep pang"), an ode to down-and-dirty country music. The production places ...
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This 4-CD boxed set contains a 95-page book by Richard Weize and Charles Wolf. The 11 years covered in this first of two Don Gibson retrospectives by the German Bear Family label are the most captivating in his career. Beginning in 1949, Gibson began recording as part of the hillbilly jump band Sons of the Soil for Mercury. From the moment Gibson's lead vocal comes through the mix it is evident that even if he wasn't writing a lot of songs at the time, he was performing them as if they were his. Early on he issued four tracks, including the underground classic "Automatic Mama," a rockabilly prototype. A year later, Gibson & His King Cotton Kingfolks were at RCA working with Stephen Sholes and they issued eight sides that offered a more complex version of the Sons' style of country, bluegrass, and pop, with just a shade of jump thrown in. In 1952, Gibson moved to Columbia as a solo artist and recorded with Don Law and Troy Martin, and guitarist Chet Atkins, which is where his mature voice began to take shape, as evidenced by his first songwriting credit, "No Shoulder to Cry On," and a smoking version of Johnnie Masters' "Walkin' in the Moonlight." His chart success was evident, too, placing tracks steadily in the Top 40 of Billboard's country chart In 1955 Gibson moved again to MGM, where he recorded his first true smash and a bona fide country music classic: "Sweet Dreams." Yet it wasn't until he returned to RCA in 1957 that Gibson made of himself a living legend in recording arguably the greatest two-sided single ever issued in the history of the genre: "Oh, Lonesome Me" b/w "I Can't Stop Loving You," which sold not only for him, but was redefined by Ray Charles on his legendary Modern Sounds in Country and Western Music album. The late MGM period and his reunion with RCA is exhaustively documented here with alternate and unissued takes as well as ...
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