| | Clutch Impetus CD Clutch Discography of CDs
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Earache Records continued clearing their vaults of rarities by re-releasing Clutch's first EP, Passive Restraints, coupled with a track off of the Piledriver 12-inch and a demo of "Impetus." Despite the early recordings, none of these songs are lacking in either production or songwriting, which only serves to make the "Impetus" demo nearly the equal of the studio version...Diehard Clutch fans will want to add this to their collections... ~ Jeremy Ulrey
Earache Records continued clearing their vaults of rarities by re-releasing Clutch's first EP, Passive Restraints, coupled with a track off of the Piledriver 12-inch and a demo of "Impetus." Despite the early recordings, none of these songs are lacking in either production or songwriting, which only serves to make the "Impetus" demo nearly identical to the studio version and as such irrelevant. Diehard Clutch fans will want to add this to their collections, but others should probably steer away from this overpriced release. ~ Jeremy Ulrey Purchase Impetus CD To buy, Click on price to add to cart | Clutch Elephant Riders CD (1998) Enhanced CD
Impetus
 $7.59   
THE ELEPHANT RIDERS is an Enhanced CD containing both a full audio program as well as multimedia computer files and free access to the internet.
Clutch: Neil Fallon (vocals); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums).
Additional personnel: Delfeayo Marsalis (trombone).
Principally recorded at Electric Lady Studios and Manhattan Center Studios, New York, New York.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: Neil Fallon (vocals); Tim Sult (guitar); Jean-Paul Gaster (drums).
Audio Mixers: Jack ...
| | Clutch CD (1995)
Impetus
$7.49
| | Clutch Transnational Speedway League: Anthems, Anecdotes And Undeniable Truths CD (1993)
Impetus
$7.85 
| | Clutch Pure Rock Fury CD (2001)
Impetus
$7.85
This is a Hyper CD which, besides containing regular audio tracks, provides a link to the artist's website with the help of a web browser.
Clutch: Neil Fallon (vocals, guitar, organ); Tim Sult (guitar); Dan Maines (bass); Jean-Paul Gaster (drums).
Additional personnel: Scott "Wino" Weinrich, Leslie West (guitar, background vocals); Joe Selby (guitar); Heartbeat (congas, background vocals); Dan Kevzwyck, Machine (background vocals).
Producers: Uncle Punchy, Machine, Jason Corsaro, ...
| | Clutch Jam Room CD (2000)
Impetus
$10.69 
Prev.Only Available On Import.
Clutch: N. Fallon (vocals); Dan Maines (bass instrument); J.P. Gaster (drums); Tim Sult.
Personnel: Neil Fallon (vocals); Tim Sult (guitar); Delfeayo Marsalis (horns); Jean-Paul Gaster (drums).
Recording information: Uncle Punchy Studios, Silverspring, MD.
Photographer: Steve Truglio.
Sounding loose and more lively than their earlier major-label releases, Jam Room is Clutch at their down-home finest. Rarely will a band's sixth full-length disc manage to be this fresh and confident. From the opening moments of Jam Room's first crushing ...
| | Clutch Pitchfork & Lost Needles CD (2005)
Impetus
$10.69
Includes the complete PITCHFORK 7" EP (1991) and rare bonus tracks.
Clutch: Dan Maines (bass instrument); Jean-Paul Gaster (drums, percussion); Neil Fallon, Tim Sult.
Personnel: Neil Fallon (vocals, guitar, percussion); Mark Stanley, Tim Sult (guitar); Mick Schauer (electric piano, Clavinet, Wurlitzer organ).
Audio Mixers: J. Robbins; John Agnello.
Recording information: Uncle Punchy Studios (2005).
Pitchfork & Lost Needles includes Clutch's debut 7" in its four-song entirety and augments that with ...
| | Ozzy Osbourne Tribute CD (1987) Remastered
Impetus
$8.99
Personnel: Ozzy Osbourne (vocals); Randy Rhoads (electric & acoustic guitars); Rudy Sarzo (bass); Tommy Aldrige (drums).
Recorded live in 1981. Includes liner notes by Phil Alexander, Ozzy Osbourne, Delores Rhoads.
Digitally remastered by Stephen Marcussen (Marcussen Mastering).
