Hank Williams - Original Singles Collection...Plus MP3 Download

Original Singles Collection...Plus album for sale Crosby, Still, and Nash topped their enormously popular self-titled 1969 debut by adding Neil Young to their ranks and expanding their stylistic and sonic range. The result, released in 1970, was an artistic and commercial success, representing the talents of the four primary players to excellent effect. More ambitious and incisive than its CSN predecessor, DEJA VU brings together folk, psychedelia, jazz, African, and Middle Eastern flavors, Tin Pan Alley, and hard rock in a manner that captures the tenor of the era's counterculture without sounding dated. The group's distinctively lush harmonies are spread across the album, notably on the record's two centerpieces--"Carry On," which segues into a chugging, percussion-fueled groove halfway through, and "Woodstock," the band's hard rock re-working of the Joni Mitchell tune. Elsewhere, the songs are stamped by individual personalities, as on David Crosby's driving "Almost Cut My Hair," Graham Nash's quaint "Our House," and Stephen Stills dark, folky "4+20." Young's aching, plaintive "Helpless" is one of the highlights here, as is Crosby's complex title cut (with its intricate rhythms and vocal arrangements). Though their time together was tumultuous and short-lived, CSNY were one of the most successful acts of the era, and DEJA VU finds them at their peak. Recording information: Wally Heiders Studio III, Los Angeles, CA. Photographers: Henry Diltz; Tom Gundelfinger. Crosby, Stills, Nash & Young: David Crosby, Graham Nash, Neil Young, Stephen Stills (various instruments). Personnel: Neil Young (vocals, guitar, harmonica, piano, keyboards); Graham Nash, Stephen Stills (vocals, guitar, keyboards); David Crosby (vocals, guitar); Jerry Garcia (slide guitar, steel guitar); John Sebastian (harmonica); Dallas Taylor (drums, percussion); Greg Reeves (percussion). Additional personnel: John Sebastian (autoharp); Gregory Reeves (bass instrument); Dallas Taylor , Jerry ...

Original Singles Collection...Plus buy CD music The Band emerged from months of seclusion with this enthralling debut album. It followed a lengthy spell accompanying Bob Dylan, which culminated in sessions known as THE BASEMENT TAPES. Three songs herein were revived from those recordings, and the remainder showed a similar pastoral spirit. Where contemporaries sought expression in progressive music, the Band were largely reflective, creating atmosphere from traditional forms and distilling the results in an economic style. Their ensemble playing and rural voices were best captured on "The Weight," an elliptical composition which displayed their craft to perfection. Americana of every hue can be gleaned from this collection, the depth of which left a marked impression on audiences and musicians alike. Originally released on Capitol (7777 46069). Includes liner notes by Rob Bowman. 9 Bonus Tracks Recorded at Big Pink, West Saugerties, New York. Reissue producers: Cheryl Pawelski, Andrew Sandoval. Engineers include: Don Hahn, Tony May, Rex Updegraft. Photographer: Elliott Landy. Arranger: Albert B. Grossman. The Band: Richard Manuel (vocals, keyboards); Rick Danko (vocals, bass); Levon Helm (vocals, drums); Robbie Robertson (guitar); Garth Hudson (keyboards). Producer: John Simon.

Original Singles Collection...Plus songs Initially renowned as Bob Dylan's backing group, the Band emerged from the singer's shadow to proclaim a distinctive talent. Drawing upon a musical canon embracing soul, country, folk and rock `n' roll, the quintet created a unique sound that was quintessentially American. Its rustic qualities were enhanced by principle songwriter Robbie Robertson who created vistas suggestive of a pre-industrial age, and as such, captured the restlessness of the late 60s without the need for explicit manifestos. Expressive singing, sublime melodies and telepathic musicianship instils The Band with quality, but its adult themes and perspectives ensure an absolute timelessness. An all-time critics' favourite. Recorded in Hollywood, California in 1969. Includes liner notes by Barney Hoskyns. 7 Bonus Tracks Producers: The Band, John Simon. Reissue producers: Cheryl Pawelski, Andrew Sandoval. Engineers include: Robbie Robertson, John Simon, Joe Zagarino. The Band: Levon Helm (vocals, guitar, mandolin, drums); Robbie Robertson (vocals, guitar); Rick Danko (vocals, violin, trombone, bass); Richard Manuel (vocals, harmonica, baritone saxophone, piano, drums); Garth Hudson (accordion, soprano, tenor & baritone saxophones, trumpet, piano, organ, Clavinet). Additional personnel: John Simon (tuba, horns, electric piano).

Original Singles Collection...Plus CD music In the pursuit of what he labeled "Cosmic American Music," Gram Parsons--with the Byrds, the Flying Burrito Brothers, and as a solo artist--helped invent country-rock, forever changing the relationship between the two genres. GP, released in 1973, and GRIEVOUS ANGEL, released posthumously in 1974, are the only two studio albums on which Parsons served as the lone bandleader. With the help of Elvis Presley's backing band and a then unknown singer named Emmylou Harris on harmony vocals, Parsons wrapped up bluegrass, honky tonk, traditional country, R&B, and rock & roll in one delicious package. Compiled here on one CD, both GP and GRIEVOUS ANGEL are packed with country-rock classics like the character sketch ballad "She," the boot-tapping "That's All It Took," and the irresistibly rocking "Big Mouth Blues," while "Return of the Grievous Angel" is an all-time Parsons gem and one of his most beautiful duets with Harris. The albums flow together perfectly, with the strength of the songwriting and musicianship guaranteeing no missteps along the way (even the covers of "Love Hurts" and a rave-up version of the Louvin Brothers' "Cash on the Barrellhead" sparkle). In addition to its status as one of the quintessential, defining documents of country-rock, GP/GRIEVOUS ANGEL is still a beautiful, satisfying listen decades after its release. Live Recording 2 LP's on 1 CD: GP (1973)/GRIEVOUS ANGEL (1974). Personnel: Gram Parsons (vocals, acoustic guitar); Barry Tashian (vocals, guitar); Emmylou Harris, Barry & Holly Tashian (vocals); Bernie Leadon (acoustic guitar, electric guitar, dobro); Herb Pedersen (acoustic guitar, electric guitar); James Burton (electric guitar, dobro); Al Perkins , Buddy Emmons (steel guitar, pedal steel guitar); Alan Munde (banjo); Byron Berline (mandolin, fiddle); Harold Battiste, Jr., Hal Battiste (baritone saxophone); Glen D. Hardin (piano, organ); Steve Snyder (vibraphone, background vocals); Stephen Snyder (vibraphone); Emory Gordy (bass instrument); Sam Goldstein, John Guerin, N.D. Smart II, Ron Tutt, Ronnie Tutt (drums); Mitch Gordon, Phil Kaufman, Lewis Morford, Joe Doe, Ed Tickner, Jane Doe, Kim Fowley, Tom Bahler, Linda Ronstadt, Ron Hicklin (background vocals). Audio Mixer: Hugh Davies. Audio Remixer: Hugh Davies. Liner Note Authors: Marley Brant; John Delgato. Recording information: Capitol Recording Studios, Hollywood, CA; Wally Heider Studio 4. Director: Glen D. Hardin. Photographer: Barry Feinstein.

Original Singles Collection...Plus buy CD music In the late 60s and early '70s, Delaney and Bonnie Bramlett played a vibrant, country-tinged blues-rock that also owed a heavy debt to gritty Memphis R&B (it is no coincidence that their first album was released on Stax Records). And while their singing and playing were consistently top-notch, their profile was not weakened by their association with Eric Clapton, who toured with them between his stint in Blind Faith and the formation of Derek and the Dominos. In fact, when considering Clapton's musical evolution, it seems clear that the rootsy, downhome vibe of Delaney & Bonnie was a direct influence on the direction of his solo career. This excellent live set showcases Delaney & Bonnie's superb vocal performances (note Bonnie's gospel-drenched take on "That's What My Man Is For"), and Clapton's superior playing. Whether on driving, Stax-style soul ("Things Get Better") or good old rock & roll (on the fierce, extended Little Richard medley), the band--which consists of some of the finest musicians of the day, many of whom went on to play with Clapton and other luminaries throughout the '70s--tears it up. But while the set teems with advanced musicianship, the overall vibe is one of straightforward fun and good times. Out-of-print in the US! On Tour with Eric Clapton is the third album by Delaney & Bonnie Bramlett, and their first on the Atco/Atlantic label (catalog no. SD 33-326). Released in June 1970, this album features Delaney and Bonnie's best-known touring band, including Eric Clapton, Jim Gordon, Carl Radle, Bobby Whitlock, Leon Russell, Dave Mason, and George Harrison (under his pseudonym "L'Angelo Misterioso"). Many of the players on this album would later go on to work with Clapton on his solo debut and on Layla and Other Assorted Love Songs, and with Harrison on his vocal debut album All Things Must Pass. The album's cover photo, taken by Delaney and Bonnie's manager Barry Feinstein, was reportedly shot in 1966 while Feinstein worked as a photographer covering Bob Dylan's British tour. Dylan's feet are alleged to be those hanging from the car window. Recording information: England. Photographers: Tom Wilkes ; Barry Feinstein. Arranger: Delaney Bramlett. Personnel: Delaney Bramlett (vocals, guitar); Bobby Whitlock (vocals, organ, keyboards); Rita Coolidge, Bonnie Bramlett (vocals); Dave Mason, Eric Clapton (guitar); Bobby Keys (saxophone); Jim Price (trumpet, trombone, horns); Jim Gordon (drums); Tex Johnson (congas, bongos). Audio Mixer: Bill Halverson.

Original Singles Collection...Plus songs Recorded between 1927 and 1930. Includes liner notes by Samuel Charters. Digitally remastered by David Mitson (Sony Music Studios, Los Angeles, California). A bottleneck guitarist of consummate skill, Blind Willie Johnson was a traveling evangelist who preached the gospel by playing and singing such message-heavy tunes as "I Know His Blood Can Make Me Whole," and "If It Had Not Been for Jesus." But there is not a whit of squeaky-clean, Sunday-morning sweetness to Johnson's music. Overwhelmingly intense, Johnson's performances are all open wounds and raw nerves. THE COMPLETE collects everything the artist ever recorded, and makes a case for Johnson as one of the most passionate, affecting bluesmen of all time. It is Johnson's singing that truly startles. A gruff yet finely nuanced bass, Johnson sings with a voice that could grind glass, wrenching out spiritually committed messages in a manner both primal and sublime. Johnson also displays great variety, be it the stark, understated intensity of "Dark Was the Night - Cold Was the Ground" (where he wordlessly vocalizes in a hush over ghostly riffs) or the full-tilt prophetic perfection of "John the Revelator" (a duet with Willie Harris). THE COMPLETE BLIND WILLIE JOHNSON is an utterly essential set of the most hair-raising gospel blues ever put to tape. Be prepared. This is part of Columbia/Legacy's Roots N' Blues series. Personnel includes: Blind Willie Johnson (slide guitar, vocals). Reissue producers: Lawrence Cohn, Gary Pacheco.