This live double album, released five years after Randy Rhoads' death, showcases a hard rock guitarist whose all-around ability was arguably second only to Eddie Van Halen. Osbourne leads his best band lineup through the entire Blizzard repertoire, plus a few Diary and Sabbath numbers. ...
| | DJ Rupture Special Gunpowder CD (2004)
Impetus
$8.39
Adapters: DJ /rupture; Sindhu Zagoren.
Personnel: DJ /rupture (organ); Sindhu Zagoren (vocals, banjo); Elizabeth Alexander, Arnaud Michniak, Wicked Act, Lily, Junior Cat, Mandel Turner, Sister Nancy, Wayne Lonesome, Eugene Robinson (vocals); Joel Robinow (guitar, melodica, trumpet); Abdel Hak (violin); Jenny Jones (cello); Ben Jammin (saxophone); Kit Clayton (Fender Rhodes piano, organ, synthesizer).
Audio Remixer: DJ /rupture.
Recording information: Calle Mar, Barceloneta; New Haven.
Translator: Alan Holding.
Arranger: DJ /rupture.
Although he made his name with a pair of dense, chaotic mix albums, DJ /rupture's full-length production debut, Special Gunpowder, has holes wide enough to drive a mixing desk through. That's capable of upsetting most /rupture fans, who have looked to the man for the most grinding, fast-paced records to come out in the new millennium. Jace Clayton has interests beyond digital hardcore, though, and most of his listeners have followed ...
| | Dillo D Araujo Crocodillogang CD (2004) (Import) Brazil
Impetus
$23.65
Debutr album. GRV. 2004.
| | Two Tons Of Steel Transparent CD (2003) Reissue; Digipak
Impetus
$11.49
| | Barry Manilow Greatest Songs Of The Fifties CD (2006) (Import) Bonus Track; Japan; +1 Bonus Track
Impetus
$46.15
Includes a bonus track.
A significant album for Barry Manilow, THE GREATEST SONGS OF THE FIFTIES finds the Brooklyn-born crooner taking on tunes that were popular in his youth. This 2006 outing also marks Manilow's return to his former label, Arista, with the company's founder, Clive Davis, setting the singer up with 1950s pop classics much in the way that the savvy businessman steered Rod Stewart in the direction of jazzy standards.
The result is a light, breezy affair that showcases Manilow's easy-going charm, as revealed on his gentle versions of the Righteous Brothers' "Unchained Melody" and the Everly Brothers' "All I Have to Do Is Dream." Wisely avoiding over-the-top arrangements, this record presents a lush, restrained sound that allows Manilow's velvety voice to shine, making it one of the performer's finest studio albums in decades.
A companion piece to the similarly self-explanatory GREATEST SONGS OF THE FIFTIES, GREATEST SONGS OF THE SIXTIES finds Barry Manilow tackling the pop songbook of the decade just prior to the one he helped define. Smartly relying on the Bacharach/David songbook, Manilow picked a solid set of familiar adult-contemporary tunes that fit his own increasingly jazzy and ballad-oriented style. Although a medley of the Association's big hits "Cherish" and "Windy" features the surviving members harmonizing behind Manilow's lead, it's an otherwise solo show, and Manilow is in fine voice throughout.
Barry Manilow's Greatest Songs of the Fifties turned out to be a surprise smash upon its January 2006 release, debuting at number one on the Billboard charts, so a sequel was inevitable. Ever the show biz pro, Manilow knew to strike when the iron was hot, so a mere nine months later he delivered The Greatest Songs of the Sixties, which is not just a continuation of the original, but an improvement. Again, Manilow chooses to largely ignore rock & roll -- he covers the Beatles' "And I Love Her," but that was a ballad, like "Yesterday," that found its way onto many easy listening pop records of the '60s, the kind recorded by José Felicano, the Lettermen, and the Sandpipers. In its sound and sensibility, The Greatest Songs of the Sixties is strongly reminiscent of these easy listening records -- the production may not be quite as warm, but it features the same blend of Lennon/McCartney and Bacharach/David, augmented by hits from both Dean Martin and Herb Alpert, from both Frank Sinatra and the Association (who indeed back Manilow on a nice medley of "Cherish" and "Windy"). It's not adventurous -- the arrangements are either faithful to the original hits or do not stray much; either way, they could have fit on a record released in 1968 -- but it is well-executed. Like on the Fifties set, Manilow ...
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